St. Salvator Church

The Kepler Museum is a museum of astronomy in Prague, Czech Republic, named for the German astronomer Johannes Kepler. It was founded in 2009, the International Year of Astronomy, with financial support from the Magistrate of the Capital City of Prague and Agentura ProVas, professional and organisational support from the Czech Astronomic Society and using premises owned by Jitka Steinwaldová. The three circles in the logo of the Kepler Museum represent the planet Mars, the Earth, and the Sun, the bodies whose mutual positions were studied by Johannes Kepler while he was in the city. The entrance tickets to the museum feature the astronomic dial of the Prague Astronomical Clock with the exact moment of entry to the museum, with the same data also expressed in the Old Bohemian and in the Babylonian manner. The sidereal time is also included. The entrance tickets were designed by Vojtěch Sedláček, CEO of Agentura ProVás. On 31 December 2017, the Kepler Museum in the Old Town closed after eight years, to be taken over by the National Technical Museum (NTM). The Kepler Museum exhibition is being transferred to NTM premises on Letná. The scheduled opening Summer 2018.

The statue of Charles IV is an outdoor sculpture of Charles IV, Holy Roman Emperor, located at Křižovnické Square in Prague, Czech Republic.

The St. Clement's Cathedral (Czech: Katedrála sv. Klimenta) or the Church of St. Clement, is a Ruthenian Byzantine Catholic church located in Prague, Czech Republic, and functions as the cathedral of the Ruthenian Catholic Apostolic Exarchate of Czech Republic (Exarchatus Apostolicus Reipublicae Cechae). The church was erected as a cathedral with the Bull "Quo aptius" by Pope John Paul II of March 13, 1996, which established the Exarchate of the Czech Republic.

Old Town Bridge Tower (Czech: Staroměstská mostecká věž) is a gothic monument located in Prague, Czech Republic. Its construction began in 1357 AD, during the rule of the Emperor Charles IV. It was designed by the architect Petr Parléř.

Karlovy lázně (Czech pronunciation: [ˈkarlovɪ ˈlaːzɲɛ]; meaning "Charles' Spa") is a nightclub in Prague, Czech Republic, situated 50 meters from the eastern end of the Charles Bridge on the bank of the Vltava River. The building housing the club was a bath-house dating from the 14th century, and retains some original features, such as mosaic wall tiling and Roman spa-pools now used as dance floors. The club has five floors, with each floor playing a different style of music, a fact which features heavily in the club's marketing. Karlovy Lázně is the largest club in Prague, and claims to be the largest nightclub complex in Central Europe.

The statue of Ivo of Kermartin is an outdoor sculpture by Matthias Braun, installed on the south side of the Charles Bridge in Prague, Czech Republic.

The statues of Madonna and Saint Bernard are outdoor sculptures by Matěj Václav Jäckel, installed on the north side of the Charles Bridge in Prague, Czech Republic.

The Theatre on the Balustrade (Divadlo Na zábradlí) is situated in Prague, Czech Republic. The theatre was founded in 1958. Its founders - Helena Philipová, Ivan Vyskočil, Jiří Suchý and Vladimír Vodička named their professional theatre after a street leading from the square to the river. Its first production, a musical collage titled If a Thousand Clarinets (Czech: Kdyby tisíc klarinetů), was premiered on 9 December 1958. Three months later Ladislav Fialka and his mime group joined the company with their production Pantomime on the Balustrade, and brought back fame to the almost forgotten theatre genre. Drama and mime companies coexisted at the theatre till Fialka's death in 1991. In the early 1960s, with the arrival of director Jan Grossman, set designer Libor Fára and a stage hand and later dramaturg and playwright Václav Havel, the Theatre on the Balustrade became the centre of the Czech form of the absurd theatre (V. Havel: The Garden Party, Memorandum, Alfred Jarry: King Ubu, Franz Kafka: Process). Despite the fact that the theatre established itself abroad (or maybe because of it) as well as in Czechoslovakia, Jan Grossman and Václav Havel were forced to leave the theatre in 1968. In the 1970s and 1980s the theatre became a refuge for film directors of the 1960s "new wave", whose film work was thwarted by the normalisation process. Apart from productions directed by J. Jireš, J. Krejčík, J. Menzel and J. Herz, it was mainly Evald Schorm who regularly co-operated with the theatre since 1976 (e.g. The King Stag, Hamlet, The Karamazov Brothers, Marathon) and managed to group around himself a number of brilliant actors (J. Bartoška, K. Heřmánek, J. Preissová, P. Zedníček, L. Mrkvička). In 1989 Jan Grossman returned to the theatre as a director and later its managing director, and after his untimely death in 1993 new management of the theatre was named - managing director Doubravka Svobodová and artistic director Petr Lébl. Petr Lébl was one of the most talented young directors with distinctive imagination who provoked with his interpretations of classics (J. Genet: The Maids, L. Stroupežnický: Our Our Swaggerers, N. V. Gogol: The Government Inspector, A. P. Chekhov: The Seagull, Ivanov, Uncle Vanya). After Lébl's death in 1999 the theatre continued its seeking, novel course of the present Theatre on the Balustrade with its new artistic direction of Ivana Slámová, Jiří Ornest and Jan Antonín Pitínský. From the start of the season 2002/2003 a young director and playwright Jiří Pokorný became, together with Ivana Slámová, the new artistic director of the theatre. With arrival of new artistic director David Czesany in 2010 the Divadlo Na zábradlí (Theater on the Balustrade) started off with a program of theme-based seasons. The first was named “Who will be let through heaven’s gates?”, the current one (2011/2012) will be focused on public space and the city as a place for living and will be called “Whose city?”. Programming decisions as well as other projects of the theatre will be based on this topic: the upcoming season will bring exhibitions and meetings with witnesses to the changes that parts of the city have gone through. The topic of the city will also be tackled by students of art schools as a part of the Eliade Library project that introduces new creative projects, final works of art school graduates and works for children. With the new director the ensemble has grown as well, with the introduction of new members Ivan Lupták, Natálie Řehořová and Ondřej Veselý.

The Mozart Prague (formerly the Smetana Hotel) is a luxury hotel in the historic center of Prague's Old Town, located at 208/34 Karoliny Světlé Street at the mouth of the street on the Smetana Embankment, in an area called the Anenský Triangle.

The Bedřich Smetana Museum (Muzeum Bedřicha Smetany) in Prague is a museum which is dedicated to the life and works of famous Czech composer Bedřich Smetana (1824–1884). It is situated in the centre of Prague in a small block of buildings right next to Charles Bridge on the right bank of the river Vltava in the Old Town (Novotného lávka 1, 110 00 Praha 1). The building, designed by Antonín Wiehl, which was formerly owned by Prague Water Company, has housed the Smetana Museum since 1936. It is a grand building in the Renaissance style. The main part of the museum exhibits are on the first floor. The upper floors house archive material relating to Smetana, providing a centre for research. Exhibits include copies of letters, photographs and newspaper cuttings relating to Smetana’s life as well as various possessions including his earbone (Smetana suffered from deafness). There are also folders on music stands which contain material about some of Smetana’s most famous works. The visitor is able to listen to extracts from these works by zapping the required music stand with an electronic baton. Smetana was the leading Czech composer at a time when Czech nationalism was allowed to be expressed through the medium of the arts, which had so long been dominated by the official language, German. The Czech people were searching for their national identity and for the first time had the opportunity to perform plays and operas in Czech. The embodiment of this movement was the National Theatre which opened in November 1883 with a performance of a specially written opera by Smetana, Libuše, which deals with the legendary story of the foundation of Prague. His six symphonic poems Má vlast (My Country) describe various aspects of his homeland: its countryside and legends. The second of these tone-poems, Vltava, is especially popular. The main tune is broadcast over the public address system at Prague’s main railway station. The museum is open daily except on Tuesdays.

The statues of Saints Barbara, Margaret and Elizabeth are outdoor sculptures by Ferdinand Brokoff, Jan Brokoff, and Michael Brokoff, installed on the south side of the Charles Bridge in Prague, Czech Republic.

The statue of Bedřich Smetana is a sculpture by Josef Malejovský, installed outside the Smetana Museum in Prague, Czech Republic.