Athens University of Economics and Business

Victoria (Greek: Βικτώρια, Viktoria) is on Athens Metro Line 1, between Omonia and Attiki. It is named after the British monarch Queen Victoria.The station is underground, beneath Victoria Square, and was recently renovated. It is the first underground station of the northern group of Line 1 stations. The central station, Omonia, is also underground. The architectural style of the station is Art Deco and the walls are covered with light blue tiles in contrast with the tiles of the Omonia station, which are dark yellow. Before and after the renovation, the station's name is shown in big white labels that were made in Germany by Emaillierwerk Gottfried Dichanz. The concept of the station is very similar to the stations in Berlin, the stairs in this concept go directly to the street. Victoria station is at 5 minutes walking distance from the National Archaeological Museum of Athens and from Athens University of Economics and Business.

Panellinios Indoor Hall, or Panellinios AC Indoor Hall, is a multi-purpose indoor sporting arena that is located in the district of Kypseli, Athens, Greece. The arena can host basketball, volleyball, and handball matches. The arena is small, with a permanent seating capacity 1,100, and a capacity of 1,800 spectators with temporary seating.The arena has modern locker room facilities for the home and visiting teams, for the referees and the game judges, a complete press room, an anti-doping control room, club management offices, and a fully furnished press room for the media. The arena is owned by Panellinios G.S.

Viktoria Square (originally Kyriakou Square) is a large square in the Municipality of Athens, Greece between 3 September and Aristotelous streets. It was renamed Viktoria in honor of the Queen of the United Kingdom on the occasion of the annexation of the Ionian Islands to Greece in 1864, as a gift to the enthronement of the Queen's nephew, Prince Christian William Ferdinand Adolf George of Denmark, later George I of Greece. Underneath the square passes the Athens Electric Railway at the homonymous stop. The square crosses the streets of Hayden, 3 September and Aristotelous; in its center is the sculptural complex Theseus saves Hippodamia by Johannes Pfuhl (1846–1914). Around the square, the homonymous district has been developed. Since the 1940s the district has been one of Athens' best and most sought after, comparable to Kolonaki. On its streets there are important examples of classical modernism, such as the Spathari block (Mavrommatia street), the Sarantopoulos block (27 Derigni street), as well as the buildings on Heiden 1 and 2. The luxurious apartments of these buildings were addressed to the bourgeoisie of Athens at the time, since they provided a variety of amenities and had high quality architectural elements. Gradually, the area began to decline, largely due to its abandonment by its original inhabitants. The neighborhood today is generally regarded as degraded and facing problems of crime.Since the worst days there has been an improvement in the neighborhood around the square, which is linked to the general upgrading of downtown Athens.

The Hellenic Motor Museum (Greek: Ελληνικό Μουσείο Αυτοκινήτου) is a car museum in Athens. It is owned by the Theodore Charagionis Foundation and opened in March 2011 (2011-03). The museum is situated in central Athens near the National Archaeological Museum, on the three top floors of the Athenian Capitol shopping mall. The collection of the museum consists of 300 cars of which about 110 are displayed periodically. The museum offers many other facilities such as a Formula 1 simulator, a road safety educational programme and an amphitheatre.

The Austrian Archaeological Institute at Athens (German: Österreichisches Archäologisches Institut (ÖAI) Athen; Greek: Αυστριακό Αρχαιολογικό Ινστιτούτο Αθηνών) is one of the 19 foreign archaeological institutes operating in Athens, Greece. It is a branch of the Austrian Archaeological Institute based in Vienna. Founded in 1898 by Otto Benndorf, it is the fifth oldest such institution in Greece. Its main role is to provide a basis for Austrian scholars active in Greece, and to facilitate Austrian-run archaeological projects in the country.

The Irish Institute of Hellenic Studies at Athens (IIHSA) (Irish: Institiúid Éireannach san Ataen don Léann Heilléanach; Greek: Ιρλανδικό Ινστιτούτο Ελληνικών Σπουδών στην Αθήνα) is one of the 19 foreign archaeological institutes operating in Athens, Greece.

The Pedion tou Areos or Pedion Areos (Greek: Πεδίον του Άρεως or Πεδίον Άρεως, pronounced [peˈðion tu ˈareos], meaning Field of Ares, corresponding to the French Champ de Mars and the ancient Campus Martius) is one of the largest public parks in Athens, Greece. It is also the name of the wider neighborhood.

The National Archaeological Museum (Greek: Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university.

The Artemision Bronze (often called the God from the Sea) is an ancient Greek sculpture that was recovered from the sea off Cape Artemision, in northern Euboea, Greece. According to most scholars, the bronze represents Zeus, the thunder-god and king of gods, though it has also been suggested it might represent Poseidon. The statue is slightly over lifesize at 209 cm, and would have held either a thunderbolt, if Zeus, or a trident if Poseidon. The empty eye-sockets were originally inset, probably with bone, as well as the eyebrows (with silver), the lips, and the nipples (with copper). The sculptor is unknown. The statue is a highlight of the collections in the National Archaeological Museum of Athens.

The Athens Stock Exchange (ASE or ATHEX; Greek: Χρηματιστήριο Αθηνών (Χ.Α.), Chrimatistírio Athinón) is the stock exchange of Greece, based in the capital city of Athens. It was founded in 1876. There are currently five markets operating in ATHEX: regulated securities market, regulated derivatives market, Alternative market, carbon market (for EUAs) and OTC market. In the regulated securities market investors can trade in stocks, bonds, ETFs and other related securities. On the stock exchange 172 stocks are currently traded representing 166 companies. ATHEX has over 30 indices. The six main indices are: Composite Index (GD), FTSE/Athex Large Cap (FTSE, also known as FTSE 25), FTSE/Athex Mid Cap Index (FTSEM), FTSE/Athex Market Index (FTSEA), FTSE/ATHEX Global Traders Index Plus (FTSEGTI) and FTSE/ATHEX Factor-Weighted Index (FTSEMSFW). The Athens Composite index started trading in 1980, its High 6355.04 set on 17 September 1999. The Athens stock exchange was closed on 27 June 2015 because of the Greek government-debt crisis. It reopened on 3 August 2015 and lost more than 16% in the day's trading with certain bank stocks plummeting 30%, the daily change limit.

Villa Amalia is the name of the building that hosted the former Second High School of Athens in Greece. It is located on the corner of Acharnon and Heiden streets, near Victoria metro station. It was an anarchist squat before its eviction in 2012. It reopened as a school in 2016.

The Epigraphical Museum (Greek: Επιγραφικόν μουσείον) of Athens, Greece, is unique in Greece and the largest of its kind in the world. Its collection comprises 14,078, mostly Greek, inscriptions, which cover the period from early historical times to the Late Roman period, primarily in Greece. It is situated in the south wing of the National Archaeological Museum of Athens. It comprises an internal and external courtyard (atrium), a lobby, eleven rooms, a large hypostyle Pi-shaped corridor, a gallery, offices, a laboratory for the conservation of inscribed stone monuments and lavatories. Only the courtyards, lobby and four rooms are open to the public, while the rest is reserved for researchers. A full photographic archive of the collection is being assembled for future visitors.