Via San Cosimo Archaeological area

San Nicolò all'Arena is a Roman Catholic parish church in the historic centre of Verona, Italy dedicated to Saint Nicholas. It is located close to the Arena, a well-preserved 1st century AD Roman amphitheatre. The present Baroque building was constructed between 1627 and 1683 on the site of an earlier Romanesque church which had existed since the 12th century or earlier. The church's façade remained incomplete until the neoclassical façade of the church of San Sebastiano was relocated to San Nicolò in the 1950s, after the former church was destroyed during World War II.

San Fermo Maggiore is a Romanesque and Gothic church in central Verona. It is dedicated to Saints Firmus and Rusticus, brothers who are local martyrs from the 3rd century. The exterior has a roofline with pinnacles, and the church once held the tomb of a member of the Scaligers. The interior has many medieval frescos, as well as later decoration, including the Brenzoni Monument (discussed below), an altarpiece of St Francis of Assisi by Giovanni Battista Belloti, whilst Veronese's Bevilacqua-Lazise Altarpiece was originally painted for a funerary chapel in the church. A crucifixion on the counter-façade is one of Turone's most significant works.

Porta Leoni (Gate of the Lions) is an ancient Roman gate in Verona, northern Italy. The gate was built during the Roman Republic by P. Valerius, Q. Caecilius, Q. Servilius and P. Cornelius, and restructured in imperial times. It was connected to the road which led to Bologna and Aquileia. The original Roman name is unknown. During the Middle Ages it was called Porta San Fermo, due to the nearby church, while in the Renaissance it was known as Arco di Valerio. The current name derives from a Roman tomb decorated with two lions (Italian: leoni), now moved near Ponte Navi.The gate has a square structures, with a double façade and two towers which looked towards the countryside. Now only half of the inner façade, covered with white stone in the imperial age, and the foundings are visible. The original decorations are all lost. The lower part is similar to that of Porta Borsari (also in Verona), while the upper part has an exedra with twisted columns.

San Sebastiano was a Roman Catholic church in the historic centre of Verona, Italy dedicated to Saint Sebastian. It was founded as an oratory in the 10th century, and it eventually became a parish church and was rebuilt in the Romanesque style. Between the 16th and 19th centuries, the church intermittently belonged to the Jesuits. They renovated the building in the late 16th and early 17th centuries, but the façade was only completed in 1830. The church was deconsecrated following Italian unification in the 1860s, and it was subsequently used as a cinema and a library. The building was destroyed by aerial bombardment in World War II, and its remains were subsequently demolished. The bell tower and façade had survived the bombing, and the former was retained in situ while the latter was relocated to the church of San Nicolò all'Arena.

The Verona Arena (Italian: Arena di Verona [aˈrɛːna di veˈroːna, aˈreːna -]) is a Roman amphitheatre in Piazza Bra in Verona, Italy built in 30 AD. It is still in use today and is internationally famous for the large-scale opera performances given there. It is one of the best preserved ancient structures of its kind. In ancient times, the arena's capacity was nearly 30,000 people. The stage for concerts and opera performances decreases the available places to a maximum of 22,000.

The church of Padri Filippini, also known as the Church of the Filippini, is a Neoclassical style, Roman Catholic church in Verona, which like the older and neighboring church of San Fermo Maggiore is dedicated to the saints Fermo and Rustico.

The Congress of Verona met at Verona on 20 October 1822 as part of the series of international conferences or congresses that opened with the Congress of Vienna in 1814–15, which had instituted the Concert of Europe at the close of the Napoleonic Wars.

Palazzo Dalla Torre is a patrician palace in Verona, northern Italy, designed by Italian Renaissance architect Andrea Palladio for Giambattista Dalla Torre. The palazzo was probably built from 1555, but remained unfinished. Allied bombardment in 1945 demolished a great part of the building. However, conspicuous remains of Palladio’s construction survive: the majestic access portal and a courtyard with columns and entablature.

The Domus Mercatorum or Casa dei Mercanti is a medieval edifice at Piazza delle Erbe in Verona, northern Italy. During the Middle Ages it was home to the Casa dei Mercanti, the guild of the city's merchants, while today is home to the Banca Popolare di Verona.

Palazzo Barbieri is a Neoclassical style palace located in Piazza Bra in Central Verona; it now serves as the town hall. The palace was originally named Palazzo della Gran Guardia Nuova, and housed staff associated with the occupying Austrian Army forces. It was designed by Giuseppe Barbieri and was later named in his honor. Construction began in 1836 and was completed by 1848. The interiors contain a large canvas (1595) by Felice Brusasorzi depicting the victory of the Veronese over Benacensi in the year 829. Others who worked in the studio or contributed were Alessandro Turchi, Pasquale Ottino, and Sante Creara. A 14th-century fresco depicting a Crucifixion and the Madonna from a private house was implated into the wall near the entrance. One room has tapestries from the 16th century. One designed by Paolo Farinati depicts the 1164 Victory of the Veronese against Frederick Barbarossa. Tha palace also contains various paintings by Carlo Ferrari and Eugenio Gignous.

Piazza delle Erbe (Market's square) is a square in Verona, northern Italy. It was once the town's forum during the time of the Roman Empire.

The Torre dei Lamberti is an 84 m high tower in Verona, northern Italy. Construction of the tower was started in 1172. In May 1403 the top of the tower was struck by lightning, but the restoration works didn't start until 1448 and took 16 years. During that time, the tower was enlarged: The more recent sections can be recognized today by the use of different materials (such as marble). The large clock was added in 1779. The tower has two bells: the Marangona signals fires, work times, and the hours of the day, while the largest, called Rengo, is used to call the population to arms or to invoke the city's councils.