Tapada Nacional de Mafra

The Royal and Venerable Confraternity of the Most Blessed Sacrament of Mafra, alternatively, the Royal and Venerable Brotherhood of the Most Blessed Sacrament of Mafra (Portuguese: Real e Venerável Irmandade do Santíssimo Sacramento de Mafra), is a public association of faithful of the Catholic Church, canonically established in the Basilica of Our Lady and Saint Anthony of Mafra, Portugal. The confraternity is one of the oldest institutions in the municipality of Mafra. It organizes the Corpus Christi solemnity and organizes the four traditional processions of the season of Lent in Mafra: The procession of the Passion of the Lord (Portuguese: Procissão do Senhor Jesus dos Passos); The procession of Penance of the Third Order of Saint Francis (Portuguese: Procissão de Penitência da Ordem Terceira de São Francisco); The procession of Seven Sorrows of Our Lady (Portuguese: Procissão das Sete Dores de Nossa Senhora); and The procession of the Burial of the Lord (Portuguese: Procissão do Enterro do Senhor).Over time, the confraternity has been the custodian of several relics. Those include Louis XV of France's coronation shirt, which he wore for the ceremony in Reims Cathedral.The confraternity also holds the largest collection of processional mannequin-style images (Portuguese: imagens de vestir or imagens de roca) in the country. Some of these are still used for religious processions.Part of the confraternity ceremonies and religious functions take place with the sound of the basilica's six historical pipe organs and two Mafra carillons.

The Palace of Mafra (Portuguese: Palácio de Mafra), also known as the Palace-Convent of Mafra and the Royal Building of Mafra (Real Edifício de Mafra), is a monumental Baroque and Neoclassical palace-monastery located in Mafra, Portugal, some 28 kilometres from Lisbon. Construction began in 1717 under King John V of Portugal and was completely concluded in 1755. The palace was classified as a National Monument in 1910 and was also a finalist in the Seven Wonders of Portugal. On 7 July 2019, the Royal Building of Mafra – Palace, Basilica, Convent, Cerco Garden and Hunting Park (Tapada) was inscribed as a UNESCO World Heritage Site.

The Basilica of Our Lady and Saint Anthony of Mafra is a Roman Catholic shrine and basilica located within the Palace of Mafra, Portugal. It is designated as a Basilica by the privilege of immemorial status. The shrine is dedicated to the Blessed Virgin Mary and Saint Anthony of Padua which once fostered religious devotion among the Portuguese nobility. The Basilica enshrines several Baroque artworks and Christian relics from various European kings collected in Portugal over the centuries. It also serves as the main headquarters the Royal and Venerable Confraternity of the Most Blessed Sacrament of Mafra.The basilica was designated as a National Monument in 1910. Since 7 July 2019, the basilica as part of other surroundings was declared a UNESCO World Heritage Site.Pope Francis officially granted a decree of Pontifical coronation towards the dolorous image of the Blessed Virgin Mary under the venerated title “Our Lady of Solitude” on 10 November 2020. The rite of coronation was executed by the former Archivist of the Holy Roman Church, Cardinal José Tolentino de Mendonça on 17 September 2023.

Mafra (Portuguese pronunciation: [ˈmafɾɐ] ) is a city and a municipality in the district of Lisbon, on the west coast of Portugal, and part of the urban agglomeration of the Greater Lisbon subregion. The population in 2011 was 76,685, in an area of 291.66 km2.It is mostly known for the sumptuous Mafra National Palace inscribed as a UNESCO World Heritage Site. Built in the baroque style, the Mafra National Palace also inspired Portuguese Nobel Prize laureate José Saramago to write his novel Baltasar and Blimunda (Memorial do Convento). Other points of interest around the municipality include the Tapada Nacional de Mafra, an enclosed wildlife and game reserve, and Ericeira's World Surf Reserve, the second in the world.

The Fort of Feira, also known as the Fort of Malveira, is located at an altitude of 226 metres, above the town of Malveira, in the municipality of Mafra, in Lisbon District, Portugal. It was built in 1809-10 as part of the Lines of Torres Vedras, three lines of forts and redoubts designed to protect Lisbon against French troops. The fort was reopened to the public in 2011.

Igreja de Santo André is a gothic church in Mafra, Portugal. It is classified as a National Monument.

Azueira e Sobral da Abelheira is a civil parish in the municipality of Mafra, Portugal. It was formed in 2013 by the merger of the former parishes Azueira and Sobral da Abelheira. The population in 2011 was 4,316, in an area of 30.63 km².

Venda do Pinheiro was a freguesia in the municipality of Mafra outside Lisbon in Portugal.

The Fort of Zambujal, also referred to as the Fort of Casas Velhas, is located near the town of Zambujal-Casas Velhas, in the parish of Carvoeira, municipality of Mafra, Lisbon District, Portugal. Constructed in 1809–10, at 102 metres above sea level, it was one of the forts and other military works built by British and Portuguese troops to protect Lisbon from French forces, forming part of the Second Line of defence of the so-called Lines of Torres Vedras. Each work was given a number and Zambujal was No. 95.

The Archaeological Museum of São Miguel de Odrinhas in Sintra municipality, Lisbon District, Portugal owes its existence to the collection by the Hermitage of São Miguel of epigraphic stones found amongst the Roman ruins in the neighbourhood. Around the year 30 B.C. Olisipo (Roman Lisbon) received from Augustus the status that allowed it to combine Roman law with its own ancient laws, thus permitting full integration into the Roman Empire. Most of its important families lived outside Lisbon in villas and many of the estates were located in the Sintra area. In 1955, Sintra Town Council first proposed the construction of a small museum to bring together in Odrinhas the collection of the Hermitage, which had by then been dispersed, as well as items discovered more recently.The museum, designed by Alberto Castro Nunes and António Maria Braga, winners of the Rafael Manzano Prize for New Traditional Architecture, in collaboration with Léon Krier, was inaugurated in 1999. It contains many engraved and carved stones discovered locally, displaying a variety of influences including Paleohispanic, Roman, Visigoth, and Oriental. Non-local items include three Etruscan tombs, the only such tombs in Portugal, which were originally brought from Italy and were placed in the gardens of Monserrate Palace in Sintra for use as garden ornaments.

The Barreira Megalithic Complex (Portuguese: Conjunto Megalítico de Barreira) is located in the Sintra municipality in the Lisbon District of Portugal. Situated on a small wooded hill overlooking the village of Odrinhas, site of Roman ruins and an archaeological museum, it consists of about twenty menhirs and other monoliths or megaliths.The site, which is assumed to be a dolmen or cromlech, contains mainly cylindrical stones of varying heights, with the largest being approximately four metres tall. The size of the stones decreased as they became more distant from the central menhir and the megaliths were arranged irregularly depending on the terrain. No carved or painted symbols have been detected, except for a few pairs of small circular cavities, possibly representing eyes. A small number of items have been found to the west of the complex, including flints from the Lower Paleolithic, ceramic fragments and other items from the Neolithic period, and ceramic fragments from the Iron Age, suggesting that the site has been reused over time.The complex was not identified as a megalithic site until 1961 when it was studied by Gil Estevam Miguéis Andrade and Eduardo Prescott Vicente, who continued their studies in subsequent years. In 1975 several monoliths were removed to be used in construction work at the Port of Ericeira. In 1985, three more menhirs were also removed by the landowners, including the central monolith. It was classified as a Site of Public Interest in 1993.

The Anta de Carcavelos, located close to the village of Carcavelos near the town of Lousa in the municipality of Loures in the Lisbon District of Portugal, is a stone age dolmen (burial chamber) or megalithic monument from the Chalcolithic period. It is one of many such tombs that have been identified in Portugal.The Anta was a communal grave consisting of a sepulchral chamber with a polygonal shape. The remains of the tomb consist of six cretaceous limestone slabs that originated in the area, which has several sizeable limestone outcrops. Five of these slabs are believed to have been part of the burial chamber and the sixth part of the corridor. Near the monument there are other slabs of limestone, one of which of could have been the roof of the chamber.Based on earlier identification by Mesquita Figueiredo and Carlos Ribeiro (1813-82), the German archaeologists Georg and Vera Leisner visited the Anta of Carcavelos in 1944 as part of preparing a systematic inventory of the Neolithic tombs of the Lisbon area. They produced drawings but did not carry out any excavations. Hastened as a result of looting at the site, the first excavations were carried out in 1986 and continued again from 1991-94, under the supervision of Gustavo Marques of the Loures municipality. Further intermittent excavation was carried out in 1998 and again in 2005-06 by Florbela Estêvão and Rui Boaventura.From the studies carried out in 1994, many bones were collected, with over 80 adult males and females believed to have been buried there. Various objects were also found such as flint arrowheads, smooth and decorated bell-shaped ceramics, dishes, cylindrical idols, and objects of adornment. The items collected came mainly from the interior of the chamber, but some were also found close to the site. In general, the number of items found was significantly lower than those found at other comparable sites in the area, such as the Anta do Monte Abraão. The evaluation of items found suggested a probable initial use of the dolmen as being in the last centuries of the 4th millennium BCE, with an intensification in its use between 3000 and 2600 BCE, this period having been identified using radiocarbon dating on an adult femur and jaw.Preliminary microscopic analysis of human bones indicates cut marks. This suggests that the bodies could have been disarticulated and/or defleshed prior to burial in the dolmen, which thus served as an ossuary rather than as a repository of bodies. However, archaeologists recognise that further work is required to confirm this.