Jewish Museum of Florence

The Great Synagogue of Florence or Tempio Maggiore is one of the largest synagogues in South-central Europe, situated in Florence, in Italy. The synagogue of Florence was one of the most important synagogues built in Europe in the age of the Jewish emancipation, reached by the Jewish communities living in the Grand Duchy of Tuscany in 1848.

Santa Maria Maddalena dei Pazzi is a Renaissance-style Roman Catholic church and a former convent located in Borgo Pinti in central Florence.

Santa Maria dei Candeli is a former Roman Catholic church situated in the Borgo Pinti in central Florence, Region of Tuscany, Italy.

The Palazzo al Canto di Sant'Anna is a building in Florence, composed of two bodies, with one façade on Via de' Pepi 67 and one on Via Fiesolana 32.

The Loggia del Pesce is a historical building in Florence, Italy. It is formed by nine wide arcades, supported by piers or columns. On each side are eight medallions depicting fishing activities and the sea. At the corners are four coats of arms. It was commissioned by Duke Cosimo I de' Medici to Giorgio Vasari, to house the fish market which had been previously held near the Ponte Vecchio. Their place there was taken by the Vasari Corridor. During the urban renovation of Florence following the unification of Italy (1885–1895), the loggia was dismantled and most of its decoration went to the museum of San Marco. It was rebuilt in the Piazza Ciompi only in 1956, re-using most of the original materials.

Sant'Ambrogio is a Roman Catholic church in Florence, region of Tuscany, Italy. It is named in honour of St Ambrose.

Palazzo Caccini (also known as Palazzo del Corona) is located in Florence at Borgo Pinti 31–33, on the corner of Via Nuova dei Caccini.

Santa Maria degli Angiolini, also known as the Capella degli Angioli, is a Renaissance-style, Roman Catholic church, located on Via della Colonna #34, now serving as a school and dormitory. In 1502, a half-dozen Florentine women retired to a nearby house bought for them by a wool merchant named Dionisio di Clemente. In 1509 the community took up Dominican orders, and they built a convent and this church at the site. During the sixteenth century, the convent was enlarged to cope with the increasing number of nuns (totaling 102 in 1561). In 1785, as part of the reform of the established religious promoted by Grand Duke of Tuscany, Peter Leopold, the convent was transformed into a school. Suppressed in 1808, it was later restored and, at present, still functions as a school. Part of the monastery is used as a dormitory. The church had a Archangels Michele and Gabriello by Francesco Curradi and a Miracle by St Dominic by Matteo Rosselli. The main altarpiece, by Domenico Puligo, has been interpreted as a Presentation of the Virgin at the Temple (1526-1527), but may symbolize the entry of girls into the nunnery, since at the front of the picture are Dominican Saints Antonino Pierozzi, Thomas Aquinas, and Vincent Ferrer on one side and St Helena, Catherine, and Lucy on the other.The ceiling fresco was painted by Giovanni Maria Ciocchi. The refectory has a large fresco of The Last Supper by Rosselli. In the Gallery is a bronze San Giovanni Battista by Giambologna.The church and convent are accessible only by reservation.

The Teatro Alfieri was a major theatre and opera house in 18th and 19th century Florence, located at Via dell'Ulivo #6 corner Via Pietrapiana in the Florence, region of Tuscany, Italy.

Casa Buonarroti is a museum in Florence, Italy. The building was a property owned by the sculptor Michelangelo, which he left to his nephew, Leonardo Buonarroti. The house was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. Its collections include two of Michelangelo's earliest sculptures, the Madonna of the Stairs and the Battle of the Centaurs. A ten-thousand book library includes the family's archive and some of Michelangelo's letters and drawings. The Galleria is decorated with paintings commissioned by Buonarroti the Younger and created by Artemisia Gentileschi and other early seventeenth-century Italian artists.

Palazzo degli Sporti, or Busini Ugolini, is a civic building in the historical centre of Florence, located between Via dell'Oriuolo 10 and Via Sant'Egidio in Florence, in front of an unnamed small square near the San Pierino arch, where it also leads to Borgo Pinti. The palace appears in the list drawn up in 1901 by the General Directorate of Antiquities and Fine Arts, as a monumental building to be considered national artistic heritage (Italy).

The Kunsthistorisches Institut in Florenz (KHI) is one of the oldest research institutions dedicated to the history of art and architecture in Italy, where facets of European, Mediterranean and global history are investigated. Founded in 1897 by a group of independent scholars, it has been under the auspices of the Max Planck Society since 2002. Approximately seventy scholars are currently employed at the Institute, which is run by two directors, and the promotion of international young academics is high on its internal agenda. In addition to numerous individual research projects, those funded by third parties and numerous collaborations with international universities, museums and research institutes, Kunsthistorisches Institut in Florenz provides a platform for larger long- and medium-term projects whose subject matter ranges from Late Antiquity to the Modern Age. The Institute's resources, including the library with over 360,000 volumes, some of which are extremely rare, over 1,070 ongoing journal subscriptions, and one of the most wide-ranging photographic libraries on Italian art, are available to researchers from all over the world, including part of the collection of Evelyn Sandberg-Vavalà. The Institute also offers a programme of public academic events.