San Giovanni della Malva in Trastevere

The Fontana or Fontanone di Ponte Sisto, once known as the Fontanone dei Cento Preti, is an early 17th-century, monumental fountain now located in Piazza Trilussa, facing the south end of the Ponte Sisto, in Trastevere, Rome, Italy. It was reconstructed here in the late 19th century, originally erected across the river, attached to the former building of the Collegio Ecclesiastico.

Santa Dorotea is an ancient Roman Catholic church in the Diocese of Rome first attested to in a Papal bull of Pope Callistus II in 1123, being referred to under its first dedication of San Silvestro alla Porta Settimiana.

Ponte Sisto is a bridge in Rome's historic centre, spanning the river Tiber. It connects Via dei Pettinari in the Rione of Regola to Piazza Trilussa in Trastevere. The construction of the current bridge occurred between 1473 and 1479, and was commissioned by Pope Sixtus IV (r. 1471–84), after whom it is named, from the architect Baccio Pontelli, who reused the foundations of a prior Roman bridge, the Pons Aurelius, which had been destroyed during the early Middle Ages. Currently traffic on the bridge is restricted to pedestrians. (According to Mandell Creighton's History of the Papacy, the Sistine Bridge was built of blocks from the Coliseum. Further, that Sixtus was mindful of the disaster which had occurred in the Jubilee of 1450 through the crowding of the Bridge of S. Angelo, which was the only available means of communication with S. Peter's.)

Porta Settimiana is one of the gates of the Aurelian walls in Rome (Italy). It rises at the northern vertex of the rough triangle traced by the town walls – built by Emperor Aurelian in the 3rd century – in the area of Trastevere an up through the Janiculum. The gate marks the beginning of Via della Lungara and is the only gate, on the right bank of the Tiber (the other ones are Porta Portuensis, no more existing, and Porta San Pancrazio), that rises just in the place where it was built, despite its restorations and rebuildings.

Cencio la Parolaccia (Cencio's Profanities) is a restaurant in the Trastevere rione of Rome. It is mostly famous for the behaviour of its waiters, who curse at or otherwise verbally abuse the diners, including tourists. The restaurant mainly serves Roman cuisine.

Santa Maria della Scala (English: Mary of the Staircase) is a titular church in Rome, Italy, located in the Trastevere rione. Cardinal Ernest Simoni took possession of the titular church on 11 February 2017.

Sant'Egidio is a convent church in Trastevere, Rome. Sant'Egidio (St. Giles) is the patron saint of hermits. The church was founded in 1630 and was abandoned by the nuns in 1971. In 1973, it was occupied by the Community of Sant'Egidio, which had been founded in 1968, and was still looking for a meeting place of its own. The community, which had not had a name before, then chose to name itself after its church. Together with the adjacent former Carmelite monastery, the church forms the seat of the Community of Sant'Egidio. It has been the titular church of Cardinal Matteo Zuppi since 5 October 2019.

The Museo di Roma in Trastevere was established in 1977 in the restored Carmelite convent of Sant'Egidio. It was initially known as the Museo del Folklore e dei Poeti Romaneschi ("museum of folklore and Roman dialect poets"). Following a period of closure it was reopened under its present name in 2000. In addition to a permanent collection related to the recent culture of Rome the museum also houses temporary exhibitions, including the annual World Press Photo exhibition. It is part of the Museo di Roma.

The Pons Agrippae (Bridge of Agrippa) was an ancient bridge across the River Tiber in Rome. It was located 160 metres above the Ponte Sisto, and is known from an inscribed cippus set up by the curatores riparum during the Principate of the Emperor Claudius, suggesting it was built during or before the reign of Claudius. It was restored in 147 AD. The bridge is named after Marcus Vipsanius Agrippa, a close friend of the Emperor Augustus. Agrippa married Julia, the daughter of Augustus, and the couple lived in a villa on the opposite bank of the River Tiber. To connect his villa to the Field of Mars, where Agrippa had built several important monuments, it has been suggested that Agrippa constructed the Pons Agrippae.The remains of four piers from the bridge were discovered in 1887; these are still somewhat visible on the right bank, but are mostly under water. These piers are misaligned with the modern current. The Pons Agrippae survived into the Middle Ages, connecting the area of the Palazzo Farnese with the Villa Farnesina, supposedly built on the site of Agrippa's villa. One arch of a bridge that connected the Palazzo Farnese to the Pons Agrippae is still intact. The Pons Agrippae was demolished when Pope Sixtus IV ordered a new bridge to be constructed, the Ponte Sisto.

The Villa Farnesina is a Renaissance suburban villa in the Via della Lungara, in the district of Trastevere in Rome, central Italy.

The Via Giulia is a street of historical and architectural importance in Rome, Italy, which runs along the left (east) bank of the Tiber from Piazza San Vincenzo Pallotti, near Ponte Sisto, to Piazza dell'Oro. It is about 1 kilometre long and connects the Regola and Ponte Rioni.The road's design was commissioned in 1508 to Donato Bramante by Pope Julius II (r. 1503–1513), of the powerful della Rovere family, and was one of the first important urban planning projects in papal Rome during the Renaissance. The road, named after its patron, had been also called Via Magistralis (lit. "master road") because of its importance, and Via Recta (lit. "straight road") because of its layout.The project had three aims: the creation of a major roadway inserted in a new system of streets superimposed on the maze of alleys of medieval Rome; the construction of a large avenue surrounded by sumptuous buildings to testify to the renewed grandeur of the Catholic Church; and finally, the foundation of a new administrative and banking centre near the Vatican, the seat of the popes, and far from the traditional city centre on the Capitoline Hill, dominated by the Roman baronial families opposed to the pontiffs. Despite the interruption of the project due to the pax romana of 1511 and the death of the pope two years later, the new road immediately became one of the main centres of the Renaissance in Rome. Many palaces and churches were built by the most important architects of the time, such as Raffaello Sanzio and Antonio da Sangallo the Younger, who often chose to move into the street. Several noble families joined them, while European nations and Italian city-states chose to build their churches in the street or in the immediate vicinity. In the Baroque period the building activity, directed by the most important architects of the time such as Francesco Borromini, Carlo Maderno and Giacomo della Porta, continued unabated, while the street, favorite location of the Roman nobles, became the theatre of tournaments, parties and carnival parades. During this period the popes and private patrons continued to take care of the road by founding charitable institutions and providing the area with drinking water. From the middle of the 18th century, the shift of the city centre towards the Campo Marzio plain caused the cessation of building activity and the abandonment of the road by the nobles. An artisan population with its workshops replaced these, and Via Giulia took on the solitary and solemn aspect that would have characterized it for two centuries. During the Fascist period some construction projects broke the unity of the road in its central section, and the damage has not yet been repaired. Despite this, Via Giulia remains one of Rome's richest roads in art and history, and after a two-century decline, from the 1950s onwards the road's fame was renewed to be one of the city's most prestigious locations.

Santi Giovanni e Petronio dei Bolognesi is a Roman Catholic church in central Rome, Italy. It is named after the Saints John the Evangelist and Petronius, who are patrons of the city of Bologna. This church was made the "national church" of the Bolognese in Rome in 1581, by order of Pope Gregory XIII. It is located in the Rione of Regola, on Via del Mascherone, across the street and just south of the Gardens behind the Palazzo Farnese. It is today the "regional church" of Emilia-Romagna. Mention of a parish church on the site was mentioned by 1186, and it was attached to the church of San Lorenzo in Damaso. At the Time it had a name of Sanctae Thomae de Yspanis (of Spain), and later San Tommaso dei Muratori, or della Catena, or dei Frati. The church was in disrepair, when Pope Gregory XIII Boncompagni, commissioned the Bolognese architect Ottaviano Mascherino to rebuild it as the national church of his countrymen. An adjacent oratory was built in 1601, but later razed. The facade was rebuilt in the late 17th century. The church property was once expropriated but returned to the church in 1940. Most of the artists originally decorating the church were Bolognese, but many of the paintings were removed and some are lost. The painting to the right of the altar about the Transit of St Joseph was painted by Francesco Gessi, while the painting of Santa Caterina da Bologna (now lost) was painted by Giovanni Giuseppe dal Sole. The main altarpiece with a Virgin, Baby Jesus, and Saints John the Evangelist and Petronio was painted by Domenichino; it is now in the Galleria Nazionale d'Arte Antica in Palazzo Barberini of Rome. The missing altarpieces are replaced by works from unattributed artists. The tomb of Alessandro Algardi was destroyed. The virtues frescoed on the pennants were by Pompeo Aldrovandini. It is a titular church. Its Cardinal-Priests have been: Giacomo Biffi (1985–2015) Baltazar Enrique Porras Cardozo (2016–present)