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Francisco Moreno Fernández (admiral)

1883 births1945 deaths20th-century Spanish naval officersBurials in SpainCrosses of Military Merit
Crosses of Naval MeritGrand Crosses of the Royal and Military Order of San HermenegildPeople from CádizPeople from FerrolSpanish admiralsSpanish military personnel of the Spanish Civil War (National faction)
Francisco Moreno Fernández
Francisco Moreno Fernández

Francisco Moreno Fernández (7 November 1883 – 21 January 1945) was a Spanish Navy admiral who fought in the Rif War and later participated in the coup d'état in Spain against the Second Spanish Republic in July 1936 that triggered the Spanish Civil War (1936–1939). He fought on the Nationalist side during the war, rising to the rank of vicealmirante (vice admiral) in the Nationalist fleet and was both its commander-in-chief throughout the war and the commander of its Mediterranean Blockade Forces from 1937 to 1939. He later reached the rank of almirante (admiral). For his service, General Francisco Franco posthumously awarded him the title of 1st Marquis of Alborán on 1 April 1950.

Excerpt from the Wikipedia article Francisco Moreno Fernández (admiral) (License: CC BY-SA 3.0, Authors, Images).

Francisco Moreno Fernández (admiral)
Avenida de la Armada, San Fernando

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N 36.479722222222 ° E -6.1936111111111 °
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Panteón de Marinos Ilustres

Avenida de la Armada
11100 San Fernando
Andalusia, Spain
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Francisco Moreno Fernández
Francisco Moreno Fernández
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Panteón de Marinos Ilustres
Panteón de Marinos Ilustres

The Pantheon of Illustrious Sailors (Spanish: Panteón de Marinos Ilustres) is a mausoleum and memorial to all the mariners of the Spanish Navy, especially prominent ones, and to the Spanish Navy and all its ships, battles and explorations in general. The term Pantheon is a concession to the generally prevalent and popular style of neoclassical architecture, which is supposed to have begun explicitly in the 18th century, but was in use long before then in the Renaissance, a "rebirth" of classical civilization, especially in decorative ornamentation. The application of "Pantheon" in this case is entirely superficial. The building is composed of two layers: a Catholic church to which a cemetery has been added by enclosure and roofing. The church projects above the roof of the building, while the cemetery appears as projections off the nave. The philosophic term Pantheon comes from a different, polytheistic religion. Etymologically, it refers to a panoply of "all the gods." Christianity, however, is considered a monotheistic religion, despite the Trinitarian subdivision of divinity into three persons. As each person is fully God, and is not lessened by division, the Trinity is described as a mystery. The application of the term to the building, however, is entirely architectural. The Spanish architects who assigned the term believed they were creating a type of building, which, in the 18th and 19th centuries, was termed a Pantheon, because of the central dome. The earliest extant instance of a large domed structure is the Pantheon of Rome. Originally a pagan temple, it utilized the principle of the arch to support a heaven-like surface over a public chamber, the rotunda. Geometrically a dome is an arch rotated about a central axis, so whatever load-bearing advantage an arch has is multiplied over the dome. The Roman Pantheon survived because it was quickly converted into a Christian church, like many other pagan public buildings. Domes became a standard feature of state and religious buildings thereafter. Their sudden labelling as Pantheons in the 18th century is no doubt a neoclassicism, and there are others, such as a few frontal columns. The architecture, however, is primarily church architecture, none of which dates to classical times.