Piazza delle Erbe, Verona

The Domus Mercatorum or Casa dei Mercanti is a medieval edifice at Piazza delle Erbe in Verona, northern Italy. During the Middle Ages it was home to the Casa dei Mercanti, the guild of the city's merchants, while today is home to the Banca Popolare di Verona.

The Torre dei Lamberti is an 84 m high tower in Verona, northern Italy. Construction of the tower was started in 1172. In May 1403 the top of the tower was struck by lightning, but the restoration works didn't start until 1448 and took 16 years. During that time, the tower was enlarged: The more recent sections can be recognized today by the use of different materials (such as marble). The large clock was added in 1779. The tower has two bells: the Marangona signals fires, work times, and the hours of the day, while the largest, called Rengo, is used to call the population to arms or to invoke the city's councils.

Palazzo Maffei is a historical palace in Verona, northern Italy, on the north-western side of Piazza delle Erbe.

The Scaliger Tombs (Italian: Arche scaligere) is a group of five Gothic funerary monuments in Verona, Italy, celebrating the Scaliger family, who ruled in Verona from the 13th to the late 14th century. The tombs are located in a court outside the church of Santa Maria Antica, separated from the street by a wall with iron grilles. Built in Gothic style, they are a series of tombs, mostly freestanding open tabernacle-like structures rising high above the ground, with a sarcophagus surmounted by an elaborate baldachin, topped by a statue of the deceased, mounted and wearing armour. According to the French historian Georges Duby, they are one of the most outstanding examples of Gothic art.

The church of San Giovanni in Foro in Verona, is located on Corso Magenta, near the Piazza Erbe, the site of the ancient Roman Forum on Corso Porta Borsari. A church at this site was gravely damaged during the fire that swept medieval Verona in 1172. During restorations in the early 1900s, it was found that Roman walls had been incorporated into the external walls of the church. The base of the bell-tower dates from the 14th century. The renaissance portal of the church was sculpted by Gerolamo Giolfino with statues of Saints John the Evangelist, Peter, and John the Baptist. The fresco in the niche depicting St John was completed by Nicola Giolfino . The 3 baroque bells are rung with the Veronese bellringing art.

Santa Maria Antica is a Roman Catholic church in Verona, Italy. The current church is Romanesque in style and dates to 1185, rebuilt after the earthquake of 1117 destroyed the original building that dated back to the end of the period of Lombard domination in the 7th century. The only surviving remains of the 7th-century building is a fragment of black and white mosaic floor. The current building was dedicated by the patriarch of Aquileia and acted as the private chapel of Verona's ruling Scaligeri family, located beside their family cemetery (the site of the 13th-century Scaliger Tombs). The church has a small tuff bell tower (with three baroque bells) in a purely Romanesque style, with mullioned windows and a brick-covered spire. Around 1630 the three-nave interior was altered to the Baroque style, though a restoration at the end of the 19th century restored the original Romanesque interior, divided by columns with "sesto rialzato" arches, and with an "incavallature" roof supported by transverse arches, as at the basilica of San Zeno. There are two lateral apses in tuff and cotto, and a central apse with two early 14th-century frescoes. The exterior has alternate bands of tuff and cotto, with small windows. The side-door is dominated by the arch of Cangrande I della Scala, the soberest but most monumental of the family arches. Excavations have found a cemetery near the church, containing fifty 11th-century burials, some aligned north-south, some east-west. The belltower contains two bells cast during the 17th century and rung in the Veronese syle.

Palazzo Dalla Torre is a patrician palace in Verona, northern Italy, designed by Italian Renaissance architect Andrea Palladio for Giambattista Dalla Torre. The palazzo was probably built from 1555, but remained unfinished. Allied bombardment in 1945 demolished a great part of the building. However, conspicuous remains of Palladio’s construction survive: the majestic access portal and a courtyard with columns and entablature.

The Palazzo Miniscalchi, adjacent to the 19th-century, Neoclassic style Palazzo Miniscalchi-Erizzo located on via Garibaldi, is a late-Gothic style palace with a facade on Via San Mamaso in central Verona, region of Veneto, Italy. The palace presently houses a museum and the Foundation for the Miniscalchi-Erizzo Museum. Access to the museum is through the Via San Mamaso entrance. The museum displays an eclectic collection of artworks including small Renaissance bronzes, archeologic findings from the region, weapons and armor, sacred works and utensils, maiolica, porcelain, tapestries, furniture, and paintings. It also displays the 17th-century Wunderkammer of Ludovico Moscardo. The design of the 15th-century Palazzo Miniscalchi, with the elegant portal and second story mullioned windows is attributed to Angelo di Giovanni. His workshop was also active in the churches of San Tomaso Cantuariense and Sant’Eufemia. The faded façade frescoes were painted in the 16th century by Michelangelo Aliprandi and Tullio India il Vecchio. The palace was inhabited until 1977 by the Miniscalchi family. By 1990, the museum was inaugurated.

Santa Maria in Chiavica is a former Roman Catholic church, now deconsecrated, in the Renaissance style, located on Via S. Maria in Chiavica number 7 in central Verona, region of Veneto, Italy. The building retains portions of its original Romanesque structure and original fresco and altar decoration, but is now used for theatrical and musical performances.

Istituto Maffei, officially called Liceo Ginnasio di Stato 'Scipione Maffei', is one of the oldest high school in Italy. It is situated in the center of Verona in northern Italy. It is a grammar school, with students who focus on the classics and can choose different paths: communication, or languages. Students who choose the first path study Latin, Ancient Greek, Mathematics, Biology, Physics, Chemistry, Philosophy, History, Geography, Italian and Italian literature, English and English literature, I.T, Law and Economy. Students who, on the other hand choose the second path study the same subjects (apart from Ancient Greek) plus some other modern languages like French, Spanish or German. It was officially founded in 1808 under the name "Liceo con Convitto", although it was actually already in operation in 1805. Then in 1867 it was renamed "Regio Liceo Scipione Maffei", after an Italian writer and art critic, author of many articles and plays.

San Sebastiano was a Roman Catholic church in the historic centre of Verona, Italy dedicated to Saint Sebastian. It was founded as an oratory in the 10th century, and it eventually became a parish church and was rebuilt in the Romanesque style. Between the 16th and 19th centuries, the church intermittently belonged to the Jesuits. They renovated the building in the late 16th and early 17th centuries, but the façade was only completed in 1830. The church was deconsecrated following Italian unification in the 1860s, and it was subsequently used as a cinema and a library. The building was destroyed by aerial bombardment in World War II, and its remains were subsequently demolished. The bell tower and façade had survived the bombing, and the former was retained in situ while the latter was relocated to the church of San Nicolò all'Arena.

Porta Leoni (Gate of the Lions) is an ancient Roman gate in Verona, northern Italy. The gate was built during the Roman Republic by P. Valerius, Q. Caecilius, Q. Servilius and P. Cornelius, and restructured in imperial times. It was connected to the road which led to Bologna and Aquileia. The original Roman name is unknown. During the Middle Ages it was called Porta San Fermo, due to the nearby church, while in the Renaissance it was known as Arco di Valerio. The current name derives from a Roman tomb decorated with two lions (Italian: leoni), now moved near Ponte Navi.The gate has a square structures, with a double façade and two towers which looked towards the countryside. Now only half of the inner façade, covered with white stone in the imperial age, and the foundings are visible. The original decorations are all lost. The lower part is similar to that of Porta Borsari (also in Verona), while the upper part has an exedra with twisted columns.