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Millennium Centar

2001 establishments in Serbia2012 European Women's Handball ChampionshipBasketball venues in SerbiaBuildings and structures celebrating the third millenniumBuildings and structures in Vojvodina
Indoor arenas in SerbiaKK HemofarmSport in VršacSports venues completed in 2001
Vrsac, Centar Milenjum
Vrsac, Centar Milenjum

The Millennium Centar (Serbian: Центар Миленијум, Centar Milenijum) is a multi-purpose indoor arena located in the city of Vršac. It is the home ground of basketball club KK Vršac and ŽKK Vršac and has a capacity of 4,400 seats. The arena is also used for concerts and other live entertainment.

Excerpt from the Wikipedia article Millennium Centar (License: CC BY-SA 3.0, Authors, Images).

Millennium Centar
Омладински трг, Vršac МЗ 12. Војвођанске бригаде (Вршац)

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Wikipedia: Millennium CentarContinue reading on Wikipedia

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N 45.118069444444 ° E 21.3107 °
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Центар Миленијум

Омладински трг 17
26300 Vršac, МЗ 12. Војвођанске бригаде (Вршац)
Vojvodina, Serbia
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Vrsac, Centar Milenjum
Vrsac, Centar Milenjum
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Vršac triptych
Vršac triptych

Sowing and Harvesting and Market, popularly referred to as the Vršac triptych, is a three-panel oil painting by the Serbian realist Paja Jovanović. Painted around 1895, it shows the everyday interactions of the inhabitants of Vršac, a multi-ethnic and multi-religious town in the Banat region of Austria-Hungary of which Jovanović was a native. The painting was commissioned by the Vršac city council in 1895 for the following year's Budapest Millennium Exhibition. The triptych's centre panel measures 200 by 200 centimetres (79 by 79 in) and the two side panels measure 200 by 100 centimetres (79 by 39 in) each. The left panel is a market scene, the centre panel shows peasants harvesting grapes from a row of vines and the one to the right is an image of a farmer sharpening his scythe as two others labour in the background. The triptych was originally intended to be displayed alongside another one of Jovanović's paintings, Migration of the Serbs, which had been commissioned by the Patriarchate of Karlovci. The Patriarch's dissatisfaction with the latter and his insistence that it be altered to his liking resulted in only the Vršac triptych being sent to Budapest, as Jovanović was not able to make the necessary revisions to Migration of the Serbs in time. The triptych was met with acclaim at the Exhibition and Jovanović was awarded a gold medal for his work, with critics praising his mastery of pleinairism. The painting is now on permanent exhibition at the Vršac City Museum.