place

Mesić (Vršac)

Populated places in Serbian BanatPopulated places in South Banat DistrictRomanian communities in SerbiaSouth Banat District geography stubsVršac
MesicMonastery
MesicMonastery

Mesić (Serbian Cyrillic: Месић; Romanian: Mesici; Hungarian: Meszesfalu) is a village in Serbia. It is situated in the Vršac municipality, in the South Banat District, Vojvodina province. The village has a Romanian (87.22%) ethnic majority and its population numbering 202 people (2011 census). The village is best known for the Serbian Orthodox Mesić Monastery.

Excerpt from the Wikipedia article Mesić (Vršac) (License: CC BY-SA 3.0, Authors, Images).

Mesić (Vršac)
City of Vršac

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Mesić (Vršac)Continue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 45.104722222222 ° E 21.400277777778 °
placeShow on map

Address


City of Vršac, МЗ Месић (Месић)
Vojvodina, Serbia
mapOpen on Google Maps

MesicMonastery
MesicMonastery
Share experience

Nearby Places

Vršac triptych
Vršac triptych

Sowing and Harvesting and Market, popularly referred to as the Vršac triptych, is a three-panel oil painting by the Serbian realist Paja Jovanović. Painted around 1895, it shows the everyday interactions of the inhabitants of Vršac, a multi-ethnic and multi-religious town in the Banat region of Austria-Hungary of which Jovanović was a native. The painting was commissioned by the Vršac city council in 1895 for the following year's Budapest Millennium Exhibition. The triptych's centre panel measures 200 by 200 centimetres (79 by 79 in) and the two side panels measure 200 by 100 centimetres (79 by 39 in) each. The left panel is a market scene, the centre panel shows peasants harvesting grapes from a row of vines and the one to the right is an image of a farmer sharpening his scythe as two others labour in the background. The triptych was originally intended to be displayed alongside another one of Jovanović's paintings, Migration of the Serbs, which had been commissioned by the Patriarchate of Karlovci. The Patriarch's dissatisfaction with the latter and his insistence that it be altered to his liking resulted in only the Vršac triptych being sent to Budapest, as Jovanović was not able to make the necessary revisions to Migration of the Serbs in time. The triptych was met with acclaim at the Exhibition and Jovanović was awarded a gold medal for his work, with critics praising his mastery of pleinairism. The painting is now on permanent exhibition at the Vršac City Museum.