place

Church of St. Nicholas in Tolmachi

17th-century Eastern Orthodox church buildings17th-century churches in Russia1996 establishments in Russia20th-century Eastern Orthodox church buildings20th-century churches in Russia
Churches completed in 1997Cultural heritage monuments of federal significance in MoscowRebuilt churches in RussiaRussian Orthodox churches in MoscowTourist attractions in MoscowTretyakov GalleryUse American English from August 2019
Moscow, St.Nicholas in Tolmachi May 2010 04 (cropped)
Moscow, St.Nicholas in Tolmachi May 2010 04 (cropped)

The Church of St. Nicholas in Tolmachi (Russian: Храм Святителя Николая в Толмачах, romanized: Khram Svyatityelya Nikolaya v Tolmachakh) is both a Russian Orthodox house church and museum that is part of the State Tretyakov Gallery located in Moscow. The church is home to several religious relics and icons, including the culturally important Our Lady of Vladimir. First mentioned in 1625 when it was a wooden church, it has since been reconstructed and restored several times. The church was ultimately closed in 1929 and became a neglected art storage house. Liturgical services were resumed after a unique arrangement between the Patriarchate and gallery were agreed to in 1993.

Excerpt from the Wikipedia article Church of St. Nicholas in Tolmachi (License: CC BY-SA 3.0, Authors, Images).

Church of St. Nicholas in Tolmachi
Malyy Tolmachevskiy Lane, Moscow Yakimanka District

Geographical coordinates (GPS) Address External links Nearby Places
placeShow on map

Wikipedia: Church of St. Nicholas in TolmachiContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 55.740833333333 ° E 37.620277777778 °
placeShow on map

Address

Храм Николая Чудотворца в Толмачах

Malyy Tolmachevskiy Lane 9
119017 Moscow, Yakimanka District
Moscow, Russia
mapOpen on Google Maps

linkWikiData (Q4500954)
linkOpenStreetMap (53548437)

Moscow, St.Nicholas in Tolmachi May 2010 04 (cropped)
Moscow, St.Nicholas in Tolmachi May 2010 04 (cropped)
Share experience

Nearby Places

Tretyakov Gallery
Tretyakov Gallery

The State Tretyakov Gallery (Russian: Государственная Третьяковская Галерея, Gosudarstvennaya Tretyâkovskaya Galereya; abbreviated ГТГ, GTG) is an art gallery in Moscow, Russia, which is considered the foremost depository of Russian fine art in the world. The gallery's history starts in 1856 when the Moscow merchant Pavel Mikhailovich Tretyakov acquired works by Russian artists of his day with the aim of creating a collection, which might later grow into a museum of national art. In 1892, Tretyakov presented his already famous collection of approximately 2,000 works (1,362 paintings, 526 drawings, and 9 sculptures) to the Russian nation. The museum attracted 894,374 (visitors in 2020 (down 68 percent from 2019), due to the COVID-19 pandemic. It was 13th on the list of most-visited art museums in the world in 2020.The façade of the gallery building was designed by the painter Viktor Vasnetsov in a peculiar Russian fairy-tale style. It was built in 1902–04 to the south from the Moscow Kremlin. During the 20th century, the gallery expanded to several neighboring buildings, including the 17th-century church of St. Nicholas in Tolmachi. The collection contains more than 130,000 exhibits, ranging from Theotokos of Vladimir and Andrei Rublev's Trinity to the monumental Composition VII by Wassily Kandinsky and the Black Square by Kazimir Malevich. In 1977 the Gallery kept a significant part of the George Costakis collection. In May 2012, the Tretyakov Art Gallery played host to the prestigious FIDE World Chess Championship between Viswanathan Anand and Boris Gelfand as the organizers felt the event would promote both chess and art at the same time.

Children Are the Victims of Adult Vices

Children Are the Victims of Adult Vices is a group of bronze sculptures created by Russian artist Mihail Chemiakin. The sculptures are located in a park in Bolotnaya Square, Balchug, 2,000 feet (610 metres) south of the Moscow Kremlin behind the British Ambassador's residence.The monument consists of 15 sculptures. In the center of the composition are two blindfolded children. At their feet are two books: Russian Tales and Alexander Pushkin’s Fairy Tales, as well as a globe. The figures of children are surrounded by sculptures in the form of anthropomorphic monsters, personifying "adult" vices: Drug addiction – depicted as a bald man with bent wings offering a syringe. Prostitution – depicted as a woman with the head of a frog. Theft – depicted as a man with a boar's head, carrying away a bag of money. Alcoholism – depicted as Bacchus holding a goblet. Ignorance – depicted as a donkey holding a rattle in his hands. Pseudo-science is depicted as a caricature of Themis with a helmet over her eyes, a scroll with an alchemical tree, and a two-headed puppet. Propaganda of violence is depicted as an arms dealer. Sadism is depicted as a cassocked figure with a rhinoceros head. An empty pillory represents the forgotten victims of repression. The exploitation of child labor – depicted as a factory owner with the head of a bird. Poverty – depicted as an old woman begging for alms. War - a figure of a knight in armor, with bent wings and a gas mask resembling a character from Pink Floyd’s The Wall, holding a bomb with the head of Mickey Mouse. The wings are the same as those of the Addiction figure, giving the composition symmetry. Indifference stands in the center of the composition and is shown as a many-armed figure, both deaf and unseeing.The sculpture was commissioned by then-Mayor Yuri Luzhkov and sponsored by the state-owned oil company Rosneft. It was unveiled in 2001 amid some controversy. Some Muscovites worried that the graphic imagery would frighten children. Chemiakin said that, "[The sculpture] ... was conceived and carried out by me as a symbol and a call to fight for the salvation of present and future generations."The monument consists of 15 sculptures. In the center of the composition are two blindfolded children. At their feet are two books: Russian Tales and Alexander Pushkin’s Fairy Tales, as well as a globe. The figures of children are surrounded by sculptures in the form of anthropomorphic monsters, personifying "adult" vices: