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Bolshoy Moskvoretsky Bridge

Bridges completed in 1829Bridges completed in 1937Bridges in MoscowConcrete bridgesCultural heritage monuments of regional significance in Moscow
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Кремль и Б.Москворецкий мост IMG 5162 май2018 my e1
Кремль и Б.Москворецкий мост IMG 5162 май2018 my e1

Bolshoy Moskvoretsky Bridge (Russian: Большой Москворецкий мост) is a concrete arch bridge that spans the Moskva River in Moscow, Russia, immediately east of the Kremlin. The bridge connects Red Square with Bolshaya Ordynka Street in Zamoskvorechye. Built in 1936–1937, it was designed by V. S. Kirillov (structural engineering) and Alexey Shchusev (architectural design).

Excerpt from the Wikipedia article Bolshoy Moskvoretsky Bridge (License: CC BY-SA 3.0, Authors, Images).

Bolshoy Moskvoretsky Bridge
Sofiyskaya Embankment, Moscow Yakimanka District

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Geographical coordinates (GPS)

Latitude Longitude
N 55.748888888889 ° E 37.624444444444 °
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Address

Большой Москворецкий мост

Sofiyskaya Embankment
103073 Moscow, Yakimanka District
Moscow, Russia
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Кремль и Б.Москворецкий мост IMG 5162 май2018 my e1
Кремль и Б.Москворецкий мост IMG 5162 май2018 my e1
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Saint Basil's Cathedral
Saint Basil's Cathedral

The Cathedral of Vasily the Blessed (Russian: Собо́р Васи́лия Блаже́нного, tr. Sobór Vasíliya Blazhénnogo), commonly known as Saint Basil's Cathedral, is an Orthodox church in Red Square of Moscow, and is one of the most popular cultural symbols of Russia. The building, now a museum, is officially known as the Cathedral of the Intercession of the Most Holy Theotokos on the Moat, or Pokrovsky Cathedral. It was built from 1555 to 1561 on orders from Ivan the Terrible and commemorates the capture of Kazan and Astrakhan. It was the city's tallest building until the completion of the Ivan the Great Bell Tower in 1600.The original building, known as Trinity Church and later Trinity Cathedral, contained eight chapels arranged around a ninth, central chapel dedicated to the Intercession; a tenth chapel was erected in 1588 over the grave of the venerated local saint Vasily (Basil). In the 16th and 17th centuries, the church, perceived (as with all churches in Byzantine Christianity) as the earthly symbol of the Heavenly City, was popularly known as the "Jerusalem" and served as an allegory of the Jerusalem Temple in the annual Palm Sunday parade attended by the Patriarch of Moscow and the Tsar.The cathedral has nine domes (each one corresponding to a different church) and is shaped like the flame of a bonfire rising into the sky. Dmitry Shvidkovsky, in his book Russian Architecture and the West, states that "it is like no other Russian building. Nothing similar can be found in the entire millennium of Byzantine tradition from the fifth to the fifteenth century ... a strangeness that astonishes by its unexpectedness, complexity and dazzling interleaving of the manifold details of its design." The cathedral foreshadowed the climax of Russian national architecture in the 17th century.As part of the program of state atheism, the church was confiscated from the Russian Orthodox community as part of the Soviet Union's antireligious campaigns and has operated as a division of the State Historical Museum since 1928. It was completely secularized in 1929, and remains a federal property of the Russian Federation. The church has been part of the Moscow Kremlin and Red Square UNESCO World Heritage Site since 1990. With the dissolution of the Soviet Union in 1991, weekly Orthodox Christian services with prayer to St. Basil have been restored since 1997.

Monument to Minin and Pozharsky
Monument to Minin and Pozharsky

The Monument to Minin and Pozharsky (Russian: Па́мятник Ми́нину и Пожа́рскому) is a bronze statue designed by Ivan Martos and located on the Red Square in Moscow, Russia, in front of Saint Basil's Cathedral. The statue commemorates Prince Dmitry Pozharsky and Kuzma Minin, who gathered an all-Russian volunteer army and expelled the forces of the Polish–Lithuanian Commonwealth under the command of King Sigismund III of Poland from Moscow, thus putting an end to the Time of Troubles in 1612. The monument was conceived by the Free Society of Lovers of Literature, Science, and the Arts to commemorate the 200th anniversary of those events. Construction was funded by public conscription in Nizhny Novgorod, the city from where Minin and Pozharsky came to save Moscow. Tsar Alexander I, however, decided the monument should be installed on Red Square next to the Moscow Kremlin rather than in Nizhny Novgorod. The competition for the best design was won by the celebrated sculptor Ivan Martos in 1808. Martos completed a model, which was approved by Dowager Empress Maria Feodorovna and the Russian Academy of Fine Arts in 1813. Casting work using 500 kilograms (1,100 lb) of copper was carried out in 1816 in St Petersburg. The base, made of three massive blocks of granite from Finland, was also carved at St Petersburg. Moving the statue and base to Moscow presented logistical challenges and was accomplished in winter by using the frozen waterways. However, in the wake of Napoleon's invasion of Russia, the monument could not be unveiled until 1818. The front of the base carries a bronze plaque depicting a scene of patriotic citizens sacrificing their property for the benefit of the motherland. On the left is an image of the sculptor Martos giving away his two sons (one of whom was killed in 1813). The plaque reads "Гражданину Минину и Князю Пожарскому благодарная Россія. Лѣта 1818", or in English, "In memory of citizens Minin and Grand Duke Pozharsky, in 1818 by grateful Russians". Originally, the statue stood in the centre of Red Square, with Minin extending his hand towards the Moscow Kremlin. However, after the 1917 Revolution, the Communist authorities found the monument was obstructing parades on the square and discussed its demolition or transfer to some indoor museum. In 1936, the statue was moved closer to the cathedral where it remains to the present day. On the first celebration of the Unity Day (November 4, 2005) an almost exact copy of this monument by Zurab Tsereteli was erected in Nizhny Novgorod. The copy is 5 cm shorter than the Moscow original. As it was originally conceived by the sculptor Martos, Prince Pozharsky and Minin were standing side by side. But nobility opposed the concept. It wasn't appropriate for people of different classes to be portrayed on equal terms. Martos redesigned the concept. He has turned the 17th-century heroes of the resistance into ancient history characters. Inequality is highlighted by clothing. Noble prince is in a toga, Minin is in a shirt and trousers.In 2021-22 the monument underwent an extensive restoration, which was performed without displacing or moving the monument.