San Gaetano, Padua

The Ovetari Chapel (Italian: Cappella Ovetari) is a chapel in the right arm of the Church of the Eremitani in Padua. It is renowned for a Renaissance fresco cycle by Andrea Mantegna and others, painted from 1448 to 1457. The cycle was destroyed by an Allied bombing in 1944: today, only two scenes and a few fragments survive, which have been restored in 2006. They are, however, known from black-and-white photographs.

The Church of the Eremitani (Italian: Chiesa degli Eremitani), or Church of the Hermits, is a former-Augustinian, 13th-century Gothic-style church in Padua, region of the Veneto, Italy. It is also now notable for being adjacent to the Cappella Scrovegni with Giotto frescoes and the municipal archeology and art gallery: the Musei Civici agli Eremitani, which is housed in the former Augustinian monastery located to the left of the entrance.

The Ponte Altinate is a Roman bridge in Padua, Italy. The late Republican bridge once spanned a branch of the Brenta river whose course is today followed by the street Riviera del Ponti Romani. The structure is located at the crossing with Via Altinate and, lying underground, completely obstructed from view by the modern pavement. The rise-to-span ratio is 1:4 for the main arch and 1:3.7 for the two lateral ones, while the ratio of pier thickness to clear span is c. 1:5.Close by is the similarly inaccessible Roman bridge Ponte San Lorenzo which is open to visitors at fixed hours though.

Santa Sofia is the oldest Roman Catholic church structure in the city of Padua, region of Veneto, Italy. It was built in the 10th century on the site of a presumed Mithraeum. A grant was made to bishop Sinibaldo of this church in 1123, which had already been in construction. The Romanesque stone and brick facade was constructed from 1106 to 1127, but the semicircular apse may date from earlier. The interior is now relatively bare.

The Palazzo Zabarella is a medieval, fortress-like palace with a crenellated roof-line, and corner tower, located on Via San Francesco 27 in the center of Padua, Italy. The building now houses the Fondazione Bano, and serves as a locale for cultural events and exhibition.

The church dedicated to saint Francis of Assisi, known for centuries as San Francesco Grande (to avoid confusion with the church of San Francesco Piccolo which was gone by the sixteenth century) is a religious building on the Via San Francesco, previously overlooks the Contra porteghi high in Padua, Italy. Through the efforts of Baldo de Bonafarii and Sibilla de Cetto, the convent of the Friars Minor and the Hospital of Saint Francis, Major (or Greater), operated until 1798.

Padua's fourteenth-century fresco cycles is a UNESCO World Heritage Site in Padua, Italy, listed in 2021. The site comprises eight buildings, both religious and secular, in four clusters. They house fresco cycles that were painted between 1302 and 1397 by several prominent painters: Giotto, Guariento di Arpo, Giusto de' Menabuoi, Altichiero da Zevio, Jacopo d'Avanzi, and Jacopo da Verona. The frescos are innovative in their way of depicting the allegorical narrative and use new way of perspective. Emotions of characters are shown in a realistic manner. In some frescoes, the patron who commissioned them is depicted as one of the characters in a story. This new fresco style formed the inspirational basis for centuries of fresco work in the Italian Renaissance and beyond.

The Scrovegni Chapel (Italian: Cappella degli Scrovegni [kapˈpɛlla deʎʎi skroˈveɲɲi]), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the Monastero degli Eremitani in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Musei Civici di Padova. The chapel contains a fresco cycle by Giotto, completed around 1305 and an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of 14th-century fresco cycles composed of 8 historical buildings in Padua city centre. The Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century.

The province of Padua (Italian: provincia di Padova) is a province in the Veneto region of Italy. Its capital is the city of Padua.

The Ponte San Lorenzo is a Roman bridge over the river Bacchiglione in Padua, Italy. Constructed between 47 and 30 BC, it is one of the very earliest segmental arched bridges in the world. It is also notable for the slenderness of its piers, unsurpassed in antiquity.

The Pedrocchi Café (Caffè Pedrocchi in Italian) is a café founded in the 18th century in central Padua, Italy. It has architectural prominence because its rooms were decorated in diverse styles, arranged in an eclectic ensemble by the architect Giuseppe Jappelli. The café has historical prominence because of its role in the 1848 riots against the Habsburg monarchy, as well as for being an attraction for artists over the last century from the French novelist Stendhal to Lord Byron to the Italian writer Dario Fo.

The Anatomical Theatre of Padua, Northern Italy, is the first permanent anatomical theatre in the world. Still preserved in the Palazzo del Bo, it was inaugurated in 1595 by Girolamo Fabrici of Acquapendente, according to the project of Paolo Sarpi and Dario Varotari. This theatre constituted the model for the anatomical theatres built during the seventeenth century in the main universities of Europe: all would have been based on the Paduan archetype. It is the symbol of a successful period in the University of Padua's history, and it is considered one of the most important achievements for the study of anatomy during the sixteenth century.