Sanssouci

The Picture Gallery (German: Bildergalerie) in the Sanssouci Park of Potsdam was built in 1755–64 during the reign of Frederick II of Prussia under the supervision of Johann Gottfried Büring. The Picture Gallery is situated east of the palace and is the oldest extant museum built for a ruler in Germany.

The New Chambers (German: Neue Kammern) is part of the ensemble of Sanssouci palace in Sanssouci Park, Potsdam, Germany. They were constructed for King Frederick the Great of Prussia from 1771 to 1775.

The Historic Mill of Sanssouci is a mill in Potsdam, Germany. Thanks to the legend of The Miller of Sanssouci (German: Der Müller von Sanssouci), the Mill (Historische Mühle) became famous, particularly due to its association with Frederick the Great and his summer palace of Sanssouci.

The Neptune Grotto (German: Neptungrotte) close to the Obelisk entrance in Sanssouci Park, Potsdam, was created by Frederick the Great between 1751 and 1757 to beautify the park. Built following plans by Georg Wenzeslaus von Knobelsdorff it arose as a representation of the revived interest in garden architecture. The grotto ought to have been a component of the numerous fountains of the park, which did not function at that time, owing to a lack of technical knowledge. The trident wielding god of the sea, Neptune, establishes a relationship to water. The conches on the sides, arranged into the shape of waterfalls and the great shell inside, made from many real shells, are a characteristic theme of Rococo.

The Obelisk entrance (German Obeliskportal) constitutes the eastern limit of Sanssouci Park in Potsdam, Germany. Following plans by Georg Wenzeslaus von Knobelsdorff, Frederick the Great ordered in 1747 that this exit from the park be built. The New Palace, built at a later date, stands in the line of sight of the entrance; the two are connected by the roughly 2 km long main alley. Two sandstone statues from the workshop of the sculptor Friedrich Christian Glume stand next to the pillars positioned in a square, right and left from the lower gateway to the park. Flora, the goddess of flowers, and Pomona, the goddess of fruit, draw attention to the fusion of the ornamental and kitchen garden styles in the park. The obelisk entrance was used in Frederick's time solely as an exit from the park. This is the reason that the figures look into the interior of the park, so that they can say farewell to the guests. The name of the palace is written a few steps beyond the obelisk. Likewise sketched by von Knobelsdorff, it indicates the boundary of Sanssouci Park. The decorative hieroglyphs were given over to the imagination of the artist and thus contain no text, as in the 18th Century a translation of the ancient characters was not possible.

Sanssouci Park is a large park surrounding Sanssouci Palace in Potsdam, Germany, built under Frederick the Great in the mid-1700s. Following the terracing of the vineyard and the completion of the palace, the surroundings were included in the structure. A baroque flower garden with lawns, flower beds, hedges and trees was created. In the hedge quarter 3,000 fruit trees were planted. The greenhouses of the numerous nurseries contained oranges, melons, peaches and bananas. The goddesses Flora and Pomona, who decorate the entrance obelisk at the eastern park exit, were placed there to highlight the connection of a flower, fruit and vegetable garden. Along with the Sanssouci Palace and other neaby palaces and parks, Sanssouci Park was inscribed on the UNESCO World Heritage List in 1990 for its unique architectural unity and testimony to 18th and 19th century landscaping in Europe.

The Protestant Church of Peace (German: Friedenskirche) is situated in the Marly Gardens on the Green Fence (Am Grünen Gitter) in the palace grounds of Sanssouci Park in Potsdam, Germany. The church was built according to the wishes and with the close involvement of the artistically gifted King Frederick William IV and designed by the court architect, Ludwig Persius. After Persius' death in 1845, the architect Friedrich August Stüler was charged with continuing his work. Building included work by Ferdinand von Arnim and Ludwig Ferdinand Hesse also. The church is located in the area covered by the UNESCO World Heritage Site Palaces and Parks of Potsdam and Berlin. The cornerstone of the churchhouse was laid on 14 April 1845. The building was dedicated on 24 September 1848, though construction continued until 1854. The structure resembles a High Medieval Italian monastery.

The Green Gate (German: Grünes Gitter) in Potsdam is the main gateway into Sanssouci Park and is situated at the end of the avenue to Sanssouci Palace. This begins as one of three roads that radiate from the Luisenplatz square. The gate was designed by Ludwig Ferdinand Hesse and was put up in 1854 as part of the construction of the Church of Peace. Its name comes from the colour in which the gate was painted. Additional ornamentation is provided by individual bars and points being picked up in gold leaf. The iron gate bears the initials of Frederick William IV.

The Ruinenberg is a hill in the Bornstedt borough of Potsdam, located north of Sanssouci Park. In 1748, the Prussian king Frederick the Great had a water tank with a capacity of around 7,600 cubic metres (270,000 cu ft) built on top to supply the Sanssouci water features, and had it decorated with artificial ruins. From 1841 a surrounding landscape garden was laid out at the behest of King Frederick William IV of Prussia, according to plans designed by Peter Joseph Lenné.

The Chinese House (German: Chinesisches Haus) is a garden pavilion in Sanssouci Park in Potsdam, Germany. Frederick the Great had it built, about seven hundred metres southwest of the Sanssouci Summer Palace, to adorn his flower and vegetable garden. The garden architect was Johann Gottfried Büring, who between 1755 and 1764 designed the pavilion in the then-popular style of Chinoiserie, a mixture of ornamental rococo elements and parts of Chinese architecture.The unusually long building time of nine years is attributed to the Seven Years' War, during which Prussia's economic and financial situation suffered significantly. Only after the end of the war in 1763 were the chambers inside the pavilion furnished. As the building served not only as a decorative piece of garden architecture but also as a setting for small social events, Frederick the Great ordered the building of a Chinese Kitchen, a few metres south-east of the Chinese House. After a conversion in 1789, only the hexagonal windows show the Oriental character of the former outbuilding. A few years later, the Dragon House was built in the form of a Chinese pagoda on the northern edge of Sanssouci Park bordering Klausberg. The building was Frederick the Great's attempt to follow the Chinese fashion of the 18th century, which began in France before spreading to England, Germany, and Russia.

The Orangery Palace (German: Orangerieschloss) is a palace located in the Sanssouci Park of Potsdam, Germany. It is also known as the New Orangery on the Klausberg, or just the Orangery. It was built on behest of the "Romantic on the Throne", King Friedrich Wilhelm IV (Frederick William IV of Prussia) from 1851 to 1864.

The Brandenburg Gate (German: Brandenburger Tor) on the Luisenplatz in Potsdam, not to be confused with the gate of the same name on Berlin's Pariser Platz, was built in 1770–71 by Carl von Gontard and Georg Christian Unger by order of Frederick II of Prussia. It stands at the western end of Brandenburger Straße, which runs in a straight line up to the Church of St. Peter and St. Paul. Previously, from 1733, there was another, simpler gate on the same spot, which resembled a castle gateway. Together with the city wall, a form of toll or excise barrier, and the other gates it was intended to prevent desertion and smuggling. Towards the end of the Seven Years' War, Frederick the Great had the old gate demolished and built, in its stead, this new Brandenburg Gate, as a symbol of his victory. For that reason the Brandenburg Gate resembles a Roman triumphal arch. Its prototype was the Arch of Constantine in Rome. The Roman influence of its architectural style can be seen, for example, in the double columns of Corinthian order as well as the design of the attic. A feature of the Brandenburg Gate is that it has two completely different sides, designed by two architects. Carl von Gontard designed the city side, his pupil, Georg Christian Unger, the field or countryside-facing side. Gontard made the city side as a rendered facade with Corinthian-style lesenes and trophies, Unger designed the field site in the style of the Arch of Constantine with Corinthian double-columns and ornamentation like the golden trumpets. The two side entrances for pedestrians were not added until 1843, under Frederick William IV, in order to cope with the increase in pedestrian traffic. At that time people had to pass the Brandenburg Gate if they wanted to make their way to the town of Brandenburg, hence the name. The gate leads walkers into the city centre pedestrian zone of Brandenburger Straße in an easterly direction up to priory church of St. Peter and St. Paul. Since the city wall was demolished around 1900 the Brandenburg Gate has been a free-standing structure.