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Xihua Gate

City gatesForbidden City
West Glorious Gate (20220213150635)
West Glorious Gate (20220213150635)

Xihuamen or Xihua Gate is the western entrance to the Forbidden City in Beijing, China. It is situated just south of the complex’s west wall.

Excerpt from the Wikipedia article Xihua Gate (License: CC BY-SA 3.0, Authors, Images).

Xihua Gate
Wenjin Street, Xicheng District Xichang'anjie Subdistrict

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N 39.920277777778 ° E 116.38388888889 °
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文津街

Wenjin Street
100032 Xicheng District, Xichang'anjie Subdistrict
China
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West Glorious Gate (20220213150635)
West Glorious Gate (20220213150635)
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Beijing Jazz Festival
Beijing Jazz Festival

The Beijing Jazz Festival (Chinese: 北京爵士音乐节; pinyin: Běijīng Juéshì Yīnyuè Jié) is China's first and largest jazz festival. It was founded in 1993 by Udo Hoffmann, a German national living in China. The festival is hosted by the Beijing Midi School of Music and Beijing Midi Productions. The festival was held in Beijing from 1993 to 1999, with a seven-year hiatus. The festival returned to Beijing from September 21 to 23, 2007, and has taken place outdoors in Haidian Park, in Beijing's northwestern Haidian District. The festival features jazz musicians from China and all around the world. Performers have included the U.S. jazz musicians as Wynton Marsalis and Jon Jang, as well as many artists and groups from Scandinavia. List of bands and musicians 1994 to 1999 (source: Wolfgang in der Wiesche, leading sound engineer and production manager of the festival 1994-99) Beijing International Jazz Festival 1994 Wide Angle (China) Scandinavian Jazz Quartett (Denmark, Finland) E.M.T. (Lithuania, Germany) Lluis-Vidal-Trio (Spain) Pascal v. Wroblewsky Trio (Germany) Jon Rose - Otomo Yosihide (Australia + Japan) Stephane Kochoyan Trio (France) Neighbours (Austria) Gaoshan Liushui (China + Germany) Liu Yuan + Kong Hongwei (China) Willem Breuker Kollektief (Netherlands) Beijing International Jazz Festival 1995 Stéphane Planchon's "Rendez-vous" (France) NDR Bigband, feat. Palle Mikkelborg: "The History of Jazz" (Germany) Liu Yuan Band (China) Martin Speake Group (UK) Ding Wei and Wide Angle (China) The Palle Mikkelborg Duo (Denmark) Clusone Trio (The Netherlands) Illouz (France) Paolo Frescu Quartet (Italy) Howard "Hojo" Johnson (USA) and the NDR Bigband Beijing Jazz Unit (China) Chano Dominguez Group (Spain) Eugene Pao Group (HongKong) Beijing International Jazz Festival 1996 Beijing Jazz Unit (China) Sixun (France) Liu Yuan Group (China) Steffen Schorn/ Claudio Puntin Duo (Germany) Land (USA) Misha Mengelberg Solo Piano (Netherlands) Tien Square (China) Karin Krog Group (Norway) Steve Bailock's Swingthing (USA) Misha Mengelberg/ Han Bennink/ George Lewis Trio (Netherlands, USA) Cercle Trio (Austria, UK) Rios (USA) Christof Lauer Trio (Germany) Django Bates' Human Chain (UK) Guys (China) Enrico Rava's Carmen Project (Italy, China) Pierre Doerge's New Jungle Orchestra (Denmark) Shanghai International Jazz Concert Series 1996 (organized by Beijing International Jazz Festival) Steve Bailock's Swingthing (USA) Django Bates' Human Chain (UK) Sixun (France) Enrico Rava Trio (Italy) Pierre Doerge's New Jungle Orchestra (Denmark) Liu Yuan Group (China) Beijing International Jazz Festival 1997 P.L.A. Orchestra- Golden Angle Jazz Band (China) Nils Landgren Funk Unit (Sweden) Antonio Martinez "Candela" (Spain) Jon Jang Sextett (USA/ China) Uli Lenz/ Johannes Barthelmes Duo (Germany) Willem Breuker Kollektief (The Netherlands) + Chinese Strings Keiko Lee (Japan) The Far East Side Band (USA/ China/ Japan/ Korea) Rhythm Dogs Big Band(China) Ensemble for New Improvised Music (Germany/ USA/ Russia/ New Zealand) John Taylor/ John Surman (UK) Gianluigi Trovesi Octet (Italy) Liu Yuan Group (China) Doky Brothers (Denmark) Richard Galliano Trio (France) Betty Carter (USA) Beijing International Jazz Festival 1998 Ugetsu (Germany) Jazz Crusaders (USA) Liu Yuan Group (China) Banda Sonora & PLA Orchestra (Italy, China) Guus Janssen Quintet (The Netherlands) Danish Radio Jazz Orchestra (Denmark) Hiroshi Minami Quartet (Japan) Lost Chart Ensemble (Canada) Fred van Hove (Belgium) Irene Schweizer/ Pierre Favre (Switzerland) Ten Part Invention (Australia) Paul Motian's Electric Bebop Band (USA) Jon Rose (Australia) Dieter Glawischnig/ Andreas Schreiber Duo (Austria) Mynta (Sweden, India) Dave Holland Group (USA) Beijing International Jazz Festival 1999 Doctor 3 (Italy) Vienna Art Orchestra (Austria) Lenni-Kalle Taipale (Finland) Wanderlust (Australia) In-Sound-Out (China) Nordic Sounds (Denmark, Finland, Norway, Sweden) Dainius Pulauskas Sextet (Lithuania) Liu Sola and Friends (USA) Papadimitriou-Sylleou Duo (Greece) Kiichiro Hayashi (Japan) B.J. Funk (China) Trevor Watts Moire Music Drum Orchestra (UK) Chen Dili (China) Denis Colin Trio (France) Michiel Borstlap Sextet (Netherlands) David Sanchez (USA)

Beihai Park
Beihai Park

Beihai Park (simplified Chinese: 北海公园; traditional Chinese: 北海公園) is a public park and former imperial garden located in the northwestern part of the Imperial City, Beijing. First built in the 11th century, it is among the largest of all Chinese gardens and contains numerous historically important structures, palaces, and temples. Since 1925, the place has been open to the public as a park. It is also connected at its northern end to the Shichahai. The park has an area of more than 69 hectares (171 acres), with a lake that covers more than half of the entire park. At the center of the park is an island called Jade Flower Island (瓊華島; 琼华岛; Qiónghuádǎo), whose highest point is 32 meters (105 ft). Beihai literally means "Northern Sea". There are also corresponding Central (Zhonghai) and Southern (Nanhai) "Seas" elsewhere. These latter two are joined inside a complex of buildings known after them as Zhongnanhai; it is the home of China's paramount leaders. The Beihai Park, as with many of Chinese imperial gardens, was built to imitate renowned scenic spots and architecture from various regions of China such as Lake Tai, the elaborate pavilions and canals of Hangzhou and Yangzhou, the delicate garden structures in Suzhou and others all served as inspirations for the design of the numerous sites in this imperial garden. The structures and scenes in the Beihai Park are described as masterpieces of gardening technique that reflects the style and the superb architectural skill and richness of traditional Chinese garden art.

Hall of Mental Cultivation
Hall of Mental Cultivation

The Hall of Mental Cultivation (simplified Chinese: 养心殿; traditional Chinese: 養心殿; pinyin: Yǎngxīn Diàn, Manchu: ᠶᠠᠩ ᠰᡳᠨ ᡩᡳᠶᠠᠨ yang sin diyan) is a building in the inner courtyard of the Forbidden City in Beijing, China. The hall is a wooden structure with dome coffered ceilings, and was first built during the Ming dynasty in 1537, and was reconstructed during the Qing dynasty. During the early Qing dynasty under the reign of the Kangxi Emperor the hall was mostly used as a workshop, wherein artisan objects like clocks were designed and manufactured. From the reign of the Yongzheng Emperor during the 18th century, the hall was the residence for the emperor. Under the reign of the Qianlong Emperor until the fall of the Qing dynasty, the hall became the centre of governance and political administration. In the Western Warmth Chamber, the emperor would hold private meetings, and discuss state affairs with his mandarins. After the death of Emperor Xianfeng, from inside the Eastern Warmth Chamber, empress dowagers Ci'an and Cixi would hold audiences with ministers and rule from behind a silk screen curtain during their regencies for emperors Tongzhi and Guangxu, who both succeeded to the throne as children in the second half of the 19th century.The Hall of Mental Cultivation contained the Hall of Three Rarities, which stored art and cultural relics, and the Qianlong Emperor's collection of 134 model calligraphy works from the Imperial Collection. He also housed three ancient calligraphy artworks by ancient calligraphers Wang Xizhi, Wang Xianzhi and Wang Xun.The hall's interior is decorated with polychrome paintings, glazed tiles, ancient thangkas, and traditional wax paper decorations. From 2006, the Palace Museum instigated a research and conservation project aimed at restoring the hall, and preserving its cultural relics like thangkas.In anticipation of the hall's closure due to restoration in 2018, in 2017 the Palace Museum launched a digital exhibition about the Hall of Mental Cultivation.

Qing dynasty
Qing dynasty

The Qing dynasty (English: CHING), officially the Great Qing, was a Manchu-led imperial dynasty of China (1636–1912) and the last imperial dynasty in Chinese history. It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speaking ethnic group who unified other Jurchen tribes to form a new "Manchu" ethnic identity. The dynasty was officially proclaimed in 1636 in Manchuria (modern-day Northeast China and Outer Manchuria). It seized control of Beijing in 1644, then later expanded its rule over the whole of China proper and Taiwan, and finally expanded into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. In Chinese historiography, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China. The multiethnic Qing dynasty lasted for almost three centuries and assembled the territorial base for modern China. It was the largest imperial dynasty in the history of China and in 1790 the fourth-largest empire in world history in terms of territorial size. With 419,264,000 citizens in 1907, it was the most populous country in the world at the time. In the late sixteenth century, Nurhaci, leader of the House of Aisin-Gioro, began organizing "Banners", which were military-social units that included Manchu, Han, and Mongol elements. Nurhaci united clans to create a Manchu ethnic identity and officially founded the Later Jin dynasty in 1616. His son Hong Taiji renamed the dynasty "Great Qing" and elevated the realm to an empire in 1636. As Ming control disintegrated, peasant rebels conquered Beijing in 1644, but the Ming general Wu Sangui opened the Shanhai Pass to the armies of the regent Prince Dorgon, who defeated the rebels, seized the capital, and took over the government. Resistance from Ming loyalists in the south and the Revolt of the Three Feudatories delayed the complete conquest until 1683. The Kangxi Emperor (1661–1722) consolidated control, maintained the Manchu identity, patronized Tibetan Buddhism, and relished the role of a Confucian ruler. Han officials worked under or in parallel with Manchu officials. The dynasty also adapted the ideals of the tributary system in asserting superiority over peripheral countries such as Korea and Vietnam, while extending control over Tibet, Mongolia, and Xinjiang. The height of Qing glory and power was reached in the reign of the Qianlong Emperor (1735–1796). He led Ten Great Campaigns that extended Qing control into Inner Asia and personally supervised Confucian cultural projects. After his death, the dynasty faced changes in the world system, foreign intrusion, internal revolts, population growth, economic disruption, official corruption, and the reluctance of Confucian elites to change their mindsets. With peace and prosperity, the population rose to some 400 million, but taxes and government revenues were fixed at a low rate, soon leading to fiscal crisis. Following China's defeat in the Opium Wars, Western colonial powers forced the Qing government to sign "unequal treaties", granting them trading privileges, extraterritoriality and treaty ports under their control. The Taiping Rebellion (1850–1864) and the Dungan Revolt (1862–1877) in Central Asia led to the deaths of over 20 million people, from famine, disease, and war. The Tongzhi Restoration in the 1860s brought vigorous reforms and the introduction of foreign military technology in the Self-Strengthening Movement. Defeat in the First Sino-Japanese War in 1895 led to loss of suzerainty over Korea and cession of Taiwan to Japan. The ambitious Hundred Days' Reform of 1898 proposed fundamental change, but the Empress Dowager Cixi (1835–1908), who had been the dominant voice in the national government for more than three decades, turned it back in a coup. In 1900 anti-foreign "Boxers" killed many Chinese Christians and foreign missionaries; in retaliation, the foreign powers invaded China and imposed a punitive Boxer Indemnity. In response, the government initiated unprecedented fiscal and administrative reforms, including elections, a new legal code, and the abolition of the examination system. Sun Yat-sen and revolutionaries debated reform officials and constitutional monarchists such as Kang Youwei and Liang Qichao over how to transform the Manchu-ruled empire into a modern Han nation. After the deaths of the Guangxu Emperor and Cixi in 1908, Manchu conservatives at court blocked reforms and alienated reformers and local elites alike. The Wuchang Uprising on 10 October 1911 led to the Xinhai Revolution. The abdication of the Xuantong Emperor, the last emperor, on 12 February 1912, brought the dynasty to an end. In 1917, it was briefly restored in an episode known as the Manchu Restoration, but this was neither recognized by the Beiyang government of the Republic of China nor the international community.