Library tram stop

The Crescent was a part-completed Regency-style terrace in central Birmingham, England. The scheme was first proposed in 1788, construction started in 1795 and was discontinued the same year. The partially-completed terrace was finally demolished in the mid- to late 1960s. Like other late 18th and early 19th century crescent terraces in Britain and Ireland, it took its inspiration from The Crescent (later Royal Crescent), Bath, designed by John Wood the Younger and built 1767 to 1774. The developer in Birmingham was Charles Norton and the architect was John Rawsthorne. The land was leased from the Foundation of the Schools of King Edward VI on a 120-year term. The 1,182-foot-long (360 m) long residential scheme was to have 34 stone-built townhouses; 23 in a central block of 622 feet (190 m), plus more in two wings (each 140 feet (43 m)), and a return to Cambridge Street (141 feet (43 m)). Only twelve of the houses, mostly in the two wings, were built by 1795, when a building depression resulting from the war with France brought construction to a stop. Work never resumed and eventually other buildings (including a factory known as "Crescent Works") were erected on the site, in a street called "The Crescent", following the original curved layout. The Crescent ran north of, and roughly parallel to, the present Cambridge Street, the concave side facing northwards from a hilltop, overlooking the Birmingham and Fazeley Canal (completed in August 1789), and the area now known as Ladywood, which was then countryside. A later canal wharf between The Crescent and the canal was named "Crescent Wharf", and the vista became filled with factories, workshops and warehouses. The Crescent Theatre was based in one of the buildings in the east wing of The Crescent from its first production in 1932 until 1964, and takes its name from there.Another proposed development on the same site, the civic centre, started in the 1930s, was also abandoned due to war, when World War II broke out, with only one wing completed. Neither the street nor any of its buildings remain. The site of The Crescent was redeveloped and is now occupied by the four tower blocks of the Civic Centre Estate, one of which is called "Crescent Tower".

Birmingham Repertory Theatre, commonly called Birmingham Rep or just The Rep, is a producing theatre based on Centenary Square in Birmingham, England. Founded by Billie Lester , it is the longest-established of Britain's building-based theatre companies and one of its most consistently innovative.Today The Rep produces a wide range of drama in its three auditoria – The House with 825 seats, The Studio with 300 seats and The Door with 140 seats – much of which goes on to tour nationally and internationally. The company retains its commitment to new writing and in the five years to 2013 commissioned and produced 130 new plays.The company's former home, now known as "Old Rep", is still in use as a theatre.

Bingley Hall in Birmingham was the first purpose-built exhibition hall in Great Britain. It was built in 1850 and burned down in 1984. The International Convention Centre now stands on the site.

The International Convention Centre (ICC) is a major conference venue in Birmingham, England. The centre incorporates Symphony Hall and faces Centenary Square, with another entrance leading to the canals of Birmingham. The Westside area, which includes Brindleyplace, is opposite the building on the other side of the canal. The centre is owned and operated by the NEC Group, who is also responsible for the nearby Arena Birmingham, just to the west of the complex.

The Wheel of Birmingham or Birmingham Wheel was a series of transportable Ferris wheel installations at Centenary Square in Birmingham, England. These have been landmarks in central Birmingham, visible from many parts of the city. The first opened on 6 November 2003, and its replacement opened on 21 October 2004, both being 60 metres (197 ft) tall. A third wheel, the Birmingham Mail Wheel, operated from 18 January 2010 until 22 February 2010, and was also 60 m tall.

Symphony Hall is a 2,262 seat concert venue in Birmingham, England. It was officially opened by Queen Elizabeth II on 12 June 1991, although it had been in use since 15 April 1991. It is home to the City of Birmingham Symphony Orchestra and hosts around 270 events a year. It was completed at a cost of £30 million. The hall's interior is modelled on the Musikverein in Vienna and the Concertgebouw in Amsterdam. The venue, managed alongside Town Hall, presents a programme of jazz, world, folk, rock, pop and classical concerts, organ recitals, spoken word, dance, comedy, educational and community performances, and is also used for conferences and business events as part of the International Convention Centre. In 2016 the Concert Hall Acoustics expert Leo Beranek ranked Symphony Hall as having the finest acoustics in the United Kingdom, and the seventh best in the world. Proof of these fine acoustics is that a pre-opening acoustic test demonstrated that if a pin was dropped on stage, the sound could be heard from anywhere in the hall.

The Library of Birmingham is a public library in Birmingham, England. It is situated on the west side of the city centre at Centenary Square, beside the Birmingham Rep (to which it connects, and with which it shares some facilities) and Baskerville House. Upon opening on 3 September 2013, it replaced Birmingham Central Library. The library, which is estimated to have cost £188.8 million, is viewed by the Birmingham City Council as a flagship project for the city's redevelopment. It has been described as the largest public library in the United Kingdom, the largest public cultural space in Europe, and the largest regional library in Europe. 2,414,860 visitors came to the library in 2014 making it the 10th most popular visitor attraction in the UK.

Birmingham Archives and Collections at the Library of Birmingham hold the archives for the city of Birmingham, England. The records date back to the 12th century and are accessible for multiple levels of research, from family histories to a wider range of historical interest of the area.

The Crown Inn is a public house in Broad Street, Birmingham, England. Built in 1781, it was rebuilt in 1883, 1930 and 1991. It is Grade II listed.It was the brewery tap for William Butler's brewery, which Victorian building survived at the rear of The Crown until 1987.It sits alongside a Birmingham Canal Navigations canal. and is nestled within the outline of the International Convention Centre. The sash windows on the first and second floors are from the 1781 building. The architect for the 1883 work was William Jenkins, for the 1930 work, E F Reynolds, and in Alan Goodwin & Associates, who added a west façade described by the architectural critic Andy Foster as "cheap".Since the early 2000s, it has operated as part of a chain of 1980s themed nightclubs under the name "Reflex".

Centenary Square is a public square on the north side of Broad Street in Birmingham, England, named in 1989 to commemorate the centenary of Birmingham achieving city status. The area was an industrial area of small workshops and canal wharves before it was purchased by the council in the 1920s for the creation of a grand civic centre scheme to include museums, council offices, cathedral and opera house. The scheme was abandoned after the arrival of World War II with only the Hall of Memory and half of the planned Baskerville House complete. After the war the scheme was revived in a simpler form however the council never managed to implement the design. In 1991 the square was redesigned to complement the new International Convention Centre with new paving, railings and lamps designed by artist Tess Jaray, a fountain and several sculptures. During the construction and opening of the Library of Birmingham on the square in 2013 several of the elements of the 1991 design were removed and a library amphitheatre was built into the square. In 2014 a design competition was held to redesign the square. Construction of the redesigned square began in 2017 and was largely complete in 2019. The square is used as a staging area for many of the city's main cultural events including the Frankfurt Christmas Market, Arts Festivals, Remembrance Day Services, New Year's Celebrations and during Christmas hosts a temporary ice rink and Ferris wheel.

A Real Birmingham Family is a public artwork and sculpture by Gillian Wearing, cast in bronze, and erected in Centenary Square, outside the Library of Birmingham, England, on 30 October 2014.It depicts two local sisters, each single mothers called Roma and Emma Jones, with their two children; Roma's son Kyan and Emma's son Shaye. Emma is depicted as pregnant with a second son, Isaac, who was born before the sculpture was unveiled. A small plaque laid on the ground in front of the work describes it. In a process begun in 2011, and coordinated by the city's Ikon Gallery, nominations for a "real" local family to model for the sculpture were invited. The Joneses were selected from a shortlist, by an independent panel, in August 2013.Wearing said: I really liked how Roma and Emma Jones spoke of their closeness as sisters and how they supported each other. It seemed a very strong bond, one of friendship and family, and the sculpture puts across that connectedness between them. A nuclear family is one reality but it is one of many and this work celebrates the idea that what constitutes a family should not be fixed. The £100,000 cost of the work was covered by a combination of public money and private donations. The casting was carried out in China. The project follows Wearing's 2008 work, A Typical Trentino Family.In November 2014 shortly after being unveiled, New Fathers 4 Justice activist Bobby Smith covered the statue with a white sheet and pictures of his two daughters. Smith commented, "They’ve depicted the normal family with no fathers... I believe kids are always better off with both parents in their lives."The statue went into storage in May 2017, to allow work for the redevelopment of Centenary Square to begin.

Boulton, Watt and Murdoch is a gilded bronze statue depicting Matthew Boulton, James Watt, and William Murdoch by William Bloye, assisted by Raymond Forbes Kings. It stands on a plinth of Portland stone. It has often been described as Messrs Lee and Longland discussing a roll of wallpaper with a customer and is also known as The Golden Boys after its colour, or The Carpet Salesmen after the partially rolled-up plan of a steam engine which they are examining. In 1939 an £8,000 bequest from Richard Wheatley, and £7,500 from the City Council, enabled the work to be created and it was unveiled in 1956, from preliminary designs drawn up in 1938. In 1956 the statue was erected temporarily outside the Birmingham Register Office which is where it stood until the statue was restored and re-gilded in September 2006. In 2017 it was temporarily put into storage to allow construction of the West Midlands Metro; it was reinstalled on the plinth in Centenary Square outside Symphony Hall on 29 April 2022.