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Campo Testaccio

1929 establishments in Italy2011 disestablishments in ItalyA.S. RomaDefunct football venues in ItalyItalian sports venue stubs
Serie A venues
2012 04 05 Campo Testaccio 2
2012 04 05 Campo Testaccio 2

Campo Testaccio was a multi-use stadium in Rome, Italy. It was initially used as the stadium of A.S. Roma matches, before the team moves to Stadio Nazionale PNF, located in Flaminio quarter in 1940. The capacity of the stadium was 20,000 spectators. The stadium was rebuilt for use by a local team in 2000, but demolished in 2011.

Excerpt from the Wikipedia article Campo Testaccio (License: CC BY-SA 3.0, Authors, Images).

Campo Testaccio
Via Nicola Zabaglia, Rome Municipio Roma I

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Geographical coordinates (GPS)

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N 41.876615 ° E 12.478012 °
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Address

Biblioteca Enzo Tortora

Via Nicola Zabaglia 27B
00153 Rome, Municipio Roma I
Lazio, Italy
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Phone number

call+390645460600

Website
bibliotu.it

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2012 04 05 Campo Testaccio 2
2012 04 05 Campo Testaccio 2
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Angel of Grief
Angel of Grief

Angel of Grief or the Weeping Angel is an 1894 sculpture by William Wetmore Story for the grave of his wife Emelyn Story at the Protestant Cemetery in Rome. Its full title bestowed by the creator was The Angel of Grief Weeping Over the Dismantled Altar of Life.This was Story's last major work prior to his death, dying a year after his wife. The statue's creation was documented in an 1896 issue of Cosmopolitan Magazine: according to this account, his wife's death so devastated Story that he lost interest in sculpture, but was inspired to create the monument by his children, who recommended it as a means of memorializing the woman. Unlike the typical angelic grave art, "this dramatic life-size winged figure speaks more of the pain of those left behind" by appearing "collapsed, weeping and draped over the tomb".The term is now used to describe multiple grave stones throughout the world erected in the style of the Story stone. A feature in The Guardian called the design "one of the most copied images in the world". Story himself wrote that "It represents the angel of Grief, in utter abandonment, throwing herself with drooping wings and hidden face over a funeral altar. It represents what I feel. It represents Prostration. Yet to do it helps me."Prominent replicas of the Angel of Grief sculpture include the Henry Lathrop monument, located in the Stanford University Arboretum. Lathrop was the brother of Jane Stanford, the co-founder of the university. The original replica was built in 1901, but was severely damaged in the San Francisco earthquake of 1906, leading to its replacement in 1908. After years of neglect, the 1908 replacement was fully restored in 2001. Another example is the Cassard angel, erected around 1908 in the Green-Wood Cemetery in Brooklyn, New York.The image has also been used in popular culture, such as in an album covers for The Tea Party's The Edges of Twilight (1995), Evanescence’s EP (1998) and Nightwish's Once (2004) and in the 2012 film The Woman in Black.

Horrea Galbae
Horrea Galbae

The Horrea Galbae were warehouses (horrea) in the southern part of ancient Rome, located between the southern end of the Aventine Hill and the waste dump of Monte Testaccio. They ran for a substantial distance, possibly extending as far as the Porta Ostiensis in the east and the Porticus Aemilia on the banks of the Tiber. The horrea were most likely built on the site of a suburban villa owned by the Sulpicii Galbae, a distinguished noble family of whom the 1st century AD Roman Emperor Galba was a member. (There are many alternative spellings of the name: Galbana, Galbiana, Galbes and so on.)The tomb of Servius Sulpicius Galba (probably the consul of 108 BC, rather than his better-known father of the same name) stood in front of the warehouse complex. It is not clear when the horrea were founded, but presumably it was some time after the tomb was built. The complex was probably originally known as the Horrea Sulpicia, after the nomen of the gens Sulpicia, but acquired its later name during the time of the emperor Galba.Archaeological excavations and the remains of the Forma Urbis Romae show that the Horrea Galbae comprised three long rectangular courtyards set out in parallel, each surrounded by colonnades or arcades of tabernae, with a single entrance positioned on the axis at a short end. They were used to store the annona publica (the public grain supply) as well as olive oil, wine, foodstuffs, clothing and even marble. The size of the Horrea Galbae was enormous, even by modern standards; the horrea contained 140 rooms on the ground floor alone, covering an area of some 225,000 square feet (21,000 m2).It is thought that Monte Testaccio, the giant mound of broken amphorae that lay behind the Horrea Galbae, was associated with the complex. Olive oil imported from far-away Baetica (in modern Spain) was emptied into bulk containers, probably in the horrea, and the original import vessels were smashed and dumped on Monte Testaccio. The scale of the imports can be judged by the fact that Monte Testaccio is estimated to contain the remains of at least 53 million olive oil amphorae, in which some 6 billion litres (1.58 billion gallons) of oil were imported.Little now remains of the Horrea Galbae. Walls and brickwork, dating probably from the 1st century AD, have been discovered by archaeologists along with large lead pipes bearing inscriptions from Hadrian's reign in the following century.