Great Synagogue of Florence

The Jewish Museum of Florence (Italian: Museo Ebraico di Firenze) is a museum of Jewish history located in the Great Synagogue of Florence, Italy. The museum, which covers two spaces of the building, gathers an important collection of ancient objects of Jewish ceremonial art, evidence of the high artistic level achieved by the Jewish-Italian communities in the field of applied arts. Exhibitions illustrate the history of Florentine Jews from the first settlements to the post-war reconstruction, featuring old photographs, films and a large number of objects of daily and commemorative use.

Sant'Ambrogio is a Roman Catholic church in Florence, region of Tuscany, Italy. It is named in honour of St Ambrose.

The Loggia del Pesce is a historical building in Florence, Italy. It is formed by nine wide arcades, supported by piers or columns. On each side are eight medallions depicting fishing activities and the sea. At the corners are four coats of arms. It was commissioned by Duke Cosimo I de' Medici to Giorgio Vasari, to house the fish market which had been previously held near the Ponte Vecchio. Their place there was taken by the Vasari Corridor. During the urban renovation of Florence following the unification of Italy (1885–1895), the loggia was dismantled and most of its decoration went to the museum of San Marco. It was rebuilt in the Piazza Ciompi only in 1956, re-using most of the original materials.

Santa Maria Maddalena dei Pazzi is a Renaissance-style Roman Catholic church and a former convent located in Borgo Pinti in central Florence.

The Palazzo al Canto di Sant'Anna is a building in Florence, composed of two bodies, with one façade on Via de' Pepi 67 and one on Via Fiesolana 32.

Santa Maria dei Candeli is a former Roman Catholic church situated in the Borgo Pinti in central Florence, Region of Tuscany, Italy.

Palazzo Caccini (also known as Palazzo del Corona) is located in Florence at Borgo Pinti 31–33, on the corner of Via Nuova dei Caccini.

The Teatro Alfieri was a major theatre and opera house in 18th and 19th century Florence, located at Via dell'Ulivo #6 corner Via Pietrapiana in the Florence, region of Tuscany, Italy.

Casa Buonarroti is a museum in Florence, Italy. The building was a property owned by the sculptor Michelangelo, which he left to his nephew, Leonardo Buonarroti. The house was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. Its collections include two of Michelangelo's earliest sculptures, the Madonna of the Stairs and the Battle of the Centaurs. A ten-thousand book library includes the family's archive and some of Michelangelo's letters and drawings. The Galleria is decorated with paintings commissioned by Buonarroti the Younger and created by Artemisia Gentileschi and other early seventeenth-century Italian artists.

Santa Maria degli Angiolini, also known as the Capella degli Angioli, is a Renaissance-style, Roman Catholic church, located on Via della Colonna #34, now serving as a school and dormitory. In 1502, a half-dozen Florentine women retired to a nearby house bought for them by a wool merchant named Dionisio di Clemente. In 1509 the community took up Dominican orders, and they built a convent and this church at the site. During the sixteenth century, the convent was enlarged to cope with the increasing number of nuns (totaling 102 in 1561). In 1785, as part of the reform of the established religious promoted by Grand Duke of Tuscany, Peter Leopold, the convent was transformed into a school. Suppressed in 1808, it was later restored and, at present, still functions as a school. Part of the monastery is used as a dormitory. The church had a Archangels Michele and Gabriello by Francesco Curradi and a Miracle by St Dominic by Matteo Rosselli. The main altarpiece, by Domenico Puligo, has been interpreted as a Presentation of the Virgin at the Temple (1526-1527), but may symbolize the entry of girls into the nunnery, since at the front of the picture are Dominican Saints Antonino Pierozzi, Thomas Aquinas, and Vincent Ferrer on one side and St Helena, Catherine, and Lucy on the other.The ceiling fresco was painted by Giovanni Maria Ciocchi. The refectory has a large fresco of The Last Supper by Rosselli. In the Gallery is a bronze San Giovanni Battista by Giambologna.The church and convent are accessible only by reservation.

Monastero delle Murate (Monastery of Murate) is a former Benedictine convent on Via Ghibellina in Florence, Italy. For about a hundred years, from 1883 to 1985, it was the men's prison in Florence, after which the detainees were transferred to Sollicciano and other facilities. Since the 21st century, it has served as a restaurant and meeting places, with additional apartments, bars, restaurants and shops. The religious community dates to 1370 when 12 women became voluntarily reclusive in a shack by the second pillar of the Ponte Rubaconte (Ponte alle Grazie), praying and living on alms in extremely difficult conditions. Given the growth in the number of sisters, in 1424, Giovanni de 'Benci, who lived nearby, financed the construction of a new, larger monastery near the walls, called the Most Holy Annunciation and St. Catherine. The monastery was renovated and expanded for the first time in 1471, following a fire, and then in 1571, after a flood. Supporters included Lorenzo de' Medici. Also in 1509 Caterina Sforza was buried in the monastery.

The Porta alla Croce is a former gate of the Walls of Florence, locate east of the neighborhood of Santa Croce, in the Piazza Beccaria of Florence, region of Tuscany, Italy. The gate was part of the fourth set of walls around Florence built in the late 13th century. The Gate was once called Porta alla Croce al gorgo and also Porta Sant'Ambrogio. It is said that the name may derive from the legend that at this location San Miniato was made a martyr.The Gate was refurbished in 1817-1818 under the reign of Grand Duke Ferdinando III of Lorraine, and in the outer lunette has a much degraded fresco depicting the Virgin and Saints by Michele Tosini. In the past, just outside this gate, was the site where official executions were performed.The urban renewal of Florence (1865-1871) directed by Giuseppe Poggi demolished the walls and left this and other gates isolated in a traffic circles. To the south of the gate is a plaque commemorating those fallen in World War I. Below is a fountain in poor state of conservation. The memorial was dedicated in 1925, completed in 1928, and two Fascist emblems were once present. The plaque reads Fallen in the War of Vindication and for the Grandeur of Italy. A plaque from 1310 describes the size of the walls and gate in Braccia Florentina. Finally a third plaque states that in 1817, Ferdinand III, Grand Duke of Tuscany, father of the citizens... to ensure a gain of wealthy classes in periods of poor harvests and boost trade, he opened with great commitment of spending, new ways by which to connect a carriage road from here to the upper valley of the Arno, Casentino and Romagna and because at the same time he restored this door and made more elegant and functional, demolishing blighted buildings that were pushed together and equalizing the level entry and exit. Florence's optimal and munificent prince.