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Rue de Seine

Paris road stubsStreets in the 6th arrondissement of Paris
P1130312 Paris VI rue de Seine n°57 rwk
P1130312 Paris VI rue de Seine n°57 rwk

Rue de Seine is a street in the 6th arrondissement of Paris. Rue de Seine is one of the most sought after streets in Paris due to its history and very close proximity to the Louvre and other famous Parisian landmarks.The rue de Seine and surrounding streets are host to the highest concentration of art galleries and antique dealers in the world.Other nearby famous landmarks include the Café de Flore, Les Deux Magots and the beautiful Jardin du Luxembourg. The neighbourhood of Rue de Seine also includes famous fashion houses, such as Dior, Yves Saint Laurent and Hugo Boss. The Hotel La Louisiane at 60 rue de Seine is famous for having accommodated many notable jazz musicians and writers, including Miles Davis, Chet Baker, John Coltrane, Ernest Hemingway, Jean-Paul Sartre and Simone de Beauvoir. Rue de Seine is the title of a 2006 album by Martial Solal and Dave Douglas.In the French novel La Duchesse de Langeais by Honoré de Balzac, the aristocratic character Marquess Armand de Montriveau lived in Rue de Seine. Rue de Seine is the theme and title of a poem by the famous French poet Jacques Prévert. It is also referenced by Julio Cortazar in the first paragraph of his novel Hopscotch (Rayuela). It is also famous for Guy Debord's 1953 anticapitalist graffiti Ne travaillez jamais (Don't ever work).

Excerpt from the Wikipedia article Rue de Seine (License: CC BY-SA 3.0, Authors, Images).

Rue de Seine
Rue de Seine, Paris 6th Arrondissement (Paris)

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N 48.854166666667 ° E 2.3369444444444 °
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Popelini

Rue de Seine
75006 Paris, 6th Arrondissement (Paris)
Ile-de-France, France
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Popelini

call+33142498619

Website
popelini.com

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P1130312 Paris VI rue de Seine n°57 rwk
P1130312 Paris VI rue de Seine n°57 rwk
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Saint-Germain bombing
Saint-Germain bombing

The Saint-Germain bombing was a bomb attack carried out on 11 March 1892 in Boulevard Saint-Germain, Paris, by anarchist militants Ravachol, Rosalie Soubère, Joseph Jas-Béala, and Charles Simon. The attack was seen as an act of retribution against Edmond Benoît, the judge presiding over the trial of the accused in the Clichy affair, where three anarchist demonstrators were captured by the police, beaten with sabres, deprived of medical care and water for some time before being judged harshly by Benoît. After stealing a significant shipment of dynamite, Simon and Ravachol built the bomb together before the four set out for the judge's residence. Soubère carried the bomb under her skirts before handing it to Ravachol, who placed it. It exploded but failed to kill its target, causing no deaths and one injury. The operation was a strategical failure: the conspirators missed their target, the police were searching for them, and although they failed to prevent the Clichy bombing on 27 March 1892, where Soubère, Béala, and Ravachol attempted to assassinate the prosecutor in the case, Simon was arrested after being denounced by an informant. After the second attack, Ravachol, Jas-Béala, and Soubère were quickly captured and put on trial. Ravachol, whose legal strategy was to take full responsibility for the attack to exonerate his companions, was sentenced to life imprisonment and later to death. Soubère and Jas-Béala were acquitted, while Simon was sentenced to life imprisonment and deported to Cayenne. Despite this, the attack was a significant tactical success, as it marked the beginning of the Era of Attacks (1892–1894), a violent confrontation between the French state, and later Western states, and anarchists. The attack inspired other anarchist militants such as Auguste Vaillant, Émile Henry or Amédée Pauwels. In this context, terrorism underwent significant transformations. Although the Boulevard Saint-Germain bombing was still based on the traditional form of terrorism, 'tyrannicide', figures inspired by it, such as Émile Henry, used it as a model to develop indiscriminate or mass terrorism, a significant form of terrorism in the 20th and 21st centuries. It also shifted towards a more location-based terrorism instead of targeting individuals each time. For his defiance towards death and complete dedication to his ideals, Ravachol, in particular, became a mythical figure among anarchist circles, especially among French illegalists, where he was seen as a martyr for the anarchist cause.