National Archaeological Museum, Florence

The Ospedale degli Innocenti (Italian pronunciation: [ospeˈdaːle deʎʎ innoˈtʃɛnti];) 'Hospital of the Innocents', also known in old Tuscan dialect as the Spedale degli Innocenti, is a historic building in Florence, Italy. It was designed by Filippo Brunelleschi, who received the commission in 1419 from the Arte della Seta. It was originally a children's orphanage. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the "Arte della Seta" or Silk Guild of Florence. That guild was one of the wealthiest in the city and, like most guilds, took upon itself philanthropic duties. Today the building houses a small museum of Renaissance art with works by Luca della Robbia, Sandro Botticelli, and Piero di Cosimo, as well as an Adoration of the Magi by Domenico Ghirlandaio.The building currently serves as the base of operations for the UNICEF Innocenti Research Centre.

The Palazzo Giugni, also called the Palazzo Firenzuola, is a late-Renaissance or Mannerist architecture palace designed by Bartolomeo Ammanati, and located on Via degli Alfani #48 in the quartiere San Giovanni of Florence, region of Tuscany, Italy. It is located down the street from the Brunelleschi's church of Santa Maria degli Angeli.

Santa Maria degli Angiolini, also known as the Capella degli Angioli, is a Renaissance-style, Roman Catholic church, located on Via della Colonna #34, now serving as a school and dormitory. In 1502, a half-dozen Florentine women retired to a nearby house bought for them by a wool merchant named Dionisio di Clemente. In 1509 the community took up Dominican orders, and they built a convent and this church at the site. During the sixteenth century, the convent was enlarged to cope with the increasing number of nuns (totaling 102 in 1561). In 1785, as part of the reform of the established religious promoted by Grand Duke of Tuscany, Peter Leopold, the convent was transformed into a school. Suppressed in 1808, it was later restored and, at present, still functions as a school. Part of the monastery is used as a dormitory. The church had a Archangels Michele and Gabriello by Francesco Curradi and a Miracle by St Dominic by Matteo Rosselli. The main altarpiece, by Domenico Puligo, has been interpreted as a Presentation of the Virgin at the Temple (1526-1527), but may symbolize the entry of girls into the nunnery, since at the front of the picture are Dominican Saints Antonino Pierozzi, Thomas Aquinas, and Vincent Ferrer on one side and St Helena, Catherine, and Lucy on the other.The ceiling fresco was painted by Giovanni Maria Ciocchi. The refectory has a large fresco of The Last Supper by Rosselli. In the Gallery is a bronze San Giovanni Battista by Giambologna.The church and convent are accessible only by reservation.

The Piazza della Santissima Annunziata is a square in the city of Florence, in the Tuscany region of Italy. The Piazza is named after the church of the Annunziata at the head of the square. In the center of the piazza is the bronze Equestrian statue of Ferdinando I and two Mannerist fountains with fantastical figures, all works completed by the Late Renaissance sculptor Pietro Tacca.

The Cappella di San Luca (Chapel of St Luke), also called dei Pittori is a chapel found in the cloisters of the convent of Santissima Annunziata in Florence, Italy. It was built to serve as the burial chapel for members of the Accademia del Disegno, and was donated by the Servites to the Academy in a document from 1565. It contains a collection of terracota statues from a number of prominent Florentine Mannerist sculptors.

Palazzo Zuccari is a 16th-century palace in Florence built by Federico Zuccari.

The Basilica della Santissima Annunziata (Basilica of the Most Holy Annunciation) is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center.

The Equestrian Monument of Ferdinando I is a bronze equestrian statue by Giambologna, executed in 1602–1607, and erected in 1608 in the Piazza of the Annunziata in Florence, region of Tuscany, Italy.

The Kunsthistorisches Institut in Florenz (KHI) is one of the oldest research institutions dedicated to the history of art and architecture in Italy, where facets of European, Mediterranean and global history are investigated. Founded in 1897 by a group of independent scholars, it has been under the auspices of the Max Planck Society since 2002. Approximately seventy scholars are currently employed at the Institute, which is run by two directors, and the promotion of international young academics is high on its internal agenda. In addition to numerous individual research projects, those funded by third parties and numerous collaborations with international universities, museums and research institutes, Kunsthistorisches Institut in Florenz provides a platform for larger long- and medium-term projects whose subject matter ranges from Late Antiquity to the Modern Age. The Institute's resources, including the library with over 360,000 volumes, some of which are extremely rare, over 1,070 ongoing journal subscriptions, and one of the most wide-ranging photographic libraries on Italian art, are available to researchers from all over the world, including part of the collection of Evelyn Sandberg-Vavalà. The Institute also offers a programme of public academic events.

Palazzo Budini Gattai is a palace in Piazza della Santissima Annunziata, Florence, Italy.

Santa Maria degli Angeli (St. Mary of the Angels) is the former church of a now-defunct monastery of that name in Florence, Italy. It belonged to the Camaldolese congregation, which was a reformed branch of the Benedictines. The congregation is based on the hermitage which was founded in 1012 by the hermit St. Romuald at Camaldoli, near Arezzo, hence the name. Very little of the medieval building exists today. The monastery was a major center of studies in the early Renaissance and its scriptorium was a noted producer of manuscripts of high quality. Many of the illustrations from its work are found in museum collections around the world. The late High Gothic painter, Lorenzo Monaco, was a monk here for a time, while he tested his vocation, but ultimately he left. Nevertheless, he executed a series of artworks for this monastery and other Camaldolese institutions, both during his time in the Order and afterwards. The so-called Rotonda degli Scolari, partially built by Filippo Brunelleschi, is part of the complex. The church once housed a series of artworks now located elsewhere, such as the Coronation of the Virgin by Lorenzo Monaco.

The Palazzo Capponi is a Baroque palace located on Via Gino Capponi #26 in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: Palazzo Capponi-Covoni. Palazzo Capponi-Vettori. Palazzo Capponi alle Rovinate.