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Hostos Community College

1970 establishments in New York CityColleges of the City University of New YorkCommunity colleges in New York CityEducational institutions established in 1970Hostos Community College
Mott Haven, BronxNJCAA athleticsTwo-year colleges in the United StatesUniversities and colleges in the Bronx
Hostos atrium 450 Grand Concourse jeh
Hostos atrium 450 Grand Concourse jeh

Eugenio María de Hostos Community College of The City University of New York is a public community college in the South Bronx, New York City. It is part of the City University of New York (CUNY) system and was created by an act of the Board of Higher Education in 1968 in response to demands from the Hispanic/Puerto Rican community, which was urging for the establishment of a college to serve the people of the South Bronx. In 1970, the college admitted its first class of 623 students at the site of a former tire factory. Several years later, the college moved to a larger site nearby at 149th Street and Grand Concourse. The college also operates a location at the prow building of the Bronx Terminal Market.

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Hostos Community College
Grand Concourse, New York The Bronx

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N 40.8175 ° E -73.927222222222 °
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Hostos Center for the Art and Culture

Grand Concourse
10451 New York, The Bronx
New York, United States
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Hostos atrium 450 Grand Concourse jeh
Hostos atrium 450 Grand Concourse jeh
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Hostos Center for the Arts & Culture
Hostos Center for the Arts & Culture

Hostos Center for the Arts & Culture is a performing arts and visual arts center located within Hostos Community College in the South Bronx, New York City. Hostos Center consists of a museum-grade art gallery, a 367-seat repertory theater, and an 884-seat main theater. The building design is the work of the architectural firm Gwathmey Siegel & Associates who was honored with the 1988 Excellence in Design Award from the Art Commission of the City of New York for their design.Hostos Center has been showcasing theater, dance and music artists for 33 years, with the mission "to be a cultural force in the Bronx and throughout the New York metropolitan area." The New York Times has called the organization “the powerful locus for Latino art” in the Bronx. The programming consists of a performing arts presenting series; a visual arts exhibiting series; periodic festivals featuring different cultural traditions including the highly acclaimed BomPlenazo, the Hostos Repertory Company, a children's performing arts series, and an individual artists’ program consisting of commissions and residencies. Over the years, The Center has presented and exhibited such artists as Rubén Blades, Dizzy Gillespie, Eddie Palmieri, Dance Theatre of Harlem, Ballet de San Juan, Alvin Ailey American Dance Theater, Ballet Hispánico, Jennifer Mueller, Antonio Martorell, Faith Ringgold, Celia Cruz, Marc Anthony, Tito Puente and Lucecita Benítez.

Metropolis Theatre (Bronx, New York)
Metropolis Theatre (Bronx, New York)

Metropolis Theatre opened as a theater with 1,600 seats in 1893. It was converted to show motion pictures by 1914 as competition from the Bronx Opera House (1913) took hold. It was in the southwest of the area known as the Hub.The Spirit of the Times reported on the new theater, the only one above 125th Street in an area made newly accessible by elevated, cable, and trolley cars, in its September 4, 1897 issue noting it was managed by Mortimer Theiss with a Klaw & Erlanger company performing In Gay New York The theatre was decorated in "very rich and very artistic" green, gold, and pink. It had a proscenium arch adorned with a picture "of" Giovanni a depicting "a group of maids and lads dancing to sylvan pipes and capturing kisses". The image was said to have exhibited at the Paris Salon. According to John McNamara, performers at the theater included Francis X. Bushman, Leo Dietrichstein, Clara Kimball Young and Pat Rooney. He wrote that the theatre basement was a Rathskeller while on top of the building there was a roof garden. Robert W. Snyder’s The Voice of the City: Vaudeville and Popular Culture in New York gives a brief history of the Metropolis on page 94, stating that Loew’s never operated the Metropolis as a theater and previous owners hosted vaudeville, films, Italian stage shows, and finally burlesque (precipitating a shut down by the police in 1926). The Metropolis closed in 1926 and Loews used it for storage of the chains scenery, curtains, and draperies used in vaudeville and stage shows (until they were phased out) as well as for a shop that produced the signs and posters displayed at the chain's theaters. It was mostly demolished in the 1940s, leaving behind only facade. It was located at the corner of Third Avenue and 142nd Street.