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Bastion Square

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Victoria panoramio (7)
Victoria panoramio (7)

Bastion Square is a historic pedestrian mall in Victoria, British Columbia.The square has a ceremonial entry arch at View and Government streets, and the exit on the Wharf Street side opens to a staircase with a view of the Inner Harbour. In 1963, under the direction of city planner Rod Clack, Bastion Square was developed as part of the modern scheme for Centennial Square. View Street was closed off, and a pedestrian area was created, set off by restored historic buildings on three sides and a view across the harbour on the fourth.Historic buildings on the square include Burnes House, the Beaver Building, the Board of Trade Building, Chancery Chambers, Law Chambers, the Rithet Building, and the Supreme Court Building. Events held at the square include the Bastion Square Public Market, the Holiday Market, and the Art Walk.

Excerpt from the Wikipedia article Bastion Square (License: CC BY-SA 3.0, Authors, Images).

Bastion Square
Bastion Square, Victoria Downtown

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Geographical coordinates (GPS)

Latitude Longitude
N 48.4258 ° E -123.3689 °
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Law Chambers Building

Bastion Square
V8W 1Y2 Victoria, Downtown
British Columbia, Canada
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Tilikum (boat)
Tilikum (boat)

Tilikum was a 38-foot (12 m) dugout canoe that was used in an effort to circumnavigate the globe starting in 1901. The boat was a "Nootkan" (Nuu-chah-nulth) canoe which was already old when she was obtained by captain John Voss in April 1901. The boat was built in the early 19th century as a dugout canoe made from a large red cedar log. Tilikum was purchased for $80 in silver from a native woman (Voss describes her as a "siwash") in a transference ceremony allegedly sealed by a bottle of rye whiskey - the name Tilikum means "friend" in Chinook jargon. Apparently, John Voss and his companion in this venture, Norman Luxton, were inspired by the voyage of Joshua Slocum, who sailed the 37-foot (11 m) sloop Spray around the world a few years earlier and wrote a best selling book about his adventures. The boat was refitted - reinforced, covered and rigged with sail, 230 square feet (21 m2) in total, and readied for her voyage at a shipyard in Spotlight Cove on Galiano Island BC. Tilikum was then sailed to Oak Bay harbour, then departing from there for the Cook Islands on May 20, 1901, captained by Voss and mated by Luxton. After 10,000 miles (about 16000 km) and five months on the Pacific Ocean, Tilikum struck a reef and Luxton was thrown from the boat. His whole body was badly cut by coral. The boat limped into harbour at Penrhyn Island in the Cook Islands on 2 September 1901, and Luxton left the trip entirely in Suva, Fiji on 17 October 1901. Tilikum was crewed by 10 more men between that time and when she finally pulled into harbour on the Thames in London, England in September, 1904. On 25 October 1901, after leaving Suva, the mate, Louis Begent, the binnacle, and the compass were lost in 'large breaking seas'. Voss was now alone without a compass, 1,200 miles (1,900 km) from Sydney. Tilikum arrived in Melbourne on 13 March 1902 and was exhibited in full rig in Collins Street. She was moved to another vantage point at the Exhibition Buildings, but during loading onto a 'wagon', the hook broke and she was damaged, with splits appearing in five different places. Voss repaired her himself using thin steel ribs. She was then sailed on Lake Wendouree, Ballarat, and presented with a new set of sails by local yachtsmen, before travelling to Geelong to be returned to the sea. Voss was nominated as a Fellow of the Royal Geographical Society in London after lecturing in Britain about the voyage, but he never completed the process to officially become a fellow. Captain John Voss published his sailing memoir as The Venturesome Voyages of Captain Voss in 1913. Many years after the voyage, Norman Luxton wrote his own version of the journey with Voss in his Tilikum Journal. This manuscript was edited by his daughter Eleanor and was published after Luxton's death as Tilikum: Luxton's Pacific Crossing in 1971.Tilikum changed hands a number of times in London, losing her bowsprit and masts over time. In 1929, the Furness Shipping Line returned Tillikum to Victoria, British Columbia. She underwent restoration beginning in 1936 by the Thermopylae Club before she was moved into the Maritime Museum in 1965, where she remained until 2015. The Tilikum is currently on display at the Ogden Point cruise ship terminal in Victoria, B.C.

Mark Loria Gallery

Mark Loria Gallery is one of the leading indigenous art galleries in the world specializing in contemporary art from the Northwest Coast of Canada. Based in downtown Victoria, BC - and grateful to be on the traditional Coast Salish territories of the Lekwungen-speaking peoples - Mark Loria gallery has been proud to represent the leading indigenous artists from Vancouver Island, BC and Canada for over 40 years (previously known as Alcheringa Gallery), and has placed art in private and public collections all over the world. Leading gallery artists include Susan Point (Coast Salish), Robert Davidson (Haida), Rande Cook (Kwakwaka'wakw), Maynard Johnny Jr (Coast Salish), Dylan Thomas (Coast Salish), and KC Hall (Heiltsuk). The gallery produces four to six exhibitions every year, supplemented by ongoing new works by over 40 gallery artists. Mark Loria Gallery has one of the largest indigenous fine art print collections to be found anywhere, and also represents paintings, carvings/sculptures, wearable art, ceramics, and textiles. The gallery has had a decade's long commitment to supporting and promoting artists by donating back to their communities in ongoing efforts to preserve and protect indigenous culture. The original name of Mark Loria Gallery - Alcheringa - is an Aboriginal Australian word for the Dreamtime, the mythical time of creation, when the world and all living creatures were sung into existence. Similarly as it is in the Northwest Coast, it is believed that singing and dancing maintain the state of the spirit world and the physical landscape, and that these invisible song-lines hold Mother Earth together. Mark Loria Gallery carries on this tradition and philosophy with artworks that represent the sacred, supernatural, and mysteries in indigenous art that goes beyond what is shared and visible. It was one of the first galleries to make use of the internet in 1996.Mark Loria Gallery is a member of the Art Dealers Association of Canada.The gallery sells indigenous art to private collectors, governments, museums, architects, designers, and corporate clients, as well as offering other art-related services such as appraisals and consignment.