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Hotel La Louisiane

European hotel stubsFrench building and structure stubsFrench jazzHotels in Paris

Hotel La Lousiane is a Parisian hotel located at the heart of Saint-Germain-des-Prés at the intersection of rue de Buci and rue de Seine in the sixth arrondissement. It has a main entrance on 60, rue de Seine and a side entrance on 27 rue de Buci. It sits at the crossroad between four central lines: the Passarella des Arts (N), the Luxembourg Garden, (S), rue St Guillaume, (W) and place St Michel, (S). It is most associated with jazz musicians of the 1950s and 1960s. Oscar Peterson, Miles Davis, Bud Powell, Max Roach, Dizzy Gillespie, Art Blakey, Billie Holiday, Lester Young and Charlie Parker all stayed at the hotel. In the early 1960s, Powell and his wife Buttercup resided at the hotel for a long period.In 1954, a double portrait of Lucian Freud, In Shadow Against the Light from the Window, With His Second Wife, Caroline Blackwood was painted in the hotel. It is on display at the Beaverbrook Art Gallery in Fredericton, Canada.

Excerpt from the Wikipedia article Hotel La Louisiane (License: CC BY-SA 3.0, Authors).

Hotel La Louisiane
Rue de Seine, Paris Quartier de Saint-Germain-des-Prés (Paris)

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Latitude Longitude
N 48.8536 ° E 2.3369 °
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Rue de Seine 60
75006 Paris, Quartier de Saint-Germain-des-Prés (Paris)
Ile-de-France, France
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Saint-Germain bombing
Saint-Germain bombing

The Saint-Germain bombing was a bomb attack carried out on 11 March 1892 in Boulevard Saint-Germain, Paris, by anarchist militants Ravachol, Rosalie Soubère, Joseph Jas-Béala, and Charles Simon. The attack was seen as an act of retribution against Edmond Benoît, the judge presiding over the trial of the accused in the Clichy affair, where three anarchist demonstrators were captured by the police, beaten with sabres, deprived of medical care and water for some time before being judged harshly by Benoît. After stealing a significant shipment of dynamite, Simon and Ravachol built the bomb together before the four set out for the judge's residence. Soubère carried the bomb under her skirts before handing it to Ravachol, who placed it. It exploded but failed to kill its target, causing no deaths and one injury. The operation was a strategical failure: the conspirators missed their target, the police were searching for them, and although they failed to prevent the Clichy bombing on 27 March 1892, where Soubère, Béala, and Ravachol attempted to assassinate the prosecutor in the case, Simon was arrested after being denounced by an informant. After the second attack, Ravachol, Jas-Béala, and Soubère were quickly captured and put on trial. Ravachol, whose legal strategy was to take full responsibility for the attack to exonerate his companions, was sentenced to life imprisonment and later to death. Soubère and Jas-Béala were acquitted, while Simon was sentenced to life imprisonment and deported to Cayenne. Despite this, the attack was a significant tactical success, as it marked the beginning of the Era of Attacks (1892–1894), a violent confrontation between the French state, and later Western states, and anarchists. The attack inspired other anarchist militants such as Auguste Vaillant, Émile Henry or Amédée Pauwels. In this context, terrorism underwent significant transformations. Although the Boulevard Saint-Germain bombing was still based on the traditional form of terrorism, 'tyrannicide', figures inspired by it, such as Émile Henry, used it as a model to develop indiscriminate or mass terrorism, a significant form of terrorism in the 20th and 21st centuries. It also shifted towards a more location-based terrorism instead of targeting individuals each time. For his defiance towards death and complete dedication to his ideals, Ravachol, in particular, became a mythical figure among anarchist circles, especially among French illegalists, where he was seen as a martyr for the anarchist cause.