Aerides Bath

The Museum of Greek Folk Musical Instruments (Greek: Μουσείο Ελληνικών Λαϊκών Μουσικών Οργάνων), is a museum and Research Centre for Ethnomusicology in the Lassanis Mansion, Plaka, Athens, Greece. It displays about 600 Greek musical instruments from the last 300 years and has as many more in store.

The Tower of the Winds or the Horologion of Andronikos Kyrrhestes is an octagonal Pentelic marble clocktower in the Roman Agora in Athens that functioned as a horologion or "timepiece". It is considered the world's first meteorological station. Unofficially, the monument is also called Aerides (Greek: Αέρηδες), which means Winds. The structure features a combination of sundials, a water clock, and a wind vane. It was designed by Andronicus of Cyrrhus around 50 BC, but according to other sources, might have been constructed in the 2nd century BC before the rest of the forum. The Athens Ephorate of Antiquities performed restoration work, cleaning and conserving the structure, between 2014 and 2016.

The Fethiye Mosque (Greek: Φετιχιέ τζαμί; Turkish: Fethiye Camii, "Mosque of the Conquest") is a 17th-century Ottoman mosque in central Athens, Greece. Repurposed after Greek independence in 1834, it fell into disrepair, but after renovations it was reopened to the public in 2017 and is presently being used for cultural exhibitions.

Aerides (Greek: Αέρηδες pronounced [aˈe.ɾi.ðes]) is a small neighborhood of Athens, Greece surrounding the Tower of the Winds, from where it takes its name. It is a subdivision of Plaka.

The East Propylon is the eastern entrance of the Roman Agora in Athens. Built in 19-11 BCE, it constituted of 4 Ionic columns made of gray Hymettian marble.

The Athens University Museum (Greek: Μουσείο Ιστορίας Πανεπιστημίου Αθηνών) is a museum in Plaka, Athens, Greece. The building was a structure of the Ottoman period but fundamentally restructured between 1831 and 1833 by Stamatios Kleanthis and Eduard Schaubert for their architectural office. From 1837 to 1841 it housed the newly founded University of Athens.

The Roman Agora (Greek: Ρωμαϊκή Αγορά) at Athens is located to the north of the Acropolis and to the east of the Ancient Agora.

Anafiotika (Greek: Αναφιώτικα pronounced [a.naˈfço.ti.ka]) is a scenic tiny neighborhood of Athens, part of the old historical neighborhood called Plaka. It lies in northerneast side of the Acropolis hill. The first houses were built in the era of Otto of Greece, when workers from the island of Anafi came to Athens in order to work as construction workers in the refurbishment of King Othon's Palace. The first two inhabitants were listed as G. Damigos, carpenter, and M. Sigalas, construction worker. Soon, workers from other Cycladic islands also started to arrive there, to work as carpenters or even stone and marble workers, in a further building reconstruction period in Athens, but also in the following era after the end of the reign of King Otto. In 1922, Greek refugees from Asia Minor also established here, altering the population that was up to that time only from the Cycladic islands. In 1950, part of this neighborhood was destroyed for archeological research and in 1970 the state started to buy the houses. In the modern era, there are only 45 houses remaining, while the little streets from Stratonos to the Acropolis rock are still unnamed and the houses are referred to as "Anafiotika 1", "Anafiotika 2", etc.The neighborhood was built according to typical Cycladic architecture, and even nowadays gives to visitors the feel of Greek islands in the heart of the city, with white walls and small spaces, usually with the presence of bougainvillea flowers. Houses are small and mostly cubic, small streets that often end up to ladders or even deadends at terraces, where one can sit and enjoy the night view of the city. "In this oasis of tranquility, nestled beneath the walls of the Acropolis, the intensity of Athens seems miles away"...

The Paul and Alexandra Canellopoulos Museum is a museum of antiquities in Athens, Greece. It is situated in the north slope of Acropolis, in the district of Plaka (12 Theorias street). Founded in 1976, it houses the collection of Paul and Alexandra Canellopoulos, which started being formed in 1923 and was donated to the Greek state in 1972. The collection features ca. 6500 items of Prehistoric, Ancient Greek, Byzantine and post-Byzantine art, spanning almost six millennia of history (from the Neolithic era to the 19th century).

The Sanctuary of Zeus Polieus was a walled open-air sanctuary dedicated to Zeus Polieus (city protector) around 500 BC on the Acropolis of Athens, sited to the Erechtheion's east. None of its foundations have been discovered and its trapezoid plan and many entrances have been worked out from rock cuttings on the Acropolis. The eastern area of the sanctuary is thought to have housed the oxen for the annual Bouphonia or ox-sacrificing. Its main entrance had a pediment. Pausanias described the Homarium at Aegium in the 2nd century: [On the Akropolis of Athens :] There are statues of Zeus, one made by Leokhares and one called Polieus (Of the City, the customary mode of sacrificing to whom I will give without adding the traditional reason thereof. Upon the altar of Zeus Polieus they place barley mixed with wheat and leave it unguarded. The ox, which they keep already prepared for sacrifice, goes to the altar and partakes of the grain. One of the priests they call the ox-slayer, who kills the ox and then, casting aside the axe here according to the ritual runs away. The others bring the axe to trial, as though they know not the man who did the deed.

The Erechtheion (latinized as Erechtheum /ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm/; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias is an ancient Greek Ionic temple-telesterion on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena. The building, made to house the statue of Athena Polias, has in modern scholarship been called the Erechtheion (the sanctuary of Erechtheus or Poseidon) in the belief that Pausanias' description of the Erechtheion applies to this building. However, whether the Erechtheion referred to by Pausanias is indeed the Ionic temple or an entirely different building has become a point of contention in recent decades.In the official decrees the building is referred to as “... το͂ νεὸ το͂ ἐμ πόλει ἐν ο͂ι τὸ ἀρχαῖον ἄγαλμα” (the temple on the Acropolis within which is the ancient statue). In other instances it is referred to as the Temple of the Polias. The joint cult of Athena and Poseidon-Erechtheus appears to have been established on the Acropolis at a very early period, and they were even worshipped in the same temple as may, according to the traditional view, be inferred from two passages in Homer and also from later Greek texts. The extant building is the successor of several temples and buildings on the site. Its precise date of construction is unknown; it has traditionally been thought to have been built from circa 421–406 BC, but more recent scholarship favours a date in the 430s, when it could have been part of the programme of works instigated by Pericles.The Erechtheion is unique in the corpus of Greek temples in that its asymmetrical composition doesn’t conform to the canon of Greek classical architecture. This is attributed either to the irregularity of the site, or to the evolving and complex nature of the cults which the building housed, or it is conjectured to be the incomplete part of a larger symmetrical building. Additionally, its post-classical history of change of use, damage and spoliation has made it one of the more problematic sites in classical archaeology. The precise nature and location of the various religious and architectural elements within the building remain the subject of debate. The temple was nonetheless a seminal example of the classical Ionic style, and was highly influential on later Hellenistic, Roman and Greek Revival architecture.

Tzistarakis Mosque (Greek: Τζαμί Τζισταράκη, Turkish: Cizderiye Camii) is an Ottoman mosque, built in 1759, in Monastiraki Square, central Athens, Greece. It is now functioning as an annex of the Museum of Greek Folk Art.