Padua Courthouse

The Sanctuary of Arcella (Italian: Santuario dell'Arcella), popularly known as Sant'Antonino, is a Roman Catholic church located in the neighborhood of Arcella, just north of the city of Padua, region of Veneto, Italy. The sanctuary preserves the room in which St Anthony of Padua died on June 13, 1231. Today it also serves as a parish church, ministered by monks of the Franciscan order.

Padova railway station, or Padua railway station (Italian: Stazione di Padova), sometimes referred to as Padova Centrale, is the main station serving the city and comune of Padua, in the Veneto region, northeastern Italy. Opened in 1842, the station forms part of the Milan–Venice railway, and is a junction for direct branch lines to Bologna, Bassano del Grappa and Camposampiero (junction for the line to Calalzo). Padova railway station is also the terminus of a short goods line to Padova Interporto. The station is currently managed by Rete Ferroviaria Italiana (RFI). However, the commercial area of the passenger building is managed by Centostazioni. Each of these companies is a subsidiary of Ferrovie dello Stato (FS), Italy's state-owned rail company. Train services to and from the station are operated by Trenitalia, NTV and Thello.

Santa Sofia is the oldest Roman Catholic church structure in the city of Padua, region of Veneto, Italy. It was built in the 10th century on the site of a presumed Mithraeum. A grant was made to bishop Sinibaldo of this church in 1123, which had already been in construction. The Romanesque stone and brick facade was constructed from 1106 to 1127, but the semicircular apse may date from earlier. The interior is now relatively bare.

Padua's fourteenth-century fresco cycles is a UNESCO World Heritage Site in Padua, Italy, listed in 2021. The site comprises eight buildings, both religious and secular, in four clusters. They house fresco cycles that were painted between 1302 and 1397 by several prominent painters: Giotto, Guariento di Arpo, Giusto de' Menabuoi, Altichiero da Zevio, Jacopo d'Avanzi, and Jacopo da Verona. The frescos are innovative in their way of depicting the allegorical narrative and use new way of perspective. Emotions of characters are shown in a realistic manner. In some frescoes, the patron who commissioned them is depicted as one of the characters in a story. This new fresco style formed the inspirational basis for centuries of fresco work in the Italian Renaissance and beyond.

The Scrovegni Chapel (Italian: Cappella degli Scrovegni [kapˈpɛlla deʎʎi skroˈveɲɲi]), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the Monastero degli Eremitani in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Musei Civici di Padova. The chapel contains a fresco cycle by Giotto, completed around 1305 and an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of 14th-century fresco cycles composed of 8 historical buildings in Padua city centre. The Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century.

The Church of San Gaetano is found in the central district of Padua, and its facade was designed by the late Renaissance architect Vincenzo Scamozzi. The church was constructed from 1574 to 1586 on an octagonal layout, based on a prior chapel at the site, under the direction of the Theatines, an order founded by St Cajetan of Thiene and favored by cardinal Pietro Carafa, who became Pope Paul IV. It was built on the site of an old church dedicated to San Francesco Piccolo.

The Ovetari Chapel (Italian: Cappella Ovetari) is a chapel in the right arm of the Church of the Eremitani in Padua. It is renowned for a Renaissance fresco cycle by Andrea Mantegna and others, painted from 1448 to 1457. The cycle was destroyed by an Allied bombing in 1944: today, only two scenes and a few fragments survive, which have been restored in 2006. They are, however, known from black-and-white photographs.

The Church of the Eremitani (Italian: Chiesa degli Eremitani), or Church of the Hermits, is a former-Augustinian, 13th-century Gothic-style church in Padua, region of the Veneto, Italy. It is also now notable for being adjacent to the Cappella Scrovegni with Giotto frescoes and the municipal archeology and art gallery: the Musei Civici agli Eremitani, which is housed in the former Augustinian monastery located to the left of the entrance.

The Palazzo Cavalli alle Porte Contarine, also called the Palazzo Cavalli agli Eremitani is a Renaissance-style palace located at the intersection of Corso Giuseppe Garibaldi and Via Giacomo Matteotti in Padua, region of Veneto, Italy. In 2019, it is owned by the University of Padua and houses the university's collections of geology and paleontology in the Museo della Natura e dell’Uomo (Museum of nature and Humankind).

The Palazzo Zuckermann is a palace located on corso Garibaldi in Padua, Italy. The building now houses the collections of the Museo di arti applicate e decorative (Museum of applied and decorative arts) on the first floor and the Museo Bottacin on the second floor; these collections form part of the Civic Museum of Padua. It stands across the street from the Cappella degli Scrovegni and the Museo agli Eremitani; the latter houses the main art gallery of the civic Museum of Padua. The palace was commissioned by the wealthy industrialist Erico Zuckermann, and built by the architect Arosio in 1912–1914. In the 20th-century, the palace became used as the main post office building for Padua. The Museo di arti applicate e decorative contains craftworks dating from the medieval to late 19th-century. The Museo Bottacin displays the eclectic collections donated to the city by the businessman Nicola Bottacin in 1865. It contains both paintings and sculptures, including from Antonio Rotta, Felice Schiavoni, Antonio Zona, Cristoforo Dall'Acqua, Gerolamo Induno, Pietro Magni, and Vincenzo Vela. The collection includes paintings and statuary, but is best known for its numismatic collections.

The Ponte Altinate is a Roman bridge in Padua, Italy. The late Republican bridge once spanned a branch of the Brenta river whose course is today followed by the street Riviera del Ponti Romani. The structure is located at the crossing with Via Altinate and, lying underground, completely obstructed from view by the modern pavement. The rise-to-span ratio is 1:4 for the main arch and 1:3.7 for the two lateral ones, while the ratio of pier thickness to clear span is c. 1:5.Close by is the similarly inaccessible Roman bridge Ponte San Lorenzo which is open to visitors at fixed hours though.

The church dedicated to saint Francis of Assisi, known for centuries as San Francesco Grande (to avoid confusion with the church of San Francesco Piccolo which was gone by the sixteenth century) is a religious building on the Via San Francesco, previously overlooks the Contra porteghi high in Padua, Italy. Through the efforts of Baldo de Bonafarii and Sibilla de Cetto, the convent of the Friars Minor and the Hospital of Saint Francis, Major (or Greater), operated until 1798.