Popa Chițu Church

The Cantemir Vodă National College (Romanian: Colegiul Național Cantemir Vodă) is a high school in Bucharest, Romania. It was founded on October 27, 1868. The school building is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.

The Theodor Pallady Museum is a museum situated in one of the oldest surviving merchant houses in Bucharest, Romania. It includes many works by the well-known Romanian painter Theodor Pallady, as well as a number of European and Oriental furniture pieces. Built in the second half of the 18th century, the house is named after its most illustrious owner, Iacob Melik.

St. Sylvester's Church (Romanian: Biserica Sfântul Silvestru) is a Romanian Orthodox church located at 36 Silvestru Street in Bucharest, Romania. It is dedicated to the Dormition of the Mother of God and to Saint Pope Sylvester I. A first church was built on the site before 1743, the date of the pisanie. The ktetors were Župan Pârvu the textile painter and his wife Stanca; it was dedicated to Radu Vodă Monastery. A stone dated 1760 and fixed into the wall of a nearby house mentions the donations made to the church by Stanca. After the 1802 earthquake, the church was repaired by her granddaughter, also called Stanca. It collapsed during the 1838 tremor, and was rebuilt by the following year. The 1839 iconostasis was repaired and gilt in 1930–1935. The detached bell tower, beneath which one passes to Oltarului Street, dates to 1879. The church acquired its current form during the rebuilding and enlargement of 1904–1907. Dimitrie Maimarolu was the architect, while Costin Petrescu painted the interior. The dedication to Saint Sylvester was added in 1925.Measuring 30 meters long by 13.5 meters wide, the imposing church is distinguished by the two spires above the narthex. Their twisted windows recall the Curtea de Argeș Cathedral. A large dome rises above the nave. All three domes have vaulted roofs. The portico resembles a large open baldachin; its columns have Corinthian capitals. The nave has semi-circular apses, suggested on the exterior by a slight bulge. The church sits on a high stone base, and features a finely ornamented facade. Above the portico, there is a row of five windows behind small arches and columns. The nave windows have stained glass without figures, while the facade ones feature icons of saints. The interior has two rows of painted columns decorated with floral motifs and gilt capitals. The two stoves of enameled tile are decorated with religious subjects.In 2002, Patriarch Teoctist brought back relics of the patron saint from the Vatican, giving them as a gift to the parish. The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs. Also listed is the bell tower. Constantin Galeriu, who served as parish priest from 1975, is buried on the grounds.

The Darvari Skete (Romanian: Schitul Darvari) is a Romanian Orthodox skete located at 3 Schitul Darvari Street, Bucharest, Romania. It is dedicated to the Archangels Michael and Gabriel. In 1834, căminar (tavern tax collector) Mihalache Darvari built a small church with no dome behind the Icoanei Church. Surrounded by monastic cells and walls, it served as a family chapel. Nuns from Pasărea and Samurcășești monasteries were brought in the following year. They remained until 1864, when domnitor Alexandru Ioan Cuza ordered them outside the city, and services were subsequently held by married priests. In 1869, monks passing through from Prodromos visited, officiating like on Mount Athos and attracting many visitors. A few stayed behind. In 1894, administrator Nicolae Darvari repaired the ruined skete, adding a small dome to the church.The old church was entirely demolished in 1933-1934 and replaced by the current structure. Architect Gheorghe Simotta employed an Oltenian-Muntenian style, while the entire interior was painted in Athonite fresco by Iosif Keber. In 1959, the communist regime sent the monks to the monasteries at Cernica and Bucium, and Darvari became a subsidiary of Icoanei. The complex was declared a historic monument in 1992, and reopened as a monastic establishment in 1996, with eight young monks.The small cross-shaped church measures 19 x 8 meters, with an octagonal dome that sits on a square base above the nave. The porch has been closed since the original construction. Ktetor Darvari is buried on the west end of the interior. Small silver boxes display relics of several saints, including John Chrysostom, Charalambos, Ignatius of Antioch, Eleftherios, Gerasimus of the Jordan and Ambrose. The monastic cells, chapel and refectory were completed in 2001.

Piața Spaniei ("Spanish Plaza") is a small square in Sector 2, Bucharest, near Park Ioanid and Grădina Icoanei. In the middle of the square there is a bust of Miguel de Cervantes, the famous Spanish writer. The Spanish Plaza lies next to Dacia Boulevard; it is connected to the nearby Gheorghe Cantacuzino Plaza by Dumbrava Roșie Street. The villa built in 1934 by architect Alexandru Săvulescu for General Henri Cihoski lies at the corner of Piața Spaniei with Dacia Boulevard.

The Icoanei Church (Romanian: Biserica Icoanei) is a Romanian Orthodox church located at 12 Icoanei Street in Bucharest, Romania. It is dedicated to the Holy Trinity. The church derives its name from a 1682 icon that mentions a wooden church which, according to Nicolae Iorga, was built by Ceauș (messenger) David Corbea, whom Constantin Brâncoveanu sent as emissary to the court of Peter the Great. In its early years, it was thus also known as Ceauș David or Popa Dima, after a priest. In its stead, Mihail Băbeanu, former privy secretary to the Prince of Wallachia, built a domed wooden church surrounded by cells, variously dated to 1745-1750 or 1770. The first masonry church, dedicated to the Trinity, dates to 1784–1786; its ktetor was mercenary captain Panait Băbeanu, nephew of Mihail. As depicted in the votive painting, this church had three domes and a three-lobed plan, and was painted in fresco. Panait added twelve cells for poor widows.Damaged by the 1838 earthquake, the church was restored by Pană Băbeanu, the grandson of Panait, assisted by parishioners. The iconostasis, still in use, dates to 1850. By 1862, the church was in ruins, its funds wasted by Ioniță Băbeanu. In 1873, Elena Băbeanu commissioned a substantial renovation, led by architect Alexandru Orăscu, which gave the building its current form. The 1887-1889 restoration added the portico, redid the domes and enlarged the windows. Under the auspices of another Mihail Băbeanu, the painting was redone in 1889 by a pupil of Gheorghe Tattarescu, covering the old frescoes. In 1928, architect Paul Smărăndescu undertook a thorough renovation, removing the central dome. Consolidation took place after the earthquakes of 1940 and 1977, while work on the iconostasis and painting unfolded in 1967 and 1980. The church was re-sanctified in 1991.The cross-shaped church measures 23 meters long by 9 to 10.8 meters wide; the apses are in slight relief and circular both inside and out. The round Pantocrator dome above the nave has eight windows; the square bell tower above the narthex, aligned with the western facade, has two large windows on each side. The roof is flat, in two halves, terminating in a tympanum at the bell tower base. Entry is through a small open portico with a decorated frieze; it rests on pairs of stone columns. The facade ornamentation is slightly in relief: a cornice with small palmettes underscored by a sawtooth design, floral rosettes placed above the windows, icons of Saints Peter and Paul to the sides of the entrance. The interior windows are colored in pastel tones, with blue predominant. The tin-coated domes are decorated similarly to the facade.The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs. Also listed is the tomb of General Ioan Odobescu. The yard holds several other graves, the earliest being from 1846. The icon of the Virgin Mary, which attracts visitors, is kept before the altar.

The Armenian Church (Romanian: Biserica Armenească) is an Armenian Apostolic church located at 43 Carol I Boulevard in Bucharest, Romania. It is dedicated to the Archangels Michael and Gabriel. The cornerstone was laid in July 1911, and building proceeded according to the plans of architects Dimitrie Maimarolu and Grigore Cerchez, who was of Armenian origin. The design resembles Etchmiadzin Cathedral. Work was completed in September 1915. In the yard, the surrounding complex includes a bishop's residence, a library and diocesan museum, a cultural center, a kindergarten, and the Union of Armenians of Romania headquarters.The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs, as are the library and the statue of Andranik.

A statue of Ion Luca Caragiale, sculpted by Constantin Baraschi, is located on Maria Rosetti Street in central Bucharest, Romania. It is placed in front of the house where the dramatist and short story writer Ion Luca Caragiale once lived. In 1957, Baraschi took part in the contest for the statue of Soviet leader Vladimir Lenin, which Communist authorities meant to place in front of the Casa Scînteii, a newly built Socialist Realist structure in northern Bucharest. His bronze sculpture lost the contest to the one designed by Boris Caragea, so Baraschi decided to replace the head of Lenin's statue with that of Caragiale. He was once again refused, because this statue could have been seen as mocking Lenin. However, the statue was bought by the state and, after years of being kept in a courtyard in the Splaiul Independenței area, it was moved to the Cartea Românească Publishing House courtyard from General Berthelot Street, perhaps at the intervention of influential novelist Marin Preda.In 1998, nine years after the 1989 Revolution, the Cartea Românească building was returned to its rightful owner; the Ministry of Culture had to take the statue into its patrimony, and subsequently moved it in front of a house where Caragiale lived once, on Maria Rosetti Street. In 2002, Dinu Săraru, chairman of the National Theatre Bucharest, oversaw the statue's move to a new location on University Square, in front of the Theatre's building. After Săraru resigned from office, on 11 February 2006, it was moved back to Maria Rosetti Street, because the move had not been approved and, as such, was technically illegal. A statue of the major Romanian actor Grigore Vasiliu Birlic, is planned to take its place in University Square.The statue is featured in the foreground of the reverse of the 100 lei banknote, at its old location in front of the old building of the Bucharest National Theatre.

The Dichiu–Tirchilești Church (Romanian: Biserica Dichiu–Tirchilești) is a Romanian Orthodox church located at 72 Icoanei Street in Bucharest, Romania. It is dedicated to Saint Nicholas. The church existed by 1773, but lacks a pisanie or other inscriptions attesting its precise origins. Its name comes from two sources: Deoghen, traditionally considered the ktetor, was dichiu or oikonomos of the Metropolis of Ungro-Wallachia; while he was assisted by a certain Tirchilă. For some years, the surrounding area was a village called Tirchilești, incorporated into Bucharest by 1789. Local tradition holds that the church initially served a skete of monks, which ceased to exist when the city extended its boundaries, transforming the building into a parish church. In 1880, it was extended and a wooden dome added. Repairs took place in 1898 and 1903. The interior was painted in fresco in 1949–1953, while exterior repainting was carried out in 1955.The church measures 22 meters long by 6–10 meters wide, and is situated on an elevation. It is cross-shaped, with polygonal exterior apses, an octagonal dome above the nave and, above the narthex, a square bell tower. The latter is topped by a cross sitting on a small roof lantern supported by four slender columns. Interior columns were demolished, while the formerly open portico is entirely closed by masonry, ending in a flat facade with two small pylons at the ends. The exterior was frequently modified as well: the string course does not survive, and the sides feature arches in the lower part, medallions in the upper. The entrance is flanked by icons of Saints Peter and Paul. Two rows of seven saints each, with floral decorations, sit above the entrance, as does the patron saint's icon.The church owns a restored Gospel Book and relics of Saints Paraskeva of the Balkans, Stephen, John the New of Suceava and the Forty Martyrs of Sebaste, all displayed in a silver hand. It is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.

The Olari Church (Romanian: Biserica Olari) is a Romanian Orthodox church located at 6 Olari Street in Bucharest, Romania. It is dedicated to the Dormition of the Mother of God. The church is named after the surrounding district, a place where potters (olari) dug for clay, according to a 1752 document. A church, probably of wood, stood nearby in the first half of the 18th century. According to the pisanie, located above the entrance door and written in Romanian Cyrillic, the church was built in 1758. An 1847 plan notes that it was also called Ceauș (doorman) Precup. The church was originally surrounded by walls and cells, which also hosted a school; all these structures were demolished in the late 19th century. In 1836, the church was repaired and modified: the portico was closed, with another small one on two columns added, and the interior was repainted in oil. The tin-coated wooden domes were rebuilt in 1863. An 1869 repainting followed the style of Gheorghe Tattarescu, with a series of framed works.A professional restoration of 1939-1943 replaced the tin with tiles and remade the domes of masonry, like in the original structure; the added plaster was removed, bringing to light the initial form of the portico, with painted columns and arches; the second portico was removed. In 1982-1983, during the systematization of Calea Moșilor ordered by the Nicolae Ceaușescu regime, the church was moved 58 meters, ending up behind a row of apartment blocks. It was re-sanctified and reopened in 1984. The painting was restored in 1994-2002, bringing to light a previously hidden depiction of Abraham.The three-lobed church measures 23 meters long by 6.5 to 13 meters wide, with two octagonal domes on square bases. The portico, with three semicircular arches resting on masonry columns, is enclosed by windows and metal grilles. The columns and archivolts are painted with red, black and brown floral motifs. A simple string course divides the facade into two nearly equal parts. These are decorated with arched recesses, in pairs above, single and larger below. On the entrance facade, above the arches and among the frames, there are three medallions from 1943. These are painted in fresco with the patron feast in the center, flanked by Saints Peter and Paul. A small flower garden surrounds the church.The north apse features an icon of the Virgin Mary; ascribed by some with wonder-working abilities, it is surrounded by 24 depictions of reported miracles. It was brought around 1810 by monks fleeing persecution in Turkey; in 1864, the gilt silver coating was removed and placed on another icon before the royal doors, while a new covering was created for the original. The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.

The Oțetari Church (Romanian: Biserica Oțetari) is a Romanian Orthodox church located at 4 Oțetari Street in Bucharest, Romania. It is dedicated to the Archangels Michael and Gabriel and to Saint Nicholas. A wooden church was built on the site in 1681, and rebuilt in 1708. The current masonry structure dates to 1757, as attested by the pisanie in the narthex, which mentions the names of several donors. It was at this point that the church received its second patron saint. A document of 1785, issued by Grigorie II Colțea, Metropolitan of Ungro-Wallachia, indicates that the church was built by locals. It was restored in 1860-1866 by Metropolitan Nifon Rusailă with the help of the Hagi Tudorache family, interred inside. During this time, Gheorghe Tattarescu painted the entire interior. Repairs were carried out in 1906 and 1964, while the painting was restored in 1984. The 39 exterior mosaic medallions date to the late 20th century.The church is 24.5 meters long, 7.5 meters wide and 11 meters high. Its shape is trefoil, with an octagonal spire above the nave. The portico has a spherical ceiling atop which sits the square base of the bell tower. Both spires end in a bulb-shaped roof. These as well as the main roof are covered in tin. The closed narthex is decorated with pilasters, facade and three arches. The frieze, slightly in profile, features three mosaics of saints.The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.

Solacoglu Inn (Romanian: Hanul Solacoglu or Hanul Solacolu) improperly called inn, was actually a factory for producing pasta in Bucharest. It is located along Calea Moşilor, a trading avenue that used to make the connection between Bucharest's Inner Town (Romanian Târgul Dinlǎuntru) and the largest marketplace in the town (Obor Marketplace, still in use as of 2006). Its architecture blends traditional outlines with a few Western elements. It was constructed in 1859 for Solacoglu Brothers, merchants from Svishtov, Bulgaria who had settled in Wallachia. In the 1990s the city government evacuated the illegal inhabitants and the bureaucratic process of restoring the building was supposed to begin, but it did not. The building lies nowadays in a bad, ruined state, with its doors and windows blocked off by metal strings bars and plates. During the war of independence from the Ottoman empire 1877. The head of the Bulgarian diaspora lived in the building. The Romanians and Bulgarians were allies in this war of liberation from the Ottomans. Other old inns still standing in Bucharest include Manuc's Inn (Romanian: Hanul lui Manuc), Gabroveni Inn (Romanian: Hanul Gabroveni), and the Lindentree Inn (almost universally known by its Romanian name Hanul cu Tei).