Casa Vanoni

Casa Ferrario is a historic Art Nouveau building located on via Spadari #3-5 in Milan, Italy.

Santa Maria presso San Satiro (Saint Mary near Saint Satyrus) is a church in Milan. The Italian Renaissance structure (1476-1482) houses the early medieval shrine to Satyrus, brother of Saint Ambrose. The church is known for its false apse, an early example of trompe-l'œil, attributed to Donato Bramante.

The Loggia degli Osii is a historical building of Milan, Italy. It is located in Piazza Mercanti, a central city square of Milan that used to be its centre in the Middle Ages.

Casa Panigarola (or Casa dei Panigarola), also known as Palazzo dei Notai ("Palace of the Notaries"), is a historic building of Milan, Italy, located in Piazza Mercanti, former city centre in the Middle Ages. It is named after the House of Panigarola, a family of notaries from Gallarate, that owned the building until 1741. The building thus served as a notary seat, and the activities therein were strictly related to those that occurred in the adjacent Palazzo della Ragione, where trials were held. The palace occupies the west side of the rectangular Piazza Mercanti city square. While its original structure dates back to the age of medieval communes, it was largely rebuilt in the 15th century in Gothic style. The facade was designed by Giovanni Solari in 1466 and largely restored in 1899 by Luca Beltrami. A minor restoration occurred in 1967, under the supervision of Antonio Cassi Ramelli. In the floor of the portico, there is a notable relief with the biscione, Milan's emblem under the House of Sforza. Another notable decoration of the palace is a ceramic plaque dating back to 1448, signed by Tommaso da Caponago (a 15th-century lawyer), that warns against the perils of recurring to the law to solve conflicts.

Palazzo Carminati ("Carminati Palace") is the palace facing the Milan Cathedral (i.e., the "Duomo") on the West side of Piazza del Duomo, the central plaza of Milan, Italy. The palace is named after a famous Cafè, the Carminati. It was built in the late 1860s as private home of a well known Milanese silver manufacturer, Giacomo Cesati. In the twentieth century, the palace became a landmark of Milan (and a symbol of the city's economic growth) because of the large neon advertising signs that were affixed to its façade, with an overall visual effect that has been compared to that of New York City's Broadway and Times Square or London's Piccadilly Circus. Advertising signs first appeared on the façade of the palace in the 1920s, but they were especially rich and colorful in the 1960s and 1970s. Besides being known to the Milanese, the façade of the palace became familiar to everyone in Italy through a number of appearances in films and television, including a spot for the Cynar liquor.The signs were eventually removed by Milan's major Gabriele Albertini in 1999, as a consequence of a campaign aimed at promoting the plaza's "dignity", although this decision has since been frequently criticized.

The Palazzo delle Scuole Palatine (Palace of the Palatine School) is a historic building of Milan, Italy, located in Piazza Mercanti, the former city centre in the Middle Ages. It served as the seat of the most prestigious higher school of medieval Milan. Many notable Milanese scholars of different ages studied or taught in these schools; Augustine of Hippo and Cesare Beccaria, among others, served as teachers in the Palatine. The current building dates back to 1644, when it replaced an older one, which had the same function and was destroyed by a fire. The school was established in Piazza Mercanti under Giovanni Maria Visconti. In 1644, they were destroyed by a fire, and rebuilt based on the prestigious model of the nearby Palazzo dei Giureconsulti, by architect Carlo Buzzi. The building is decorated with several monuments, including a statue of the Ancient Roman poet Ausonius and a plaque with one of his epigrams celebrating Milan as the "New Rome" of the 4th century. There is also a statue of Augustine by sculptor Pietro Lasagna.

The Temple of San Sebastiano is a late-Renaissance- or Mannerist-style church in central Milan. The cylindrical church is shaped like a can capped with a dome. The octagonal church was commissioned in 1576, after the end of a season of plague, dedicated to St Sebastian. The non-linear layout is atypical for post-Tridentine churches. Perhaps the site, which had housed an earlier medieval church or sanctuary dedicated to San Quilino, dictated the shape. Some evidence suggests that the architect Pellegrino Tibaldi designed the building with other round churches or the Pantheon as models. He did not spare the mannerist details such as false windows on the top story, and highly decorated spandrels. The church construction was advanced in 1586, when Tibaldi left for Spain, and supervision of the project fell to Pietro Antonio Barca, who modified the height and size of the dome. In 1616-1617, under Fabio Mangone further reconstruction occurred with addition of a chancel to the main chapel. The cupola was decorated in 1832 by Agostino Comerio. The building has been used both as a church and civic chapel. Some rooms in the vestry are used to screen films.

The Palazzo della Ragione ("Palace of Wisdom" literally) is a historic building of Milan, Italy, located in Piazza Mercanti, facing the Loggia degli Osii. It was built in the 13th century and originally served as a broletto (i.e., an administrative building) as well as a judicial seat. As it was the second broletto to be built in Milan, it is also known as the Broletto Nuovo ("new broletto"). The palace is decorated with a relief representing Oldrado da Tresseno (podestà of Milan and fierce prosecutor of the Cathar heretics), and the bas relief of the scrofa semilanuta ("half-woolly sow"), which has been object of much controversy among scholars of the foundation and origins of Milan.

Piazza Mercanti ("Merchants Square") is a central city square of Milan, Italy. It is located between Piazza del Duomo, which marks the centre of the modern city of Milan, and Piazza Cordusio, and it used to be the heart of the city in the Middle Ages. At the time, the square was larger than it is now (as part of it has later become what is now Via Mercanti, the street located between Palazzo dei Giureconsulti and Palazzo della Ragione) and known as "Piazza del Broletto", after the "Broletto Nuovo", the palace that occupied the centre of the square (now on the north side). In the 13th century, there were six entry points to the square, each associated to a specific trade, from sword blacksmiths to hat makers. Until the late 19th century, Oh bej! Oh bej! (the most important and traditional fair of Milan) was held in Piazza Mercanti.

The Biblioteca Ambrosiana is a historic library in Milan, Italy, also housing the Pinacoteca Ambrosiana, the Ambrosian art gallery. Named after Ambrose, the patron saint of Milan, it was founded in 1609 by Cardinal Federico Borromeo, whose agents scoured Western Europe and even Greece and Syria for books and manuscripts. Some major acquisitions of complete libraries were the manuscripts of the Benedictine monastery of Bobbio (1606) and the library of the Paduan Vincenzo Pinelli, whose more than 800 manuscripts filled 70 cases when they were sent to Milan and included the famous Iliad, the Ilias Picta.

The Palazzo delle Assicurazioni Generali, also known as Palazzo Venezia, is a historic building situated in Piazza Cordusio in Milan, Italy.

Chiesa di San Sepolcro is a church in Milan, Italy. It was originally built in 1030, but has undergone multiple revisions. The church is located at Piazza San Sepolcro in the historic center of Milan. The latest interior restoration was in 1713–1719, while the present Neo-Romanesque facade was completed in 1894–1897, under the designs of Gaetano Moretti and Cesare Nava. The Bramantino frescoes were moved from the portal to the inside of the church. Other works inside are attributed to Francesco Maria Richini and Carlo Bellosio.