12th federal electoral district of Mexico City

Cuauhtémoc (Spanish pronunciation: [kwawˈtemok] (listen)), named after the former Aztec leader, is a borough (demarcación territorial) of Mexico City. It contains the oldest parts of the entity, extending over what was the entire urban core in the 1920s. Cuauhtémoc is the historic and cultural center of the entity, although it is not the geographical center. While it ranks only sixth in population, it generates about a third of the entire entity's GDP, mostly through commerce and services. It is home to the Mexican Stock Exchange, the important tourist attractions of the historic center and Zona Rosa, and various skyscrapers such as the Torre Mayor and the Mexican headquarters of HSBC. It also contains numerous museums, libraries, government offices, markets and other commercial centers which can bring in as many as 5 million people each day to work, shop or visit cultural sites. This area has had problems with urban decay, especially in the historic center. Efforts to revitalize the historic center and some other areas have been ongoing since the 1990s, by both government and private entities. Such efforts have resulted in better public parks, such as the Alameda Central, which was renovated; the modification of streets such as 16 de Septiembre and Madero that have become exclusive for pedestrians.

Colonia Guerrero is a colonia of Mexico City located just north-northwest of the historic center. Its borders are formed by Ricardo Flores Magón to the north, Eje Central Lazaro Cardenas and Paseo de la Reforma to the east, Eje1 Poniente Guerrero to the west and Avenida Hidalgo to the south. The colonia has a long history, beginning as an indigenous neighborhood in the colonial period called Cuepopan. The origins of the modern colonia begin in the first half of the 19th century, but most of its development occurred as a residential area in the late 19th and early 20th. Over the 20th century, several rail lines and major arteries were built through here, changing its character Cuauhtémoc borough. It is home to two early colonial era churches, the Franz Mayer Museum and one Neo-Gothic church from the Porfirian era.

Guerrero is a metro station on the Mexico City Metro. It is located in the Colonia Guerrero neighborhood of Cuauhtémoc borough of Mexico City, on the intersection of Zarco street and Eje 1 Norte Mosqueta Avenue. It is a transfer station for both Lines 3 and B.

Garibaldi / Lagunilla (formerly Garibaldi) is a station on the Mexico City Metro. It is a transfer station, serving both Lines 8 and B. It is the northern terminus of Line 8.

The San Fernando Pantheon (also known as Museo Panteón de San Fernando) is one of the oldest cemeteries in Mexico City that is preserved to this day. It is one of the most representative examples of 19th century funerary architecture and art in Mexico, and it functioned between 1832 and 1872. It is the final destination of the remains of several of the outstanding figures of 19th century Mexican history, and the most prominent are the remains of Presidents Benito Juárez , Miguel Miramón (later interred in the Puebla Cathedral) and General Ignacio Zaragoza, among many others.

The Church of San Hipólito is a Catholic church on Mexico City's Paseo de la Reforma. It was built in 1520 by Black Spaniard conquistador Juan Garrido following a battle between the Spanish colonists and the Aztecs.

The College of San Fernando de México was a Roman Catholic Franciscan missionary college, or seminary (Colegio Apostólico), founded in Spanish colonial Mexico City by the Franciscan Order of Friars Minor on October 15, 1734. The institution was established to provide specific training for priests who were to work among the indigenous populations within the Spanish colonial Viceroyalty of New Spain, located in present-day Mexico and the southwestern United States.

Plaza Garibaldi is located in historic downtown Mexico City, on Eje Central (Lázaro Cárdenas) between historic Calle República de Honduras and Calle República de Peru, a few blocks north of the Palacio de Bellas Artes. The original name of this plaza was Plaza Santa Cecilia, but in 1920, at the conclusion of the Mexican Revolution, it was renamed in honor of Lt. Col. Peppino Garibaldi, who joined with the Maderistas in the attack on Casas Grandes, Chihuahua, during the Revolution. The Garibaldi Metro station is named after this plaza.The Plaza is known as Mexico City's home of mariachi music. At all hours of the day and night, mariachi bands can be found playing or soliciting gigs from visitors to the Plaza. The Salón Tenampa, which became the home of mariachi music in Mexico City in the 1920s, is still in business on the north side of the plaza. The plaza and the neighborhoods around it are undergoing extensive renovations to halt the decades-long degeneration of the area. The plans include a remodeled plaza and extensive rework of the surrounding buildings and streets plus sidewalks, with the goal of making the area safe for visitors at all times. However, as of May, 2013, serious risks remained near the plaza and in the nearby neighborhood of Tepito.This area was designated as a "Barrio Mágico" by the city in 2011.

The Franz Mayer Museum (Spanish: Museo Franz Mayer), in Mexico City opened in 1986 to house, display and maintain Latin America’s largest collection of decorative arts. The collection was amassed by stockbroker and financial professional Franz Mayer, who collected fine artworks, books, furniture, ceramics, textiles and many other types of decorative items over fifty years of his life. A large portion comes from Europe and Asia but most comes from Mexico itself with items dating from the 15th to the 20th centuries. Many pieces in the collection are fine handcrafts, such as textiles and Talavera pottery, and they are important because they are items that often did not survive because most did not consider them worth preserving. The museum is housed in the historic center of Mexico City in the former San Juan de Dios monastery and hospital, an 18th-century structure which was rehabilitated for the museum. In addition to displaying the items Mayer collected, of which only over a quarter is visible, the museum still makes acquisitions, hold workshops, sponsors temporary exhibits and has a café located in the center courtyard/garden.

The Santa Veracruz Monastery in the historic center of Mexico City is one of the oldest religious establishments in Mexico City and was the third most important church in the area in the 16th century. It was established by a religious brotherhood founded by Hernán Cortés. The parish church was originally built in 1586, but this building was replaced in the 18th century to the one standing today. The former monastery building and hospital now house the Franz Mayer Museum, but the church still maintains its original function. Most of its interior decorations are gone, but it is still home to two important images, the Christ of the Seven Veils and the Virgin of the Remedies (also called La Gachupina). The church is located on the east side of the Plaza of Santa Veracruz, between 2 de Abril and Valeriano Trijillo Streets facing Hidalgo Street and the Alameda Central .The church was significantly damaged by the 2017 Mexico City earthquake, and by two fires in 2020.

The statue of Vicente Guerrero, a hero of independence and president of Mexico until he was driven from the presidency by conservatives, was installed in Mexico City's Plaza de San Fernando, in 1870. The installation follows the defeat of Mexican conservatives and reestablishment of the republic under liberal control. The bronze sculpture was created from the model in plaster by Mexican sculptor, Miguel Noreña (1839-1894). Noreña is best known for his sculpture topping the Monument to Cuauhtémoc, the last Aztec emperor.

The Museo de la Estampa (Museum of Graphic Arts) is a museum in Mexico City, dedicated to the history, preservation and promotion of Mexican graphic arts. The word “estampa” means “engraving” or “printing” refers to works which have the quality of being reproducible and include seals, woodcuts, lithography and others. The museum was created in 1986 and located in a 19th-century Neoclassical building located in the Plaza de Santa Veracruz in the historic center of the city. This building was remodeled both to house the museum and to conserve its original look. The building houses both a permanent and multiple temporary exhibits. The permanent collection includes pre-Hispanic clay seals used for printing designs on fabrics, ceramics and other surfaces, printed material from the colonial period and more recent creations. More recent works are divided into periods such as the “age of the San Carlos Academy” (18th -19th century) and the “resurgence of the graphics arts” which covered the decades from the 1920s to the 1960s. The best-known works here are those of José Guadalupe Posada, the creator of “La Catrina” and numerous satirical comics. It also includes video programs on graphic techniques such as wood cuts, etchings and more.The museum works in collaboration with Museo Nacional de Arte, which holds Mexico’s largest collection of graphic arts including those done by Mexican artists José Guadalupe Posada, José Clemente Orozco and David Alfaro Siqueiros, as well as foreign artists such as Mario Benedetti and Ilya Kabakov. This collection is called the National Collection of Graphic Works (Colección Nacional de Estampas).Much of the museum’s space is dedicated to temporary exhibits such as the 2003 exhibit of works from the Centro de Formación y Producción Gráfica del Antiguo Colegio Jesuita located in Pátzcuaro, Michoacán. This show had works from fifty artists including Francisco Castro Leñero, Mario Rangel Faz, Roberto Turnbull and Mónica Sotos. These temporary exhibits are part of the museum’s mission to preserve and promote the printed arts in Mexico. Temporary exhibits include works by both national and international artists from diverse periods from the 16th to the 21st century. The museum hosted ten temporary exhibitions in 2009 and registered 34,578 visitors. These expositions include the collection of Alejandro Alvarado and an exposition called “Tauromaquia, Mano a Mano” (Bullfighting, hand to hand). The latter exhibition featured works from Francisco de Goya y Lucientes, Salvador Dalí, one work by Pablo Picasso and filmmaker Jean Cocteau.The museum also supports activities related to research, but most of the space is designed to accommodate the highest number of visitors possible.