Thompson Street School

The Robert C. Ingraham School is a historic school building at 80 Rivet Street in New Bedford, Massachusetts. The three story brick Romanesque Revival building was built in 1901 to a design by local architect Samuel C. Hunt, who designed several other New Bedford school buildings. It was built on a site previously owned by the Potomska Mill Company and used for mill worker housing, and was named for the first librarian of the New Bedford Free Public Library. The building served the city as an elementary school until 1977, and was used for storage until 1992. From 1992 until 2006 it housed a preschool.The building was listed on the National Register of Historic Places in 2010.

The Thomas Donaghy School is a historic school building at 68 South Street in New Bedford, Massachusetts. It is a two-story brick structure, roughly rectangular in shape, with a truncated hip roof pierced by hip roof dormers. Sections project on the eastern and western facades of the building. The Romanesque Revival-style school was designed by locally prominent architect Samuel C. Hunt, and built in 1905. It is the city's oldest surviving "modern" school building.The building was listed on the National Register of Historic Places in 1989.

St. John the Baptist is a historic church in New Bedford, Massachusetts, and a former parish of the Roman Catholic Church in the Diocese of Fall River. At its closure, it had been the oldest Portuguese-American parish in the United States.

The New Bedford Fire Museum is a local history museum at 51 Bedford Street in New Bedford, Massachusetts, United States. It is located in the 1867 Fire Station No. 4, the city's oldest surviving fire station. The building was listed on the National Register of Historic Places in 1975. The museum is open between July 4 and Labor Day. It houses a collection of firefighting equipment and memorabilia related to the history of firefighting in the city.

The Griffin Street Cemetery is a historic cemetery in New Bedford, Massachusetts. Located at the junction of South 2nd and Griffin Streets, and abutting the JFK Memorial Highway to the east, it is the city's oldest surviving cemetery. The plot of the cemetery is about 1.7 acres (0.69 ha) in size, and roughly follows the rectilinear grid of the city streets. It was established in 1804, not far from a Quaker cemetery whose remains were later reinterred in the city's Rural Cemetery. The cemetery has about 230 grave stones, but a significant number of graves are unmarked. The oldest grave dates to 1804, the newest to 1855.The cemetery was listed on the National Register of Historic Places in 2014.

The Howland Mill Village Historic District is a historic district roughly bounded by Bolton, Winsper, Hemlock Sts., and Rockdale Avenue in New Bedford, Massachusetts. It consists of a collection of single-family mill worker housing units constructed in 1888-89 for workers at the nearby Howland Mill, and several double-decker houses built in the 1920s. The districts uniformity of style is apparent despite some exterior alterations: there are only two basic house plans. The Howland Mill Company was founded in 1886, and its mills were used in production (under a variety of names and owners) until 1954. Most of the housing was sold off in the 1910s.The district was added to the National Register of Historic Places in 1996.

The Rural Cemetery and Friends Cemetery are a pair of connected cemeteries at 149 Dartmouth Street in New Bedford, Massachusetts United States. They occupy an irregular parcel of land more than 90 acres (36 ha) in size on the west side of the city. Established in 1837, the Rural Cemetery was the fifth rural cemetery in the nation, after Mount Auburn Cemetery (Cambridge, Massachusetts), Mount Hope Cemetery (Bangor, Maine), Mount Pleasant Cemetery (Taunton, Massachusetts), and Laurel Hill Cemetery (Philadelphia, Pennsylvania). In its early days it was criticized as lacking some of the natural beauty afforded by rolling terrain; the early sections were laid out in rectilinear manner on relatively flat terrain. The cemetery was a popular burial site, including notably the landscape artist Albert Bierstadt and Governor of Massachusetts John H. Clifford.In contrast to the more decorative nature of the Rural Cemetery, the Friends Cemetery is much plainer. It consists of a roughly 2-acre (0.81 ha) parcel on one side of the Rural Cemetery, which was sold to the Dartmouth Friends in 1849, but is administered by the city. This section has less ornate markers, generally laid out in rectilinear fashion. It includes burials that were relocated from a Friends cemetery (dating to 1793) that had been located on the New Bedford waterfront.The cemeteries were listed on the National Register of Historic Places in 2014.

The William Rotch Jr. House, now the Rotch–Jones–Duff House and Garden Museum, is a National Historic Landmark at 396 County Street in New Bedford, Massachusetts, in the United States. The three families whose names are attached to it were all closely tied to the city's nineteenth-century dominance of the whaling industry. Because of this, the house is part of the New Bedford Whaling National Historical Park. Richard Upjohn built the house in the Greek Revival architectural style for William Rotch Jr. in 1834, on a New Bedford plot Rotch had inherited from his father. It was Upjohn's first house, near the beginning of a long career. Rotch also commissioned a garden in the rear, which later owners would significantly expand. The property remained private until 1981, when it was bought by local preservationists and reopened as a historic house museum. It was declared a National Historic Landmark and added to the National Register of Historic Places in 2005. Today the museum educates visitors not only about whaling but, through its gardens and associated programs for local schools, about the environment as well.

WCTK (98.1 FM, "Cat Country 98.1") is a country-formatted radio station serving Southern New England, with studios in Providence, Rhode Island, and transmitter in New Bedford, Massachusetts. The station is owned by Hall Communications.

The Port of New Bedford is a deepwater port located at at the mouth of the Acushnet River on Buzzards Bay, with access to the Atlantic Ocean. It is in the harbor estuary on the southern coast of Massachusetts in New Bedford, Fairhaven and Acushnet. Once a major whaling port, it is the largest commercial fishing port by value in the United States. It also handles breakbulk cargo. In the 21st century it is becoming an offshore wind port. The port is part of Foreign Trade Zone (FTZ #28), which also includes New Bedford Regional Airport.

The New Bedford Gas and Edison Light Complex is a historic district at 180 MacArthur Drive in New Bedford, Massachusetts. It consists of two buildings: a power generation facility that served the New Bedford area for most of the 20th century, and a historic 19th century iron foundry building. Both are on a property once owned by NSTAR, the local electric utility, on the New Bedford waterfront. The foundry building is a utilitarian three story structure built out of granite, which was built in 1856 for the Taber & Grinnell Iron Foundry. The Cannon Power Station, in contrast, is a looming presence on the waterfront, about 390 feet (120 m) long and more than 80 feet (24 m) in height. Its initial construction was in 1916, and it was repeatedly enlarged until 1950. It was built by the New Bedford Gas & Electric Light District, and generated power for the city until 1992. In 2002 it was under consideration for use as an aquarium; but these plans failed. The complex was vacant in 2012.The complex was listed on the National Register of Historic Places in 2002.

The William J. Rotch Gothic Cottage is a historic cottage on 19 Irving Street in New Bedford, Massachusetts. The Gothic Revival cottage was built in 1845 to a design by noted New York City architect Alexander Jackson Davis. It was built for William J. Rotch, a member of one of New Bedford's leading whaling families. It is for these two associations that it was designated a National Historic Landmark in 2006. It is one a very few surviving Gothic cottage designs by Davis, exhibiting features not found in the others that do. The house was included in The Architecture of Country Houses, published in 1850, bringing it early fame and making it an iconic example of the style.The Rotch family was a major force in the development of whaling in the United States and in the rise of New Bedford as a major whaling center. William Rotch, Jr., grandfather of William J. Rotch, established the family's fortunes in the industry beginning in the late 18th century. The land on which the cottage sits was on a rural part of the family's New Bedford estate, and the house and land were a gift to William J. Rotch from his grandfather. The younger Rotch retained Davis to design the house.The cottage is roughly L-shaped, with a main block that has a hip roof meeting a slightly taller section with a steeply-pitched gable end. The exterior is clad with flushboarding, and its roof is composed of wood shingles. The building no longer stands at its original location, having been moved a short distance on its original lot in 1908. The original parcel it sat on has long been subdivided and built up with housing, depriving the house of its rural character. The projecting taller section frames the main entrance, and has elaborate hand-carved vergeboard decoration. On either side of this projecting section are a pair of gabled dormers with Gothic windows; these are a later addition by the Rotches to improve the lighting of upstairs bedrooms. The interiors feature elegant yet fairly typical Gothic Revival styling.The house was declared a National Historic Landmark and listed on the National Register of Historic Places in 2006.