Jain temple, Antwerp

Maison Guiette also known as Les Peupliers, is a house in Antwerp, Belgium, designed by Le Corbusier in 1926 and built in 1927. It was the studio and living quarters of René Guiette, a painter and art critic. One of the Franco-Swiss architect's lesser-known works, it is an early example of the International Style. Rene Guiette asked Le Corbusier to design a house modelled on the 1925 Pavilion de l'Esprit Nouveau. Guiette drew lifelong inspiration from the house using gouache and experimental photography The house and the Guiette artwork was the subject of an exhibition at the 9H gallery London. In July 2016, the house and several other works by Le Corbusier were inscribed as UNESCO World Heritage Sites.

Wilrijkse Plein Antwerp is a sports and leisure venue located in Antwerp, in Belgium. It is currently mainly used for field hockey matches and matches organized for Men's and Women's Euros. The stadium accommodates more or less 7,000 people.Its location is Vogelzanglaan 6 at Wilrijk in the province of Antwerp. It was in 2013 that the stadium was built.On June 24, 2021, the Center of Excellence was officially inaugurated by the VHL (Vlaamse Hockey Liga) in collaboration with Sport Vlaanderen and the city of Antwerp.In the past, the stadium has hosted the following major tournaments: Men's and Women's Euros in 2019

Nachtegalen Park (Nightingale Park in (in Dutch)) is a park located in the Antwerp, Belgium municipality of Wilrijk. It served as the archery venue for the 1920 Summer Olympics. During World War II, the park was headquarters for the 89th German Army Corps, then it became command post of the 719th Infantry Division. The park is home to the Atlantic Wall & Air War Bunker Museum.

The Olympisch Stadion (Dutch pronunciation: [oːˈlɪmpis ˌstaːdijɔn]) or Kielstadion [ˈkilstaːdijɔn]) was built as the main stadium for the 1920 Summer Olympics in Antwerp. For those games, it hosted the athletics, equestrian, field hockey, football, gymnastics, modern pentathlon, rugby union, tug of war, weightlifting and korfball (demonstration) events. Following the Olympics it was converted to a football stadium. Its current tenant is K Beerschot VA, a Belgian football club. There are no remnants of the Olympic athletics track. It is possible that Archibald Leitch was involved in the design of the stadium having made several visits prior to the Games.

The BP Building, previously also known as the Axa-Royale Belge Tower, is a suspended-structure office building in Antwerp, Belgium, designed by the Belgian architect Léon Stynen. The building was completed in 1963 and features a unique cantilevered floor structure and cable supports. All of the floors are supported with external cables that are attached to roof beams: the weight of roof beams, all floors, and the external walls are carried by a center core. The building was commissioned by BP and is still referred to as the "BP Building", but is now owned by Buysse & Partners Smart Assets since 2018. Its architecture has been classified as Modernist and Brutalist.

Middelheim Open Air Sculpture Museum (Dutch Beeldentuin Middelheim Museum) is a sculpture park of 30 acres in the park part of the Middelheim Nachtegalen Park at Antwerp. The Middelheim Museum collection has approximately 400 works of art on display. These include around 215 sculptures, featuring artists such as Carl Andre, Franz West, Auguste Rodin and many more. Along with the addition of new works every year, the museum invites contemporary artists to engage in an artistic conversation with works part of the permanent collection and the environment surrounding them, leading to the establishment of performances and exhibitions and by various kinds of artists. Works such as ones by Roman Signer and Ai Weiwei are also created specifically for the museum. (“Middelheim Museum”) The museum includes the Braem pavilion, designed by the Belgian architect Renaat Braem. He is seen as a significant symbol for post-war architecture in Belgium and aimed to blur the boundaries between architecture and art. Reflective of this, Braem aimed to design the pavilion to incorporate a sculptural quality to organically merge it with the park’s landscape. The design developed into a set of closed pavilions and open patios, formulated “as nature would”, with an accessible entrance and a distinct roof structure to create an ever-changing spatial experience augmented by the flow of light through the pavilion. The rudimentary base was placed in 1969, and the pavilion was then officially introduced at the eleventh Biennial in 1971. Plans for construction around the pavilion were left unfinished with a fountain by Olivier Strebelle being the only trace, which speaks to the idea of merging architecture with nature as it embraces the idea of imperfection. (“The Braem Pavilion”) Another fountain by the Belgian artist Philippe Van Snick is placed in front of the pavilion. (“Middelheim Museum”) The Braem Pavilion is exclusive to fragile works from the permanent collection, such as ones by Alberto Giacometti, Jean Arp, and Wim Delvoye, to maintain them suitably. The works exhibited at the pavilion change twice a year. (“Middelheim Museum”) A 750-meter pathway begins at the Braem Pavilion and runs past the Middelheim Castle and over Middelheimlaan to ‘Hortiflora’, a botanical flower garden part of Nachtegalenpark until it was added to the Middelheim Museum in 2012. With this inclusion, the museum covers more than thirty hectares of park and exhibition area. (“Middelheim Museum”) The merging of art and nature is a significant aspect of the museum. This is seen through the displayed works, the kinds of exhibitions curated and the pavilions and structure of the open-aired museum itself. In the works exhibited, their placement is just as important as the works themselves because the intermingling of the works with their natural surroundings transforms and augments the experience of the viewer.

The Mad Maiden or The Mad Virgin (Dutch: Het zotte geweld or De dwaze maagd) is a bronze statue by the Belgian artist Rik Wouters, created in 1912. The statue depicts Wouters' wife and muse, Nel Deurinckx, in a dynamic and ecstatic dancing pose. Wouters very often painted, drew and sculpted his wife in charming, everyday settings, while she was sleeping, reading, or doing domestic chores. The Mad Maiden is exceptional because it shows her in such an unusually carefree way. With this sensual sculpture, Wouters clearly distanced himself from the emotionlessness of academic art of his time.Wouters became inspired for this sculpture when he and Nel visited a 1907 performance by the American modern dance pioneer Isadora Duncan in the Muntschouwburg in Brussels.Several copies of the sculpture were made, also after the artist's early death in 1916. Casts of the sculpture are part of the following art collections: Middelheimmuseum, Antwerp, Belgium (on loan from the Royal Museum of Fine Art Antwerp) Belfius Art Collection, Brussels, Belgium Musée d'Ixelles, Brussels, Belgium Le Musée en Plein Air du Sart-Tilman, Liège, Belgium

The Craeybeckx tunnel (in Dutch Craeybeckxtunnel and fully Lode Craeybeckxtunnel) is a road tunnel in Antwerp built in 1981 to reduce the noise from the traffic, for the benefit of the Sint-Augustinus hospital and the Middelheim hospital. The tunnel is 1600 m long and is the widest in Belgium. The construction is named after Lode Craeybeckx, the mayor of Antwerp between 1947 and 1976. Approximately 120.000 vehicles pass the tunnel every day.

The Wezenberg Olympic Swimming Center is a swimming center with a 50-meter pool located on De Singel in Antwerp. The complex dates from 1973. In addition to the Olympic-size swimming pool, there is an instruction pool of 20 by 17 meters in Wezenberg and since 2015 a second 50-meter pool, not wide enough for competitions, but for training.

deSingel is a Belgian arts center. It is located on the Desguinlei in Antwerp. Its various stages, concert halls and exhibition spaces offer a manifold program of music, dance, theater and architecture. It is also home to the Royal Conservatory of Antwerp, the Flemish Architecture Institute (VAI), the Study Center for Flemish Music (SVM), the VDAB employment initiative for theatre technicians Sabbattini, the Eastman dance company, ChampdAction, I Solisti, detheatermaker and the Spiegel String Quartet.

Berchem (Dutch pronunciation: [ˈbɛrxɛm] (listen)) is a southern district of the municipality and city of Antwerp in the Flemish Region of Belgium. Berchem is located along the old Grote Steenweg (Dutch for 'Big Paved Road') that has connected Brussels to Antwerp for several centuries; the town borders the districts of Deurne, Borgerhout, Wilrijk and Antwerp and the municipality of Mortsel. Berchem itself consists of three quarters, Oud Berchem, Groenenhoek and Nieuw Kwartier. The 'Ring', Antwerp's circular motorway which follows the track of the former city defense walls, cuts Berchem in two parts, separating the urban inner city area of Oud-Berchem (intra muros) from the more residential and suburban areas Groenenhoek, Pulhof and Nieuw Kwartier (extra muros).

Antwerpen-Zuid (English: Antwerp South) is a railway station in the south of the city of Antwerp, Antwerp, Belgium. The old station opened on 10 July 1878 (goods) on the Lines 52 (1894) and 25A (1907). The old station building was demolished in 1965 and replaced with a stop in 1970 on the new through railway under the Scheldt river on the line 59. In 2006, the Butterfly Palace, designed by the Richard Rogers Partnership, was built on the location of the old station. It houses the Antwerp Courthouse.