Palazzo Marietti

Palazzo Castani is a historic building located in the centre of Milan, at Piazza San Sepolcro 9, and today houses the Commissariato Centro of the Polizia di Stato. It was the national headquarters of the Partito Nazional Fascista from 1921 to 1924, and of the Partito Fascista Repubblicano from 1943 to 1945.

The Piazza San Sepolcro is a piazza in the center of Milan not far from the Piazza del Duomo. During the Roman period the piazza was the forum at the intersection of the cardo and the decumanus. In 1030 the Church of San Sepolcro was founded, giving the piazza its name. On March 23, 1919 Benito Mussolini founded the Fasci di combattimento at a rally held at the piazza. Participants of this rally were known as sansepolcristi, and were granted special privileges under the regime. The square was adjacent to the Palazzo Castani, the national headquarters of the Partito Nazional Fascista from 1921 to 1924, and of the Partito Fascista Repubblicano from 1943 to 1945. The term Sansepolcrismo, however, pointed to the original spirit of the movement of Fasci di combattimento in which, alongside nationalist ideas and combative myths, there were strong instances of social palingenesis, egalitarianism and even republican components. Futurist poet Filippo Tommaso Marinetti composed "Il poema dei sansepolcristi" in commemoration of the event.

Chiesa di San Sepolcro is a church in Milan, Italy. It was originally built in 1030, but has undergone multiple revisions. The church is located at Piazza San Sepolcro in the historic center of Milan. The latest interior restoration was in 1713–1719, while the present Neo-Romanesque facade was completed in 1894–1897, under the designs of Gaetano Moretti and Cesare Nava. The Bramantino frescoes were moved from the portal to the inside of the church. Other works inside are attributed to Francesco Maria Richini and Carlo Bellosio.

The Biblioteca Ambrosiana is a historic library in Milan, Italy, also housing the Pinacoteca Ambrosiana, the Ambrosian art gallery. Named after Ambrose, the patron saint of Milan, it was founded in 1609 by Cardinal Federico Borromeo, whose agents scoured Western Europe and even Greece and Syria for books and manuscripts. Some major acquisitions of complete libraries were the manuscripts of the Benedictine monastery of Bobbio (1606) and the library of the Paduan Vincenzo Pinelli, whose more than 800 manuscripts filled 70 cases when they were sent to Milan and included the famous Iliad, the Ilias Picta.

The Casa dei Grifi is a historic building in Milan, located in Via Valpetrosa 5.

L.O.V.E., commonly known as Il Dito (Italian for "The Finger") is a modern sculpture of a hand with all the fingers severed with the exception of the middle finger. The sculpture is located in Piazza degli Affari in (Milan), the square where the Italian stock exchange is located. The name L.O.V.E. is the acronym of Libertà, Odio, Vendetta, Eternità ("Freedom, Hatred, Revenge, Eternity"), symbolized by the obscene gesture. The sculpture, built in 2010, was supposed to remain in the square for just two weeks, but it is still present today.The creator, Maurizio Cattelan, never disclosed the exact meaning of the sculpture, stating that the meaning is in the imagination of everyone. The two most common explanations are that it represents an erosion of the Fascist salute and that it is a protest against financial institutions after the financial crisis of 2007–2008. Indeed, the sculpture is in front of the Palazzo Mezzanotte, a building built during fascism and today hosting the Italian stock exchange.

Palazzo Borromeo ("Borromeo Palace") is a 13th-century building of Milan, Italy, located at street number 12 of the eponymous city square, Piazza Borromeo. It stands across a small piazza from the church of Santa Maria Podone.

San Giorgio al Palazzo is a baroque-style, Roman Catholic church in central Milan, region of Lombardy, Italy.

The Temple of San Sebastiano is a late-Renaissance- or Mannerist-style church in central Milan. The cylindrical church is shaped like a can capped with a dome. The octagonal church was commissioned in 1576, after the end of a season of plague, dedicated to St Sebastian. The non-linear layout is atypical for post-Tridentine churches. Perhaps the site, which had housed an earlier medieval church or sanctuary dedicated to San Quilino, dictated the shape. Some evidence suggests that the architect Pellegrino Tibaldi designed the building with other round churches or the Pantheon as models. He did not spare the mannerist details such as false windows on the top story, and highly decorated spandrels. The church construction was advanced in 1586, when Tibaldi left for Spain, and supervision of the project fell to Pietro Antonio Barca, who modified the height and size of the dome. In 1616-1617, under Fabio Mangone further reconstruction occurred with addition of a chancel to the main chapel. The cupola was decorated in 1832 by Agostino Comerio. The building has been used both as a church and civic chapel. Some rooms in the vestry are used to screen films.

Palazzo Mezzanotte, also known as Palazzo delle Borse ("Stock Exchange Palace") is a 20th-century building of Milan, Italy, and the seat of the Italian stock exchange. It is located in Piazza Affari ("Business Square"), the city square after which the Italian stock exchange itself is nicknamed. The name "Palazzo Mezzanotte" is a reference to Paolo Mezzanotte, the architect who designed the building.

The Magazzini Contratti is a historic commercial building in Milan, Italy.

Casa Broggi is a monumental building located at the intersections of Via Dante, Via Meravigli, and Via Santa Maria Segreta, at the northwest end of Piazza Cordusio. The polygonal palace has facades on the three streets mentioned above with the most scenic being the narrow edge on Via Meravigli. The structure was built for multiple use, with ground floor shops and residential apartments on the higher floors. The site had once housed the church of San Nazaro in Pietrasanta, which had been demolished in the late 19th century. The design was a collaboration in 1891 between Luigi Broggi and his pupil Giuseppe Sommaruga. Broggi lived in the palace after completion. The decoration is eclectic including columns, floral friezes, and telamons. Atypical for Milan is the Mansard roof, which gives the building a Parisian look. The building shows the movement towards the decorative Liberty style.