1717 Broadway

The Ed Sullivan Theater (originally Hammerstein's Theatre; later the Manhattan Theatre, Billy Rose's Music Hall, CBS Radio Playhouse No. 3, and CBS Studio 50) is a theater at 1697–1699 Broadway, between 53rd and 54th Streets, in the Theater District of Midtown Manhattan in New York City. Built from 1926 to 1927 as a Broadway theater, the Sullivan was developed by Arthur Hammerstein in memory of his father, Oscar Hammerstein I. The two-level theater was designed by Herbert J. Krapp with over 1,500 seats, though the modern Ed Sullivan Theater seats many fewer people. The neo-Gothic interior is a New York City landmark, and the building is on the National Register of Historic Places. The Ed Sullivan Theater was built in conjunction with a 13-story Gothic-style office building facing Broadway. An entrance vestibule and two lobbies lead from the main entrance on Broadway to the auditorium on 53rd Street. The auditorium was purposely designed to resemble a cathedral, unlike other structures that were designed as Broadway theaters. It has a domed ceiling with ribs, as well as walls with stained glass. Though the seating arrangement and stage have been heavily modified from their original design, many of the design elements in the lobbies and auditorium are intact. Hammerstein operated the theater from 1927 to 1931, when he lost it to foreclosure. For the next five years, the theater was leased to multiple operators as both a theater and a music hall. The theater became a venue for CBS radio broadcasts in 1936, and it was converted to TV broadcasting in 1950. Under the Studio 50 name, the theater housed The Ed Sullivan Show from 1953 to 1971, as well as other shows such as The Garry Moore Show and The Jackie Gleason Show. Studio 50 was renamed after Ed Sullivan in 1967, and Reeves Entertainment used the Sullivan in the 1980s as a broadcast facility. The Sullivan has staged CBS's The Late Show franchise since 1993, first under David Letterman, then under Stephen Colbert since 2015.

The New York Jazz Museum was, from 1972 to 1977, one of the most important centers for the study of jazz. At its height it held 25,000 items. It was founded by Howard Fischer, among others, but closed after five years amid a power struggle between Fischer and other curators.It was situated in its own two-story building in mid-town Manhattan and had a small staff, an archive that eventually numbered about 25,000 items and extensive programs in New York City and beyond. Some of the programs won awards and most of them were received with widespread acclaim in the media and from jazz fans. There were the free Calvert Extra Sunday Concerts – 40 per year, sponsored by Calvert Distillers, the Jazz Puppet Show, the Jazz Film Festivals, the Jazz Panorama – an audio visual history of jazz (sponsored by the New York State Council on the Arts), The Jazz Store, Information Center, the exhibits – Louis Armstrong, Duke Ellington, Benny Goodman, Bird & Diz: The Bebop Era, The Sax Section, Count Basie and His Bands, Billie Holiday Remembered, About John Coltrane and the Jazz Trumpet. Posters and booklets were produced in conjunction with the exhibits and there was so much more. An extended power struggle ensued that eventually caused the museum's demise. Entangled in the fatal conflagration was the "Jazz Fraternity", which included the most prominent names in jazz – musicians, producers, writers, artists, et al. The museum opened on June 16, 1972, in a 1+1⁄2-story carriage house at 125 West 55th Street, between Sixth and Seventh Avenues, in New York City. After moving to the Empire Hotel and a storage facility in an office building on Broadway and 58th Street, in 1976 the museum purchased a two-story building at 236 West 54th Street, New York, NY for $210,000 with help from a Ford Foundation grant. It re-opened in June of that year, but only lasted about a year later after Fischer was dismissed. Most of the archive remains in the Schomburg Center (part of the New York Public Library) and the Rutgers Institute of Jazz Studies in New Jersey.

The Ariston Bathhouse raid in 1903 was the first anti-gay police raid on an establishment located in New York City. It resulted in thirty-four arrests, sixteen charges of sodomy, and twelve trials, five of which possess transcripts.

Dillon's Reprise Room, is a cabaret, located on West 54th Street in Manhattan's Theater District. Over the years, Dillons has been home to successful musical runs of "Our Sinatra," "The Water Coolers," and most recently "Boobs! The Musical," as well as some of cabaret's top performers.

The Random House Tower, also known as the Park Imperial Apartments, is a 52-story mixed-use tower in Manhattan, New York City. It is owned by real estate companies SL Green Realty and Ivanhoé Cambridge, with the office portion leased as the headquarters to book publisher Random House from the beginning and its parent company Penguin Random House (formed in 2013) since 2016, giving the building its name; a luxury apartment complex follows above the offices. The PRH entrance is on Broadway and goes up to 27 floors, while the apartment complex entrance is on West 56th Street. Rising to 684 ft (208 m), it is the 77th tallest building in New York City.

A7 was a club in New York City that between 1981 and 1984, was one of the main locations of the New York hardcore scene. The tiny space was located on the southeast corner of East 7th Street and Avenue A in Manhattan's East Village. The venue hosted fast punk bands such as The Stimulators or The Violators, and slowly a hardcore scene of initially about 100 persons formed around the club which spawned bands like The Abused, Agnostic Front, Antidote, Cause for Alarm, Cro-Mags, Heart Attack, Kraut, The Mob or Urban Waste who played the A7 regularly, some of them weekly. Although the venue were putting on performances from lesser known New York punk rock and hardcore bands like False Prophets, it became the scene's unofficial headquarters of the scene after Bobby Steele began performing at the venue due to him being banned from CBGB and Max's Kansas City. It also played host to a fertile jazz and reggae scene during the 1980s.The success of the club led to the owner opening 2+2 club on the intersection of East Houston Street and 2nd Avenue in the summer 1982. This venue was larger and would host performance by bigger performances.

Cheetah was a nightclub located at 1686 Broadway near 53rd Street in Manhattan, New York City. The club opened on May 28, 1966, and closed in the 1970s. The financial backing was provided by Borden Stevenson, son of politician Adlai Stevenson, and Olivier Coquelin. Robert Hilsky and Russell Hilsky were associated with the club.According to Steven Watson's Factory Made: Warhol and the Sixties, it "was the granddaddy of the big commercial disco". The most elaborate discotheque was Cheetah, on Broadway and 53rd Street, where everybody, according to Life, looked like "a kook in a Kubla Khanteen." The three thousand colored lightbulbs dimmed and flicked and popped into an infinity of light patterns, reflecting off shiny aluminum sheets. Cheetah held two thousand people and offered not only dancing but a library, a movie room, and color television. "The Cheetah provides the most curious use of the intermedia," wrote Jonas Mekas. "Whereas the Dom shows are restricted (or became restricted) to the In-circle, Cheetah was designed for the masses. An attempt was made to go over the persona, over the ego to reach the impersonal, abstract, universal. The musical Hair was performed at Cheetah before becoming a major production on Broadway. A live album by The Esquires, Mike St Shaw and the Prophets, and The Thunder Frog Ensemble was recorded there in 1966 and released by Audio Fidelity Records as Where It's At — Cheetah (1966, AFSD 6168).A later incarnation of the Cheetah opened at 310 W 52nd near 8th Ave (formerly the Palm Gardens). Cheetah became a popular Latin-American dance club that helped popularize Salsa to mainstream America and is widely cited as the birthplace of salsa music, or at least of the popular use of the term "salsa" to denote pan-Latin music brewing in New York City. On Thursday, August 26, 1971, the Fania All-Stars headlined the club and drew an overflowing and excited crowd that was later captured on film as Our Latin Thing. The Fania All-Stars brought together the leading lights in Latin music styles (descarga, mambo, boogaloo, merengue, folkloric) and presented a single concert drawing from these diverse influences. Although the term "salsa" had been used in Latin music dating back to at least Pupi Legarreta's 1962 LP Salsa Nova, this modern combination of styles being presented at the Cheetah Club began to become popularly known under the umbrella term "salsa".

The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946 it opened at the northeast corner of Broadway and 53rd Street.

1740 Broadway (formerly the MONY Building or Mutual of New York Building) is a 26-story building on the east side of Broadway, between 55th and 56th Streets, in the Midtown Manhattan neighborhood of New York City. The building is owned by EQ Office and shares a city block with the Park Central Hotel. Mutual of New York built the structure in 1950 for its corporate headquarters and hired Shreve, Lamb and Harmon to design it. It left the building after being acquired by AXA. Mutual Insurance had been renamed MONY Life Insurance Company in 1998. The building was completely renovated in 2007.

Studio 54 is a Broadway theatre and a former disco nightclub located on 54th Street in Midtown Manhattan, New York City. The building opened in 1927 as the Gallo Opera House. It operated as an entertainment venue under various names until 1942, when CBS began using it as a radio and television studio dubbed Studio 52.In 1977, Steve Rubell and Ian Schrager opened a nightclub in the building, retaining many former TV and theatrical sets and naming it for its street. Launched at the peak of the disco dancing and music trend, the club became world-famous, noted for its celebrity guest lists, restrictive (and subjective) entry policies (based on one's appearance and style), rampant club drug use, and open sexual activity in the club's infamous balcony and basement VIP rooms. In 1980, the club shut down after its founders were convicted for evading taxes. They sold the club to Mark Fleischman, who reopened it, then sold it in 1984 to new owners, who closed it in 1986. Since November 1998, the site has served as a venue for productions of the Roundabout Theatre Company and retains the name Studio 54. A separate restaurant and nightclub, Feinstein's/54 Below, operates in the basement of the building.In 2020, it expanded into a music imprint including a record label, Studio 54 Music, and radio station on Sirius XM, Studio 54 Radio.

Patsy's is a family-owned and operated Neapolitan cuisine restaurant at 236 West 56th Street (between Broadway and Eighth Avenue) in Midtown Manhattan, New York City.

The Broadway Theatre (formerly Universal's Colony Theatre, B.S. Moss' Broadway Theatre, Earl Carroll's Broadway Theatre, and Ciné Roma) is a Broadway theatre located in midtown Manhattan. It has a large seating capacity of 1,761, and unlike most Broadway theaters, it is actually located on Broadway, at number 1681.