place

London School of Dramatic Art

AC with 0 elementsDrama schools in London

The London School of Dramatic Art is a drama school based in South Kensington in London that offers training for those intending to pursue a professional career in acting.

Excerpt from the Wikipedia article London School of Dramatic Art (License: CC BY-SA 3.0, Authors).

London School of Dramatic Art
Bute Street, London Brompton (Royal Borough of Kensington and Chelsea)

Geographical coordinates (GPS) Address Website Nearby Places
placeShow on map

Wikipedia: London School of Dramatic ArtContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 51.4934 ° E -0.176 °
placeShow on map

Address

Zetland Arms

Bute Street 2
SW7 3EX London, Brompton (Royal Borough of Kensington and Chelsea)
England, United Kingdom
mapOpen on Google Maps

Website
greeneking-pubs.co.uk

linkVisit website

Share experience

Nearby Places

St Paul's, Onslow Square
St Paul's, Onslow Square

St Paul's, Onslow Square (known as HTB Onslow Square), is a Grade II listed Anglican church in Onslow Square, South Kensington, London, England. The church was built in 1860, and the architect was James Edmeston. Hanmer William Webb-Peploe (1837–1923), the evangelical clergyman, and member of the Holiness Movement, was the vicar for 43 years from 1876 to 1919.In the late 1970s, the parish of Holy Trinity Brompton (HTB) merged with the neighbouring parish of St Paul's, Onslow Square. St Paul's was declared redundant. An attempt by the Diocese of London to sell the building for private redevelopment was thwarted in the early 1980s when local residents joined with churchgoers to save the church. In the late 1980s, the Parochial Church Council requested that the redundancy be overturned which allowed curate Nicky Lee and his wife Sila to plant a congregation there as well as undertake some building structural maintenance work.In 1997, the congregation at St Paul's divided into three, with some going with curate Stuart Lees to plant a church in Fulham; others returning to HTB with Nicky and Sila Lee; and others forming the St Paul's Anglican Fellowship and remaining based at St Paul's with John Peters. This last group left in 2002 to plant into St Mary's, Bryanston Square. During 2007, after plans by HTB to rebuild the 1960s offices were withdrawn following difficulty in getting support from local residents, HTB decided to undertake some renovations and to resume services in the church. St Paul's launched 9 am and 6 pm services in September 2007 and followed with an 11 am service on 20 January 2008 and a 4 pm service on 28 September 2009. In December 2009 the upstairs balcony was recommissioned for worship, having previously been used for administrative offices (the office occupants having moved to HTB's nearby office building purchased in 2008). The church holds services at 10.30 am, 4.30 pm and 6.30 pm every Sunday.

South Kensington tube station
South Kensington tube station

South Kensington is a London Underground station in the district of South Kensington, south west London. It is served by the District, Circle and Piccadilly lines. On the District and Circle lines it is between Gloucester Road and Sloane Square, and on the Piccadilly line between Gloucester Road and Knightsbridge. It is in Travelcard Zone 1. The main station entrance is located at the junction of Old Brompton Road (A3218), Thurloe Place, Harrington Road, Onslow Place and Pelham Street. Subsidiary entrances are located in Exhibition Road giving access by pedestrian tunnel to the Natural History, Science and Victoria and Albert Museums. Also close by are the Royal Albert Hall, Imperial College London, the Royal College of Music, the London branch of the Goethe-Institut and the Ismaili Centre. The station is in two parts: sub-surface platforms opened in 1868 by the Metropolitan Railway and the District Railway as part of the companies' extension of the Inner Circle route eastwards from Gloucester Road to Westminster and deep level platforms opened in 1906 by the Great Northern, Piccadilly and Brompton Railway. A variety of underground and main line services have operated over the sub-surface tracks, which have been modified several times to suit operational demands with the current arrangement being achieved in the 1960s. The deep-level platforms have remained largely unaltered, although the installation of escalators in the 1970s to replace lifts improved interchanges between the two parts of the station. Parts of the sub-surface station and the Exhibition Road pedestrian tunnel are Grade II listed.

Ceilings of the Natural History Museum, London
Ceilings of the Natural History Museum, London

A pair of decorated ceilings in the main Central Hall (officially Hintze Hall since 2014) and smaller North Hall of the Natural History Museum in South Kensington, London, were unveiled at the building's opening in 1881. They were designed by the museum's architect Alfred Waterhouse and painted by the artist Charles James Lea. The ceiling of the Central Hall consists of 162 panels, 108 of which depict plants considered significant to the history of the museum, to the British Empire or the museum's visitors and the remainder are highly stylised decorative botanical paintings. The ceiling of the smaller North Hall consists of 36 panels, 18 of which depict plants growing in the British Isles. Painted directly onto the plaster of the ceilings, they also make use of gilding for visual effect. The natural history collections had originally shared a building with their parent institution the British Museum, but with the expansion of the British Empire there was a significant increase in both public and commercial interest in natural history, and in the number of specimens added to the museum's natural history collections. In 1860 it was agreed that a separate museum of natural history would be created in a large building, capable of displaying the largest specimens, such as whales. The superintendent of the natural history departments, Richard Owen, envisaged that visitors would enter a large central hall containing what he termed an "index collection" of representative exhibits, from which other galleries would radiate, and a smaller hall to the north would display the natural history of the British Isles. Waterhouse's Romanesque design for the museum included decorative painted ceilings. Acton Smee Ayrton, the First Commissioner of Works, refused to permit the decoration of the ceilings on grounds of cost, but Waterhouse convinced him that provided the painting took place while the scaffolding from the museum's construction was still in place it would incur no extra cost; he further managed to convince Ayrton that the ceiling would be more appealing if elements of the paintings were gilded. The ceiling of the Central Hall consists of six rows of painted panels, three on each side of the roof's apex. Above the landing at the southern end of the building, the ceiling is divided into nine-panel blocks. The uppermost three panels in each block consist of what Waterhouse termed "archaic" panels, depicting stylised plants on a green background. Each of the lower six panels in each block depicts a plant considered of particular significance to the British Empire, against a pale background. Above the remainder of the Central Hall the archaic panels remain in the same style, but each set of six lower panels depicts a single plant, spreading across the six panels and against the same pale background; these represent plants considered of particular significance either to visitors, or to the history of the museum. The ceiling of the smaller North Hall comprises just four rows of panels. The two uppermost rows are of a simple design of heraldic symbols of the then constituent countries of the United Kingdom; each panel in the lower two rows depicts a different plant found in Britain or Ireland, in keeping with the room's intended purpose as a display of British natural history. As the ceilings were built cheaply, they are extremely fragile and require regular repair. They underwent significant conservation work in 1924, 1975 and 2016. The restoration in 2016 coincided with the removal of "Dippy", a cast of a Diplodocus skeleton which had previously stood in the Central Hall, and the installation of the skeleton of a blue whale suspended from the ceiling.