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Newgate Prison

1188 establishments in EnglandBuildings and structures demolished in 1777Buildings and structures demolished in 1904Debtors' prisonsDefunct prisons in London
Demolished buildings and structures in LondonDemolished prisonsFormer buildings and structures in the City of LondonUse British English from May 2018
Newgate West View of Newgate by George Shepherd 1784 1862 edited
Newgate West View of Newgate by George Shepherd 1784 1862 edited

Newgate Prison was a prison at the corner of Newgate Street and Old Bailey Street just inside the City of London, England, originally at the site of Newgate, a gate in the Roman London Wall. Built in the 12th century and demolished in 1904, the prison was extended and rebuilt many times, and remained in use for over 700 years, from 1188 to 1902. For much of its history, a succession of criminal courtrooms were attached to the prison, commonly referred to as the "Old Bailey". The present Old Bailey (officially, Central Criminal Court) now occupies much of the site of the prison. In the late 1700s, executions by hanging were moved here from the Tyburn gallows. These took place on the public street in front of the prison, drawing crowds until 1868, when they were moved into the prison.

Excerpt from the Wikipedia article Newgate Prison (License: CC BY-SA 3.0, Authors, Images).

Newgate Prison
St George's Court, City of London

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N 51.515691666667 ° E -0.10191944444444 °
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Central Criminal Court

St George's Court
EC4M 7NB City of London
England, United Kingdom
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Newgate West View of Newgate by George Shepherd 1784 1862 edited
Newgate West View of Newgate by George Shepherd 1784 1862 edited
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The Black Dog of Newgate
The Black Dog of Newgate

The Black Dog of Newgate is a legend concerning the haunting of the former Newgate Prison of London, which was located next to the Old Bailey (The Central Criminal Court), close to St. Pauls Cathedral, in London, England. This account of a haunting based at the prison is an example of the English Black Dog category of supernatural manifestation, featuring a spectral hound of ill-omen or malicious intent, which is a notable archetype in British folklore and superstition. The earliest account of the story dates from the publication The Discovery of a London Monster, called The Blacke Dogg of Newgate: Profitable for all Readers to Take Heed byAlthough believed to have long existed in folklore previously, the earliest recorded account of the legend dates from 1596, and is credited to a prison inmate called Luke Hutton. A notable copy of the book and its woodcut frontispiece is held at the Guildhall Library, LondonThe story recounts that during a famine in the reign of King Henry III of England, a scholar was incarcerated in Newgate prison who had the reputation of being a sorcerer, a warlock who had Done much hurt to the Kings subjects with his Charms and Devilish Witchcraft. The famine was so severe and the conditions so bad during this terrible period that the prisoners had already resorted to cannibalism, and soon after his arrival they consumed this new arrival, who was unable to physically defend himself. Shortly after this crime was committed, the inmates guilty of his death reportedly began seeing the spectre of a monstrous black dog walking up and down the Prison, which they were convinced was the sorcerers spirit returning to avenge himself upon his murderers. This being reportedly killed and consumed those responsible one by one, until the last survivors, driven mad by fear, broke out of the gaol and escaped.This creature is supposed to have pursued the escapes wherever they went or tried to hide until it had avenged itself upon them all. Towards the end of the narrative the unnamed stranger claims that the tale of the spiritual dog is untrue, and that the only Black Dog he has heard any account of is a great blacke Stone standing in the dungeon called "Limbo", the place where the condemned prisoners are put after their judgement, and against which felons have dashed out their brains in their distress. Intended as a morality tale preaching against the low behaviour and base living of the inmates of the prison, during a period when conditions for inmates were particularly horrific, the story was allegedly recounted by Luke Hutton to a stranger only described as a poor Thin-gut fellow in the Black Dog Public House.Hutton dedicated the work to the then Lord Chief Justice Sir John Pophame, and owing to its moral theme it may have helped to secure its release. There is some speculation as to whether this haunting of the Black Dog of Newgate is also connected to nearby Amen Court, where an alleged ghost, supposedly in the form of an amorphous "Black Shape," creeps along the high wall which formerly separated the prison from the homes of many of the churchmen of St. Paul's Cathedral. Sightings of this shape have never been clear enough for its physical form to be identified.

Giltspur Street
Giltspur Street

Giltspur Street is a street in Smithfield in the City of London, running north–south from the junction of Newgate Street, Holborn Viaduct and Old Bailey, up to West Smithfield, and it is bounded to the east by St Bartholomew's Hospital. It was formerly known as Knightsriders Street, from the knights riding at the tournaments in Smithfield.In 1381 King Richard II met the leaders of the Peasants' Revolt here, promising to agree to the rebels' demands, which included a repeal of the Statute of Labourers that prevented workers changing jobs for better pay. However, during the negotiations William Walworth, the Lord Mayor of London, lured rebel Wat Tyler away and stabbed him; when Tyler sought refuge in the neighbouring St. Bartholemew's Church he was dragged out and beheaded. The revolt later subsided. Located on the junction of Giltspur Street and Cock Lane is the Golden Boy of Pye Corner, a cherub which is a symbol of gluttony, the sin which supposedly led to divine retribution in the form of the Great Fire of London. An inscription on the monument reads: "The Boy at Pye Corner was erected to commemorate the staying of the Great Fire which beginning at Pudding Lane was ascribed to the sin of gluttony when not attributed to the Papists as on the Monument, and the Boy was made prodigiously fat to enforce the moral. He was originally built into the front of a public house called The Fortune of War which used to occupy this site and was pulled down in 1910." Also on Giltspur Street is a monument to the English essayist Charles Lamb, best known for his Essays of Elia and for co-writing the children's book Tales from Shakespeare. An inscription on the sculpture reads: Perhaps the most loved name in English literature who was a bluecoat boy here for 7 years. B·1775, D·1834.The street gave its name to the Giltspur Street Compter, a small prison located on the street from 1791 to 1855. The nearest London Underground station is St Paul's and the closest mainline railway stations are City Thameslink and Farringdon.

Oxford Arms, Warwick Lane
Oxford Arms, Warwick Lane

The Oxford Arms in Warwick Lane was one of the last surviving galleried coaching inns in London and stood near St Paul's Cathedral between the 17th and late 19th centuries. It was built in the seventeenth century, before being rebuilt and extended after the Great Fire. The replacement of horse-drawn coaches by the railways inevitably led to its decline, finally being pulled down in 1876 to be replaced by warehouses.Shortly before its demolition in 1869, the 'Book of Days' had an entry for the Oxford Arms. The other galleried inn of Warwick-lane is the Oxford Arms, within a recess on the west side, and nearly adjoining to the residentiary houses of St Paul's in Amen-corner. It is one of the best specimens of the old London inns remaining in the metropolis. As you advance you observe a red brick pedimented facade of the time of Charles II, beneath which you enter the inn-yard, which has, on three of its sides, two stories of balustraded wooden galleries, with exterior staircases leading to the chambers on each floor: the fourth side being occupied by stabling, built against part of old London Wall. Final dismantling of the Oxford Arms was not without some controversy, in representing the passing of an era as it did. While the outcry was not enough to save what had become an outmoded institution, its disappearance resulted in a change of public opinion that led indirectly to the foundation of the Society for the Protection of Ancient Buildings set up in 1877 by William Morris and other enthusiasts.