Palazzo Caccini

Santa Maria dei Candeli is a former Roman Catholic church situated in the Borgo Pinti in central Florence, Region of Tuscany, Italy.

The Palazzo al Canto di Sant'Anna is a building in Florence, composed of two bodies, with one façade on Via de' Pepi 67 and one on Via Fiesolana 32.

Santa Maria Maddalena dei Pazzi is a Renaissance-style Roman Catholic church and a former convent located in Borgo Pinti in central Florence.

The Oratory of St. Thomas Aquinas is a late-Renaissance-style, Roman Catholic prayer hall located on Via della Pergola in Florence, region of Tuscany, Italy.

The Teatro della Pergola is an historic opera house in Florence, Italy. It is located in the centre of the city on the Via della Pergola, from which the theatre takes its name. It was built in 1656 under the patronage of Cardinal Gian Carlo de' Medici to designs by the architect Ferdinando Tacca, son of the sculptor Pietro Tacca; its inaugural production was the opera buffa, Il potestà di Colognole by Jacopo Melani. The opera house, the first to be built with superposed tiers of boxes rather than raked semi-circular seating in the Roman fashion, is considered to be the oldest in Italy, having occupied the same site for more than 350 years. It has two auditoria, the 'Sala Grande', with 1,500 seats, and the 'Saloncino', a former ballroom located upstairs which has been used as a recital hall since 1804 and which seats 400. Work on completing the interior was finished in 1661, in time for the celebration of the wedding of the future grand duke Cosimo III de' Medici, with the court spectacle Ercole in Tebe by Giovanni Antonio Boretti. Primarily a court theatre used by the Grand Dukes of Tuscany, it was only after 1718 that it was opened to the public. In this theatre the great operas of Mozart were heard for the first time in Italy, and Donizetti’s Parisina and Rosmonda d'Inghilterra, Verdi’s Macbeth (1847) and Mascagni’s I Rantzau were given their premiere productions. By the nineteenth century, La Pergola was performing operas of the best-known composers of the day including Vincenzo Bellini, Gaetano Donizetti and Giuseppe Verdi. Verdi's Macbeth was given its premiere performance at the Pergola in 1847. The Pergola's present appearance dates from an 1855–57 remodelling; it has the traditional horseshoe-shaped auditorium with three rings of boxes and topped with a gallery. It seats 1,000. It was declared a national monument in 1925 and has been restored at least twice since. Today the theatre presents a broad range of about 250 drama performances each year, ranging from Molière to Neil Simon. Opera is only presented there during the annual Maggio Musicale Fiorentino. Tommaso Sacchi is the Chairman of Fondazione Teatro della Toscana - Teatro della Pergola.

Palazzo degli Sporti, or Busini Ugolini, is a civic building in the historical centre of Florence, located between Via dell'Oriuolo 10 and Via Sant'Egidio in Florence, in front of an unnamed small square near the San Pierino arch, where it also leads to Borgo Pinti. The palace appears in the list drawn up in 1901 by the General Directorate of Antiquities and Fine Arts, as a monumental building to be considered national artistic heritage (Italy).

Santa Maria degli Angiolini, also known as the Capella degli Angioli, is a Renaissance-style, Roman Catholic church, located on Via della Colonna #34, now serving as a school and dormitory. In 1502, a half-dozen Florentine women retired to a nearby house bought for them by a wool merchant named Dionisio di Clemente. In 1509 the community took up Dominican orders, and they built a convent and this church at the site. During the sixteenth century, the convent was enlarged to cope with the increasing number of nuns (totaling 102 in 1561). In 1785, as part of the reform of the established religious promoted by Grand Duke of Tuscany, Peter Leopold, the convent was transformed into a school. Suppressed in 1808, it was later restored and, at present, still functions as a school. Part of the monastery is used as a dormitory. The church had a Archangels Michele and Gabriello by Francesco Curradi and a Miracle by St Dominic by Matteo Rosselli. The main altarpiece, by Domenico Puligo, has been interpreted as a Presentation of the Virgin at the Temple (1526-1527), but may symbolize the entry of girls into the nunnery, since at the front of the picture are Dominican Saints Antonino Pierozzi, Thomas Aquinas, and Vincent Ferrer on one side and St Helena, Catherine, and Lucy on the other.The ceiling fresco was painted by Giovanni Maria Ciocchi. The refectory has a large fresco of The Last Supper by Rosselli. In the Gallery is a bronze San Giovanni Battista by Giambologna.The church and convent are accessible only by reservation.

The Teatro Alfieri was a major theatre and opera house in 18th and 19th century Florence, located at Via dell'Ulivo #6 corner Via Pietrapiana in the Florence, region of Tuscany, Italy.

San Pier Maggiore was a church and monastery in Florence, Tuscany, central Italy that existed from the eleventh to the eighteenth century, and hosted ceremonies for the reception of newly appointed Bishops of Florence.

Santa Maria degli Angeli (St. Mary of the Angels) is the former church of a now-defunct monastery of that name in Florence, Italy. It belonged to the Camaldolese congregation, which was a reformed branch of the Benedictines. The congregation is based on the hermitage which was founded in 1012 by the hermit St. Romuald at Camaldoli, near Arezzo, hence the name. Very little of the medieval building exists today. The monastery was a major center of studies in the early Renaissance and its scriptorium was a noted producer of manuscripts of high quality. Many of the illustrations from its work are found in museum collections around the world. The late High Gothic painter, Lorenzo Monaco, was a monk here for a time, while he tested his vocation, but ultimately he left. Nevertheless, he executed a series of artworks for this monastery and other Camaldolese institutions, both during his time in the Order and afterwards. The so-called Rotonda degli Scolari, partially built by Filippo Brunelleschi, is part of the complex. The church once housed a series of artworks now located elsewhere, such as the Coronation of the Virgin by Lorenzo Monaco.

The Palazzo Giugni, also called the Palazzo Firenzuola, is a late-Renaissance or Mannerist architecture palace designed by Bartolomeo Ammanati, and located on Via degli Alfani #48 in the quartiere San Giovanni of Florence, region of Tuscany, Italy. It is located down the street from the Brunelleschi's church of Santa Maria degli Angeli.

The Jewish Museum of Florence (Italian: Museo Ebraico di Firenze) is a museum of Jewish history located in the Great Synagogue of Florence, Italy. The museum, which covers two spaces of the building, gathers an important collection of ancient objects of Jewish ceremonial art, evidence of the high artistic level achieved by the Jewish-Italian communities in the field of applied arts. Exhibitions illustrate the history of Florentine Jews from the first settlements to the post-war reconstruction, featuring old photographs, films and a large number of objects of daily and commemorative use.