Monument to Marco Minghetti

Palazzo Braschi [paˈlat.tso ˈbras.ki] is a large Neoclassical palace in Rome, Italy and is located between the Piazza Navona, the Campo de' Fiori, the Corso Vittorio Emanuele II and the Piazza di Pasquino. It presently houses the Museo di Roma, the "museum of Rome", covering the history of the city in the period from the Middle Ages through the nineteenth century.

The Museo di Roma is a museum in Rome, Italy, part of the network of Roman civic museums. The museum was founded in the Fascist era with the aim of documenting the local history and traditions of the "old Rome" that was rapidly disappearing, but following many donations and acquisitions of works of art is now principally an art museum. The collections initially included 120 water-colours by the nineteenth-century painter Ettore Roesler Franz of Roma sparita, "vanished Rome", later moved to the Museo di Roma in Trastevere.

Corso Vittorio Emanuele II, commonly known as Corso Vittorio, is a wide east–west thoroughfare that courses through Rome. It connects a bridge over the Tiber, Ponte Vittorio Emanuele II, to both the Via Torre Argentina and Via del Plebiscito. The latter Via continues east from Piazza del Gesù and along Palazzo Venezia to reach Piazza Venezia which sits below the massive white Monument to Vittorio Emanuele II. In its traverse from the Tiber through central Rome, Corso Vittorio runs along the Piazza della Chiesa Nuova standing before the facade of the church of Santa Maria in Vallicella (the Chiesa Nuova), past the Palazzo della Cancelleria on the right, past the Palazzo Braschi and the Rome Commune (City Hall), and then past the curving Palazzo Massimo alle Colonne and Sant' Andrea della Valle, until it splits into two streets at Largo di Torre Argentina, where the easterly direction continues up to the Piazza of the Gesù. It was created by a resolution of 1886 and was named after Vittorio Emanuele II, the first King of Italy.

San Pantaleo is an ancient church located on a piazza of the same name along Corso Vittorio Emanuele II in the Parione neighborhood of Rome, Italy. It shares the Piazza with the Museo di Roma in Palazzo Braschi. A church at the site dates from the 12th-century, but the present facade (1807) is in a Neoclassical style and the interiors were elaborated in a Baroque style.

The Piarists (), also known as the Order of Poor Clerics Regular of the Mother of God of the Pious Schools (Latin: Ordo Clericorum Regularium pauperum Matris Dei Scholarum Piarum, abbreviated SchP) or simply Scolopi or Escolapios, is a religious order of clerics regular of the Catholic Church founded in 1617 by Spanish priest Joseph Calasanz. It is the oldest religious order dedicated to education, and the main occupation of the Piarist fathers is teaching children and youth, the primary goal being to provide free education for poor children. The Piarist practice was to become a model for numerous later Catholic societies devoted to teaching, while some state-supported public school systems in Europe also followed their example. The Piarists have had a considerable success in the education of physically or mentally disabled persons. Some notable individuals taught at Piarist schools include Pope Pius IX, Goya, Schubert, Gregor Mendel, Tadeusz Kościuszko and Victor Hugo.

The Historiated Palazzo Massimo is a palace in Rome that today forms a single body with the Palazzo Massimo alle Colonne and the Palazzo Massimo detto di Pirro, but overlooks the Piazza dei Massimi behind it.

The Minor Basilica of St. Lawrence in Damaso (Basilica Minore di San Lorenzo in Damaso) or simply San Lorenzo in Damaso is a parish and titular church in central Rome, Italy that is dedicated to St. Lawrence, deacon and martyr. It is incorporated into the Palazzo della Cancelleria, which enjoys the extraterritoriality of the Holy See.

The Palazzo Massimo alle Colonne is a Renaissance palace in Rome, Italy. The palace was designed by Baldassarre Peruzzi in 1532–1536 on a site of three contiguous palaces owned by the old Roman Massimo family and built after arson destroyed the earlier structures during the Sack of Rome (1527). In addition the curved facade was dictated by foundations built upon the stands for the stadium (odeon) of the emperor Domitian. It fronts the now-busy Corso Vittorio Emanuele II, a few hundred yards from the front of the church of Sant'Andrea della Valle. The entrance is characterized by a central portico with six Doric columns, paired and single. Inside there are two courtyards, of which the first one has a portico with Doric columns as a basement for a rich loggia, which is also made of Doric columns. The column decorations gave the name to the palace, alle Colonne. The facade is renowned as one of the most masterful of its time, combining both elegance with stern rustication. The recessed entrance portico differs from typical palazzo models such as exemplified by the Florentine Palazzo Medici. In addition, there is a variation of size of windows for different levels, and the decorative frames of the windows of the third floor. Unlike the Palazzo Medici, there is no academic adherence to superimposition of orders, depending on the floor. On the opposite facade of this palace, opening onto the Piazzetta de' Massimi, the palace connects with the frescoed facade of the conjoined annex, the Palazzetto Massimo (or Palazzetto Istoriato). For many centuries, this used to be the central post office of Rome, a Massimo family perquisite. To the left of the palace is the Palazzo di Pirro, built by a pupil of Antonio da Sangallo. The interior ceilings and vestibules are elaborately ornamented with rosettes and coffered roofs. The entrance ceiling is decorated with a fresco by Daniele da Volterra, who represented scenes from the Life of Fabio Massimo, the supposed Roman founder of the Massimo family. The chapel on the second floor was a room where the 14-year-old Paolo Massimo, son of Fabrizio Massimo, was recalled briefly to life by Saint Philip Neri on March 16, 1583. The interior of the palace is open to the public annually only on that day. Other notable events in the palace of the 16th century including various intrafamilial murders.

Fontana del Moro (Moor Fountain) is a fountain located at the southern end of the Piazza Navona in Rome, Italy. It represents a Moor, or African (perhaps originally meant to be Neptune), standing in a conch shell, wrestling with a dolphin, surrounded by four Tritons. It is placed in a basin of rose-colored marble. The fountain was originally designed by Giacomo della Porta in 1575 with the dolphin and four Tritons. 16th-century artists including Gillis van den Vliete, Taddeo Landini, Simone Moschini and Giacobbe Silla Longhi sculpted the tritons, dragons and masks after the designs of della Porta. In 1653, the statue of the Moor, by Gian Lorenzo Bernini, was added. In 1874, during a restoration of the fountain, the original statues were moved to the Galleria Borghese and replaced with copies by Luigi Amici. In September 2011, the fountain was damaged after a vandal attacked it with a hammer. The vandal also damaged the Trevi Fountain that night.

Natività di Gesù is a church on Piazza Pasquino in the Parione rione of Rome. It is the national church in Rome of the Democratic Republic of Congo. It was built at the end of the 17th century for the Archconfraternity of the Company of the Nativity (known as the Agonizzanti), formed in 1616. Pope Innocent XII granted a letter giving the Archconfraternity the licence to build a church as its oratory. It was rebuilt several times, the last being in 1862, when it took on its current appearance.

The Palazzo della Cancelleria (Palace of the Chancellery, referring to the former Apostolic Chancery of the Pope) is a Renaissance palace in Rome, Italy, situated between the present Corso Vittorio Emanuele II and the Campo de' Fiori, in the rione of Parione. It was built 1489–1513 by Baccio Pontelli and Antonio da Sangallo the Elder as a palace for Cardinal Raffaele Riario, Camerlengo of the Holy Roman Church, and is regarded as the earliest Renaissance palace in Rome. The Palazzo houses the Papal Chancellery, is an extraterritorial property of the Holy See, and is designated as a World Heritage Site.

See also Palazzo Doria PamphiljPalazzo Pamphilj, also spelled Palazzo Pamphili, is a palace facing onto the Piazza Navona in Rome, Italy. It was built between 1644 and 1650. Since 1920, the palace has housed the Brazilian Embassy in Italy. In October 1960, it became the property of the Federative Republic of Brazil in a purchase negotiation led by Ambassador Hugo Gouthier de Oliveira Gondim. The roof terrace is open to the public, with a renowned restaurant and bar that showcases the Roman skyline, and frequent concerts, often featuring Italian opera.