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Rotunda Hospital

1745 establishments in IrelandHealth Service Executive hospitalsHospitals established in the 1740sParnell SquarePhysicians of the Rotunda Hospital
Richard Cassels buildingsRotundas in EuropeTeaching hospitals in Dublin (city)Teaching hospitals of the Royal College of Surgeons in IrelandTeaching hospitals of the University of Dublin, Trinity College
Rotunda Hospital
Rotunda Hospital

The Rotunda Hospital (Irish: Ospidéal an Rotunda; legally the Hospital for the Relief of Poor Lying-in Women, Dublin) is a maternity hospital on Parnell Street in Dublin, Ireland, now managed by RCSI Hospitals. The eponymous Rotunda in Parnell Square is no longer a part of the hospital complex.

Excerpt from the Wikipedia article Rotunda Hospital (License: CC BY-SA 3.0, Authors, Images).

Rotunda Hospital
Parnell Street, Dublin

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Latitude Longitude
N 53.3526 ° E -6.2626 °
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Rotunda Hospital

Parnell Street
D01 R243 Dublin (Rotunda B ED)
Ireland
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Rotunda Hospital
Rotunda Hospital
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Ambassador Cinema
Ambassador Cinema

The Ambassador Cinema was Dublin's longest-running cinema and was operational on and off until 1999. It operated as a music venue between 2001 and 2008. The Ambassador's current use is as an exhibition hall & event centre. The building was constructed as part of the Rotunda Hospital in 1764 as an assembly hall and social rooms on what is now called Parnell Street. From 1897 onwards, the venue was given the name Rotund Room and hosted a number of "moving picture" screenings which were a great novelty at the time. From about 1908 onwards, it was used more regularly to show film presentations and in 1910 it became a full-time cinema, with 736 seats, a basic layout at the time. Again known as the Rotunda (its nickname being the 'Roto' or the 'Roxy'), the cinema-going public thronged to the venue. Over the years, the cinema changed hands until the 1940s when it was run by Capitol and Allied Theatres Ltd. In the 1950s, the cinema was redesigned, increasing the capacity to 1,200. Added to the main hall was a balcony (containing 500 seats) with private boxes. A new entrance area was also constructed. The cinema was reopened on 23 September 1954 as the Ambassador. It became a gala event venue, holding screenings of many films for the first time. Of note was the screening of The Blue Max in 1966, which was shot in Ireland. For the screening, a World War I plane adorned the roof of the cinema above the entrance. In 1977, the cinema was forced to close briefly, but it reopened that summer under new ownership. The Green Group ran the cinema until 1988, and the cinema mainly played children's films such as The Care Bears Movie and its sequels. In 1988, with single-screen cinemas on the wane, it closed. However, in 1994 it was given a new lease of life when it reopened under the ownership of Ward Anderson. Notable screenings upon reopening included Titanic, however, attendances were poor, most notably when a reissue of the 1935 film The Informer was screened to as few as two people per show. On 27 September 1999, after 45 years, the cinema closed. This however was not the end of the venue. Entertainment promoters MCD Productions leased the building and for a number of years ran The Ambassador as a live music venue, until 2008. The Ambassador now hosts a variety of events including exhibitions, one-off concerts and corporate events. Recent events include Bodies exhibition, CSI: The Experience, Dinosaur Encounters, Princess Exhibition, Game On, Santa's Playland, Xbox launch, Jameson Live presents White Lies, and running from Spring to Summer 2014, Lego exhibition The Art Of The Brick.

Dublin Writers Museum
Dublin Writers Museum

The Dublin Writers Museum was opened in November 1991 at No 18, Parnell Square, Dublin, Ireland. The museum occupies an original 18th-century house, which accommodates the museum rooms, library, gallery, and administration area. The annexe behind it has a coffee shop and bookshop on the ground floor and exhibition and lecture rooms on the floors above. Dublin stuccadore Michael Stapleton decorated the upstairs gallery. The Irish Writers' Centre, next door in No 19, contains the meeting rooms and offices of the Irish Writers' Union, the Society of Irish Playwrights, the Irish Children's Book Trust and the Irish Translators' & Interpreters' Association. The basement beneath both houses is occupied by the Chapter One restaurant. The Museum was established to promote interest, through its collection, displays and activities, in Irish literature as a whole and in the lives and works of individual Irish writers. Through its association with the Irish Writers' Centre it provides a link with living writers and the international literary scene. On a national level it acts as a centre, simultaneously pulling together the strands of Irish literature and complementing the smaller, more detailed museums devoted to individuals like James Joyce, George Bernard Shaw, William Butler Yeats and Patrick Pearse. It functions as a place where people can come from Dublin, Ireland and abroad to experience the phenomenon of Irish writing both as history and as actuality. The writers featured in the Museum are those who have made an important contribution to Irish or international literature or, on a local level, to the literature of Dublin. It is a view of Irish literature from a Dublin perspective. On display in the museum are literary ephemera and memorabilia, including a detailed replica of The Book of Kells, Samuel Beckett's phone, a letter from 'tenement aristocrat' Brendan Behan to his brother, the Abbey Theatre ephemera of Lady Gregory, a 1910 letter from W.B. Yeats, opening night programmes for Oscar Wilde plays An Ideal Husband and Lady Windermere's Fan, an 1804 edition of Gulliver's Travels by Jonathan Swift, a third edition of The Crock of Gold by James Stephens, a first edition of James Joyce's Pomes Penyeach, and a first edition of Bram Stoker's Dracula along with an autograph letter from Stoker. The museum also includes portraits of Irish writers, including fine originals by artists such as Patrick Swift, Reginald Gray, Edward McGuire and Harry Kernoff. David Norris launched his presidential campaign ahead of the Irish presidential election at Dublin Writers Museum on 5 October 2011.