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St John the Baptist's Church, Bishop Monkton

Bishop MonktonChurch of England church buildings in North YorkshireChurches completed in 1878Grade II listed churches in North YorkshireUse British English from March 2024
Bishop Monkton Church 5965870 ebc108ea
Bishop Monkton Church 5965870 ebc108ea

St John the Baptist's Church is the parish church of Bishop Monkton, a village in North Yorkshire, in England. A chapel of ease was first recorded in Bishop Monkton in 1356. It was dedicated to St Michael and St Helen. It remained in use until the early 19th century, but was demolished and replaced by a new chapel, dedicated to St John the Evangelist, in 1822. This building was demolished and replaced by the current church in 1878, at a cost of £3,000. It was designed by C. Hodgson Fowler and is in the Early English Gothic style. It was Grade II listed in 1986. The church is built of limestone, with a tiled roof. It consists of a four-bay nave and two-bay chancel, with a north west tower over the porch. The porch has a double-chamfered arch, and the tower has three stages, the upper two stages octagonal, and it is surmounted by a short spire. The windows are lancets, and at the east end are three lancets with moulding above.

Excerpt from the Wikipedia article St John the Baptist's Church, Bishop Monkton (License: CC BY-SA 3.0, Authors, Images).

St John the Baptist's Church, Bishop Monkton
Moor Lane,

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N 54.08871 ° E -1.49882 °
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St John the Baptist

Moor Lane
HG3 3QZ , Bishop Monkton
England, United Kingdom
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Bishop Monkton Church 5965870 ebc108ea
Bishop Monkton Church 5965870 ebc108ea
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Freedoms Mill
Freedoms Mill

Freedoms Mill is a historic building in Bishop Monkton, a village in North Yorkshire, in England. A flax mill operated on the site for many years, but in the late 18th century, it was rebuilt as a paper mill. As of 1800, it was owned by Peter Lomas, passing in 1815 to John Robinson, and in 1846 to Charles Lister. Lister formed a partnership with John Butterfield, who soon became sole owner, later passing the business to his son, who formed a similar partnership with Walter Renton. Other than a short period of ownership by Newby Hall, it remained in the Renton family until it closed, in 1975. It was purchased by the Industrial Paint company, but the building became derelict. In 1986, it was Grade II listed. In the mid-1990s, the building was converted into six apartments. The brick building consists of a house on the left, and the former watermill on the right. It is three storeys high, and has a slate roof. The house has three bays, and a central doorway with attached columns, a fanlight, and a corniced pediment. The ground and middle floor windows are sashes with cambered heads, and in the top floor are one sash and two casement windows. The former mill has four bays, a doorway in the right bay, one sash window and the other windows are casements. Between the bays in the upper floors are brick columns, which would originally have separated large windows, but in the 20th century these were infilled with brick, since replaced by wood and smaller windows.

Equestrian statue of Charles II trampling Cromwell
Equestrian statue of Charles II trampling Cromwell

An equestrian statue of Charles II trampling Cromwell stands near Newby Hall in North Yorkshire, England. It was previously sited at Gautby Hall in Lincolnshire, and was originally installed at the Stocks Market in the City of London. It is a Grade II listed building. The 17th-century statue is made of Carrara marble. It shows a man with the features of King Charles II in armour and riding a horse, which is walking over and trampling a figure lying on the ground representing Oliver Cromwell. The rider holds bronze reins in his left hand and a staff in his right hand. The sculpture stands on a tall plinth of stone ashlars, with moulded base and cornice, and rounded ends. The original sculpture was made in Italy, but the sculptor is not known. It portrayed the Polish commander John III Sobieski riding down a Turkish soldier (said by some sources to commemorate his victory at the Battle of Vienna in 1683, although it pre-dates the battle by at least a decade). A similar sculpture was made by Franciszek Pinck to a design by André-Jean Lebrun and erected in 1788 as part of the John III Sobieski Monument in Łazienki Park in Warsaw, which was based on Bernini's equestrian statue of Louis XIV and a sculpture of c. 1693 in Wilanów Palace, also in Warsaw, perhaps inspired by the 1686 portrait of Sobieski by Jerzy Siemiginowski-Eleuter. The sculpture may have been made for the King of Poland or the Polish ambassador in London, but it was bought in c. 1672 by the London goldsmith and banker Sir Robert Vyner, 1st Baronet, who was a strong supporter of Charles II, and who had made Charles's new coronation regalia to replace items sold or destroyed before or under the Commonwealth. Vyner had the head of the rider remodelled by Jasper Latham to resemble Charles. The figure interpreted as "Cromwell" retains a distinctly Turkish appearance, including a turban. Vyner had offered in 1668 to donate a statue of Charles for the Royal Exchange when it was rebuilt after the Great Fire of London, but this offer was rejected. Vyner served as Lord Mayor of London in 1674–75, and he presented the statue to the parish of St Stephen Walbrook and had the statue installed in 1675 in the Stocks Market. This was the location of the last fixed stocks in the City of London, near Cornhill, above the outlet of a conduit fed by a lead pipe from Tyburn. In a satirical poem, Andrew Marvell wondered whether the statue was deliberate revenge for the losses Vyner had suffered with the Stop of the Exchequer, When each one that passes finds fault with the horse. Yet all do affirme that the King is much worse In another poem Marvell imagined the horse in discussion with the horse from the equestrian statue of Charles I, re-erected later the same year at Charing Cross, the two horses together comparing their riders and berating the state of the nation. The statue was removed in 1739 to permit the construction of the Mansion House on the site of the Stocks Market, and was given back to Vyner's grandnephew, also Robert Viner. Some years later, the statue was erected at the Vyner family estate at Gautby Hall. Lady Mary Robinson, daughter of Thomas de Grey, 2nd Earl de Grey, married Henry Vyner, and after she had inherited Newby Hall in 1859 the statue was relocated there in 1883, where it remains. It received a Grade II listing in 1967.

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St Michael's Church, Copgrove

St Michael's Church is an Anglican church in Copgrove, a village in North Yorkshire, in England. A church was recorded in Copgrove in the Domesday Book, and it is possible that the lowest courses of sandstone in the south nave wall may survive from this building. The church was rebuilt in the 12th century, in limestone, and by 1216 it belonged to the Knights Hospitallers. In the late 17th century, it is believed that a tower and short steeple were removed, and replaced by the current bellcote. The building was restored in 1889, and then more thoroughly by C. Hodgson Fowler in 1897, when the roof was raised and floor lowered. From 1911 until 1919, the rector of the church was Henry Major. The building was Grade II* listed in 1966. It church built of limestone with a stone slate roof, and consists of a nave with a south porch, and a chancel with a north vestry. On the west gable is a bellcote with a segmental arch and a moulded pediment. In the chancel is a Norman window, the other chancel windows are Decorated or Perpendicular in style, and the nave windows date from the restoration. In the north-east exterior corner of the vestry is a carved stone, either Saxon or early Norman. It is known as the "Devil's Stone", and depicts a Sheela-na-gig. Inside the church, the altar is a 12th-century slab rediscovered during the restoration. The chancel arch is also a 12th-century survival, with chevron and dogtooth motifs. The nave walls are panelled with wood reused from 17th- and 18th-century pews. There is a brass inscription from 1637, and a board with the arms of Queen Anne of Great Britain, painted over those of Charles II. There are numerous wall memorials from the 18th and 19th centuries, to the Duncombe family, who lived at Copgrove Hall.