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Vršac Airfield

Airports in SerbiaBanatBuildings and structures in VojvodinaVršac
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Vršac Airfield (Serbian: Аеродром Вршац / Aerodrom Vršac) (ICAO: LYVR) is a small aerodrome and training facility owned and operated by the SMATSA Aviation Academy, and located in Vršac, Serbia. There are five hangars at the airfield, which accommodate aircraft of the flight school and of the agricultural aviation division. An office building with classrooms and a control tower are adjacent to the hangars and the concrete aircraft apron.

Excerpt from the Wikipedia article Vršac Airfield (License: CC BY-SA 3.0, Authors, Images).

Vršac Airfield
Бегејска, Vršac МЗ Братство једниство (Вршац)

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Latitude Longitude
N 45.147777777778 ° E 21.309722222222 °
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Address

Међународни аеродром Вршац

Бегејска
26200 Vršac, МЗ Братство једниство (Вршац)
Vojvodina, Serbia
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Website
jatfa.com

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Vršac triptych
Vršac triptych

Sowing and Harvesting and Market, popularly referred to as the Vršac triptych, is a three-panel oil painting by the Serbian realist Paja Jovanović. Painted around 1895, it shows the everyday interactions of the inhabitants of Vršac, a multi-ethnic and multi-religious town in the Banat region of Austria-Hungary of which Jovanović was a native. The painting was commissioned by the Vršac city council in 1895 for the following year's Budapest Millennium Exhibition. The triptych's centre panel measures 200 by 200 centimetres (79 by 79 in) and the two side panels measure 200 by 100 centimetres (79 by 39 in) each. The left panel is a market scene, the centre panel shows peasants harvesting grapes from a row of vines and the one to the right is an image of a farmer sharpening his scythe as two others labour in the background. The triptych was originally intended to be displayed alongside another one of Jovanović's paintings, Migration of the Serbs, which had been commissioned by the Patriarchate of Karlovci. The Patriarch's dissatisfaction with the latter and his insistence that it be altered to his liking resulted in only the Vršac triptych being sent to Budapest, as Jovanović was not able to make the necessary revisions to Migration of the Serbs in time. The triptych was met with acclaim at the Exhibition and Jovanović was awarded a gold medal for his work, with critics praising his mastery of pleinairism. The painting is now on permanent exhibition at the Vršac City Museum.