Ponte Altinate

Sant'Andrea is a Roman Catholic church located on Via Sant'Andrea in Padua, region of Veneto, Italy. Founded by the 12th-century as a parish church, the present church was completed in the late 19th century.

The Pedrocchi Café (Caffè Pedrocchi in Italian) is a café founded in the 18th century in central Padua, Italy. It has architectural prominence because its rooms were decorated in diverse styles, arranged in an eclectic ensemble by the architect Giuseppe Jappelli. The café has historical prominence because of its role in the 1848 riots against the Habsburg monarchy, as well as for being an attraction for artists over the last century from the French novelist Stendhal to Lord Byron to the Italian writer Dario Fo.

The Ovetari Chapel (Italian: Cappella Ovetari) is a chapel in the right arm of the Church of the Eremitani in Padua. It is renowned for a Renaissance fresco cycle by Andrea Mantegna and others, painted from 1448 to 1457. The cycle was destroyed by an Allied bombing in 1944: today, only two scenes and a few fragments survive, which have been restored in 2006. They are, however, known from black-and-white photographs.

The Church of the Eremitani (Italian: Chiesa degli Eremitani), or Church of the Hermits, is a former-Augustinian, 13th-century Gothic-style church in Padua, region of the Veneto, Italy. It is also now notable for being adjacent to the Cappella Scrovegni with Giotto frescoes and the municipal archeology and art gallery: the Musei Civici agli Eremitani, which is housed in the former Augustinian monastery located to the left of the entrance.

The Anatomical Theatre of Padua, Northern Italy, is the first permanent anatomical theatre in the world. Still preserved in the Palazzo del Bo, it was inaugurated in 1595 by Girolamo Fabrici of Acquapendente, according to the project of Paolo Sarpi and Dario Varotari. This theatre constituted the model for the anatomical theatres built during the seventeenth century in the main universities of Europe: all would have been based on the Paduan archetype. It is the symbol of a successful period in the University of Padua's history, and it is considered one of the most important achievements for the study of anatomy during the sixteenth century.

The Bo Palace (Italian: Palazzo del Bo) is the historical seat of University of Padua since 1493, It is still home to the Rectorate and the School of Law. It is also home to the oldest anatomical theatre in the world.

The Palazzo Zuckermann is a palace located on corso Garibaldi in Padua, Italy. The building now houses the collections of the Museo di arti applicate e decorative (Museum of applied and decorative arts) on the first floor and the Museo Bottacin on the second floor; these collections form part of the Civic Museum of Padua. It stands across the street from the Cappella degli Scrovegni and the Museo agli Eremitani; the latter houses the main art gallery of the civic Museum of Padua. The palace was commissioned by the wealthy industrialist Erico Zuckermann, and built by the architect Arosio in 1912–1914. In the 20th-century, the palace became used as the main post office building for Padua. The Museo di arti applicate e decorative contains craftworks dating from the medieval to late 19th-century. The Museo Bottacin displays the eclectic collections donated to the city by the businessman Nicola Bottacin in 1865. It contains both paintings and sculptures, including from Antonio Rotta, Felice Schiavoni, Antonio Zona, Cristoforo Dall'Acqua, Gerolamo Induno, Pietro Magni, and Vincenzo Vela. The collection includes paintings and statuary, but is best known for its numismatic collections.

The province of Padua (Italian: provincia di Padova) is a province in the Veneto region of Italy. Its capital is the city of Padua.

The Ponte San Lorenzo is a Roman bridge over the river Bacchiglione in Padua, Italy. Constructed between 47 and 30 BC, it is one of the very earliest segmental arched bridges in the world. It is also notable for the slenderness of its piers, unsurpassed in antiquity.

The Palazzo Zabarella is a medieval, fortress-like palace with a crenellated roof-line, and corner tower, located on Via San Francesco 27 in the center of Padua, Italy. The building now houses the Fondazione Bano, and serves as a locale for cultural events and exhibition.

Padua's fourteenth-century fresco cycles is a UNESCO World Heritage Site in Padua, Italy, listed in 2021. The site comprises eight buildings, both religious and secular, in four clusters. They house fresco cycles that were painted between 1302 and 1397 by several prominent painters: Giotto, Guariento di Arpo, Giusto de' Menabuoi, Altichiero da Zevio, Jacopo d'Avanzi, and Jacopo da Verona. The frescos are innovative in their way of depicting the allegorical narrative and use new way of perspective. Emotions of characters are shown in a realistic manner. In some frescoes, the patron who commissioned them is depicted as one of the characters in a story. This new fresco style formed the inspirational basis for centuries of fresco work in the Italian Renaissance and beyond.

The Scrovegni Chapel (Italian: Cappella degli Scrovegni [kapˈpɛlla deʎʎi skroˈveɲɲi]), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the Monastero degli Eremitani in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Musei Civici di Padova. The chapel contains a fresco cycle by Giotto, completed around 1305 and an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of 14th-century fresco cycles composed of 8 historical buildings in Padua city centre. The Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century.