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Herbert N. Straus House

Horace Trumbauer buildingsHouses completed in 1932Houses in ManhattanJeffrey EpsteinLes Wexner
Upper East SideUse mdy dates from July 2019
9E71 from Frick 01 jeh
9E71 from Frick 01 jeh

The Herbert N. Straus House is a large town house at 9 East 71st Street, just east of Fifth Avenue, on the Upper East Side of Manhattan in New York City. The exterior was designed by Horace Trumbauer and completed in 1932. A roof extension was added in 1977. The size of the house was believed to be 21,000 square feet (2,000 m2) in the late 1980s, and by 2003 had been enlarged to 51,000 square feet (4,700 m2), spread over nine floors. A 15-foot high (4.6 m) oak door and large arched windows are distinctive features of the limestone exterior. A heated sidewalk is located in front of the house.Vicky Ward in 2003 described the house as "the crown jewel of the city's residential town houses...it sits on—or, rather, commands—the block of 71st Street between Fifth and Madison Avenues. Almost ludicrously out of proportion with its four- and five-story neighbors, it seems more like an institution than a house" and that it was believed to be the largest private residence in Manhattan. The house's 2008 property tax bill was the fourth highest for a single residence in New York City. In 2019 it was valued at $77 million by the United States Attorney for the Southern District of New York and at $56 million by the New York City Department of Finance.

Excerpt from the Wikipedia article Herbert N. Straus House (License: CC BY-SA 3.0, Authors, Images).

Herbert N. Straus House
East 71st Street, New York Manhattan

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N 40.771604 ° E -73.9665989 °
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East 71st Street 3
10021 New York, Manhattan
New York, United States
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9E71 from Frick 01 jeh
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Smolin Gallery

The Smolin Gallery was an avant-garde art venue and gallery at 19 East 71st Street in New York City, at its peak in the 1960s. It was known for its involvement with installation art, performance art and experimental art, and was best known for the Allan Kaprow assemblage performance of September 11–12, 1962 entitled "Words", believed to be the first allowing the audience to participate in an art gallery context. Kaprow "used two continual rolls of cloth with words from poems, newspapers, comic and telephone books" during which the audience were asked to "tear off the words, staple them together, write notes, even attack and hack them". Verbal fragments were pasted on the walls from floor to ceiling. In April 1963, Lima and Tony Towle gave their first public recital at the gallery. In May 1963 the Smolin Gallery sponsored innovative Wolf Vostell events on TV. Do it yourself Dé-coll/age featured visitors to the gallery who were encouraged to use their own DIY liquids to create poster art on the walls and Wolf Vostells installation Television Décollage (6 TV Dé-coll/age) was shown. The gallery sponsored the Yam Festival and served as an information center during the event. The Yam Festival, held at George Segals farm, in New Brunswick was venue on May 19, 1963 to actions and Happenings by artists including Dick Higgins, Allan Kaprow, La Monte Young and Wolf Vostell who made the happening TV Burying. In 1965, Doris Totten Chase gave her first solo New York exhibition at the Smolin Gallery, featuring paintings on wood. She exhibited a series of small painted sculptures inset with hinged sections which opened to reveal additional painted sections.