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Château des Baux

Bouches-du-RhôneHistoric house museums in Provence-Alpes-Côte d'AzurMilitary and war museums in FranceMuseums in Bouches-du-RhôneRuined castles in Provence-Alpes-Côte d'Azur
4490 BAUX1066 C Recoura
4490 BAUX1066 C Recoura

The Château des Baux is a fortified castle built during the 10th century, located in Les Baux-de-Provence, Bouches-du-Rhône, southern France.

Excerpt from the Wikipedia article Château des Baux (License: CC BY-SA 3.0, Authors, Images).

Château des Baux
Rue de L'Orme, Arles

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Wikipedia: Château des BauxContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 43.744444444444 ° E 4.7969444444444 °
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Address

Château des Baux-de-Provence

Rue de L'Orme
13520 Arles
Provence-Alpes-Côte d'Azur, France
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4490 BAUX1066 C Recoura
4490 BAUX1066 C Recoura
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Nearby Places

Glanum Dam
Glanum Dam

The Glanum Dam, also known as the Vallon de Baume dam, was a Roman arch dam built to supply water to the Roman town of Glanum, the remains of which stand outside the town of Saint-Rémy-de-Provence in Southern France. It was situated south of Glanum, in a gorge that cut into the hills of the Alpilles in the Roman province of Gallia Narbonensis. Dating to the 1st century BC, it was the earliest known dam of its kind. The remains of the dam were destroyed during the construction of a modern replacement in 1891, which now facilitates the supply of water to Saint-Rémy-de-Provence in the Bouches-du-Rhône region of France.The remains of the Roman dam at Glanum were discovered in 1763 by Esprit Calvet. A recent study shows that the dam originally was composed of two curved parallel masonry walls, each around 1 metre (3.3 ft) thick and separated by a gap around 1.5 metres (4.9 ft) wide which was likely filled with earth and rubble. The cut stone blocks were held together by crampons and finished with Cordon joints designed to protect against water entry. At each end of the dam there was an abutment cut into the rock of the gorge. Overall the dam stood 6 metres (20 ft) high with a thickness of 3.5 metres (11 ft). Its dimensions and location in a steep-sided gorge point towards it being a true arch dam. The dam collected water that was fed into an aqueduct that in turn supplied the Roman town of Glanum.A modern arched dam was constructed on the same site in 1891, destroying the remains of the Roman dam. The dam's reservoir is called in French the Lac de Peirou and is accessible via the Chemin du Barrage.

Saint-Paul Asylum, Saint-Rémy (Van Gogh series)
Saint-Paul Asylum, Saint-Rémy (Van Gogh series)

Saint-Paul Asylum, Saint-Rémy is a collection of paintings that Vincent van Gogh made when he was a self-admitted patient at the Saint-Paul asylum in Saint-Rémy-de-Provence, since renamed the Clinique Van Gogh, from May 1889 until May 1890. During much of his stay there he was confined to the grounds of the asylum, and he made paintings of the garden, the enclosed wheat field that he could see outside his room and a few portraits of individuals at the asylum. During his stay at Saint-Paul asylum, Van Gogh experienced periods of illness when he could not paint. When he was able to resume, painting provided solace and meaning for him. Nature seemed especially meaningful to him, trees, the landscape, even caterpillars as representative of the opportunity for transformation and budding flowers symbolizing the cycle of life. One of the more recognizable works of this period is The Irises. Works of the interior of the hospital convey the isolation and sadness that he felt. From the window of his cell he saw an enclosed wheat field, the subject of many paintings made from his room. He was able to make but a few portraits while at Saint-Paul. Within the grounds he also made paintings that were interpretations of some of his favorite paintings by artists that he admired. When he could leave the grounds of the asylum, he made other works, such as Olive Trees (Van Gogh series) and landscapes of the local area. Van Gogh's Starry Night over the Rhone and The Irises were exhibited at the Société des Artistes Indépendants on 3 September 1889, and in January 1890 six of his works were exhibited at the seventh exhibition of Les XX in Brussels. Sadly, just as Van Gogh's work was gaining interest in the artistic community, he was not well enough to fully enjoy it.