Palazzo Spinola (Milano)

Piazza del Liberty is a pedestrian square located along Via San Paolo, one block north of the Corso Vittorio Emanuele II, some 3 blocks north east of the Duomo in central Milan, region of Lombardy, Italy. The piazza was created in part in the space after the destruction of the Teatro Milanese during the Allied bombardment in 1943, and takes its name from the Art Noveau (Liberty style) facade decoration of one of its buildings. It is now complemented by chic shops and modern fountains. The white marble Liberty style facade of the former Hotel Corso, was designed in 1905 by Angelo Cattaneo and Giacomo Santamaria and erected at a building at nearby Corso Vittorio Emanuele II #15. That building was damaged by the 1943 bombardment, and subsequently demolished. The facade was repurposed for the monumental building or Palazzo della Società Reale Mutua di Assicurazioni Torino, built on the north of the piazza. Beneath the piazza in 1959 was built an underground theater; the piazza was reconstructed in 2018 by the designs of Norman Foster with a modern design of a sunken open air stage. At the western end, above he stage is a fountain with a series parallel spouts aimed at tall glass plates. A stairwell, flanked by the mirrored fountains, descends to the modern subterranean Apple store.

The Palazzo Tarsis is an 18th-century mansion in Milan, northern Italy, built in the Neoclassical style. Its interiors were fully renovated after the building was bombed in 1943. Historically part of the Porta Nuova district, it is located at 1, Via San Paolo.

The Magazzini Bonomi is a historic commercial building in Milan, Italy.

The Istituto Marangoni is a private Italian school of fashion and design. It is based in Milan, in Lombardy in northern Italy, and has branches in Florence, London and Paris, Shanghai and Shenzhen in China, Mumbai in India, and Miami in the United States.

Palazzo Bolchini is a historic building located in Milan, Italy.

Scior Carera (Milanese for 'Mister Carera'; IPA: [ˈʃuːr kaˈreːra]) and Omm de preja ('stone man'; IPA: [ˈɔm de ˈprɛja]) are traditional, popular names used to refer to an ancient Roman sculpture located in Milan, Italy, at No. 13 of Corso Vittorio Emanuele (next to the Duomo). Before being located where it is now (on the facade of a modern building) in the mid 20th century, the sculpture has been in different places around the city, most notably in Via San Pietro dall'Orto. It is a marble bas-relief dating back to the 3rd century, depicting a man wearing a toga, with the right leg slightly put forward; it has lost its arms as well as its head. The latter was replaced in the Middle Ages, supposedly to represent archbishop Adelmanno Menclozzi. The name Carera is a corruption of the first word carere (Latin for 'to lack') of the epigraph found below the statue, a sentence credited to Cicero: Carere debet omni vitio qui in alterum dicere paratus est ('Anybody who wants to criticise someone should be free from all faults'). Another inscription below this one recalls the former collocation of the statue in Via San Pietro all'Orto as well as the role this statue has played in the 19th century during the Austrian rule of Milan; at the time, in fact, there was the common habit of attaching satirical political messages to the statue, much like what happened in Rome with Pasquino and other "talking statues". In particular, the so-called tobacco riots that started the Five Days of Milan (whereby the Milanese quit smoking to cause economical damage to the Austrians) was possibly initiated on 31 December 1848 by a message attached to Scior Carera. Because of the role of the statue in the fight for independence of Milan, its name was used for a satirical journal (L'uomo di pietra, Italian equivalent of Omm de preja) that was published between 1856 and 1864 and again after 1878.

The Palazzo Belgioioso (also spelled Belgiojoso) is a palatial residence in the northern Italian city of Milan, completed in 1781 in a Neoclassical style by Giuseppe Piermarini. Considered to be one of Milan's architectural treasures, the mansion is modeled on Luigi Vanvitelli's Palace of Caserta. Built for Prince Alberico XII di Belgioioso d'Este, it is located on a side street off Via Manzoni on the site of the house where he was born. One of the finest examples of Neoclassical architecture in Lombardy, it stands out like a jewel in the centre of the city. It was designed in 1772 by Giuseppe Piermarini who in this instance abandoned the sober and austere style of early Neoclassicism, building an imposing and highly decorated mansion which dominates the street. The most lavishly decorated part of the facade is the slightly protruding central section with a series of four giant order columns, an entablature and a tympanum enclosed by pilasters. The ground floor is finished in rusticated bugnato ashlar, the first floor, separated from the second with bas-reliefs of heraldic symbols, has windows crowned with garlands and decorative mouldings. Some of the rooms still have period decorations, the most famous of which is the gallery decorated with frescoes by Martin Knoller and stuccos by Giocondo Albertolli. Rinaldo's room, also decorated by Knoller, was inspired by Torquato Tasso's epic poem Jerusalem Delivered.Under the ownership of Alberico XII di Belgioioso d'Este, a keen collector of books and works of art, the residence was frequented by illustrious intellectuals of the times, including the poet Giuseppe Parini and the writer Ugo Foscolo. Work carried out in 1991 restored the mansion to its former glory.

The Baths of Hercules (Latin: Thermae Herculianae, Italian: Terme Herculee) were the largest thermae in the ancient Roman city of Mediolanum (modern-day Milan). The structure was built during the late 3rd and early 4th century, under the orders of Emperor Maximian, who had assumed the title Herculius after the divine hero.

Casa degli Omenoni is a historic palace of Milan, northern Italy, located in the eponymous street of Via degli Omenoni (number 3). It was designed by sculptor Leone Leoni for himself; he both lived and worked there. It owes its name to the eight atlantes decorating its facade, termed "omenoni" ("big men" in Milanese), which were sculpted by Antonio Abondio, most probably on a design by Leoni. Lions (a reference to the "Leoni" family) are a recurring theme of its decorations; in particular, a large relief placed under the cornice depicts two lions tearing a satyr into pieces. The overall style of the palace and the decorations have been noted to include several references to the art of Michelangelo. The internal courtyard, modified in 1929 by Piero Portaluppi, has a colonnade with metopes and triglyphs. Artist and historian Giorgio Vasari expressed his admiration for the palace, stating that it was pieno [...] di capricciose invenzioni ("full of capricious inventions"). At the time, the palace also housed a notable collection of art works and antiquities, which has been dispersed over time. According to an inventory dating back to 1615, it had paintings by Titian, Parmigianino, and Michelangelo; the inventory also mentions a book of drawings by Leonardo da Vinci, which scholars identify with the Codex Atlanticus now preserved in the Biblioteca Ambrosiana.The palace has been largely restored and restructured in the 19th and 20th century; only the facade has remained almost unchanged, except for the addition of iron balconies and of the attic. After being owned by Leone Leoni and then by his son Pompeo Leoni, the house was sold by Pompeo's son-in-law Polidoro Calchi, and over time was owned by several notable Milanese families, including the Belgioioso, the Pozzi, and the Besana. It was also used as the seat of the music-publishing company Casa Ricordi, as a seat of the Fascist party, and as a theatre. The building is adjacent to the Palazzo Pozzi Besana.

MAGIS Italian Jesuit Missions Network (Movimento e Azione dei Gesuiti Italiani per lo Sviluppo) was founded in 1988 by the Italian Province of the Society of Jesus to coordinate the province’s international activities in solidarity with the most disadvantaged peoples, promoting intercultural and interreligious dialogue and integral development.

Santa Maria Maggiore, called the basilica vetus (old basilica) or basilica minor (minor basilica), was a church in Milan, established in 313, which served as co-cathedral alongside Santa Tecla until it was torn down after 1386 to make room for the modern cathedral. It served as the winter cathedral, while Santa Tecla was that of the summer.

San Fedele is a Jesuit church in Milan, northern Italy. It is dedicated to St. Fidelis of Como, patron of the Catholic diocese of Como. Presently it remains a parish church, owned by the Jesuit order, though focusing on religious works.