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Neptune Grotto

Baroque architecture in PotsdamBrandenburg building and structure stubsBrandenburg geography stubsBuildings and structures in PotsdamGrottoes
Rococo architecture of GermanySanssouci ParkTourist attractions in Potsdam
Neptungrotte, Park Sanssouci, Potsdam 7510
Neptungrotte, Park Sanssouci, Potsdam 7510

The Neptune Grotto (German: Neptungrotte) close to the Obelisk entrance in Sanssouci Park, Potsdam, was created by Frederick the Great between 1751 and 1757 to beautify the park. Built following plans by Georg Wenzeslaus von Knobelsdorff it arose as a representation of the revived interest in garden architecture. The grotto ought to have been a component of the numerous fountains of the park, which did not function at that time, owing to a lack of technical knowledge. The trident wielding god of the sea, Neptune, establishes a relationship to water. The conches on the sides, arranged into the shape of waterfalls and the great shell inside, made from many real shells, are a characteristic theme of Rococo.

Excerpt from the Wikipedia article Neptune Grotto (License: CC BY-SA 3.0, Authors, Images).

Neptune Grotto
Schopenhauerstraße, Potsdam Brandenburger Vorstadt

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N 52.4033333333 ° E 13.0422222222 °
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Neptungrotte

Schopenhauerstraße
14469 Potsdam, Brandenburger Vorstadt
Brandenburg, Germany
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Neptungrotte, Park Sanssouci, Potsdam 7510
Neptungrotte, Park Sanssouci, Potsdam 7510
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Sanssouci
Sanssouci

Sanssouci (German pronunciation: [ˈsãːsusi]) is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase (sans souci) that translates as "without concerns", meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation, rather than a seat of power. Sanssouci is little more than a large, single-story villa—more like the Château de Marly than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced hill at the centre of the park. The influence of King Frederick's personal taste in the design and decoration of the palace was so great that its style is characterised as "Frederician Rococo", and his feelings for the palace were so strong that he conceived it as "a place that would die with him". Because of a disagreement about the site of the palace in the park, Knobelsdorff was fired in 1746. Jan Bouman, a Dutch architect, finished the project. During the 19th century, the palace became a residence of Frederick William IV. He employed the architect Ludwig Persius to restore and enlarge the palace, while Ferdinand von Arnim was charged with improving the grounds and thus the view from the palace. The town of Potsdam, with its palaces, was a favourite place of residence for the German imperial family until the fall of the Hohenzollern dynasty in 1918. After World War II, the palace became a tourist attraction in East Germany. Following German reunification in 1990, Frederick's body was returned to the palace and buried in a new tomb overlooking the gardens he had created. Sanssouci and its extensive gardens became a World Heritage Site in 1990 under the protection of UNESCO; in 1995, the Prussian Palaces and Gardens Foundation Berlin-Brandenburg was established to care for Sanssouci and the other former imperial palaces in and around Berlin. These palaces are now visited by more than two million people each year from all over the world.

Brandenburg Gate (Potsdam)
Brandenburg Gate (Potsdam)

The Brandenburg Gate (German: Brandenburger Tor) on the Luisenplatz in Potsdam, not to be confused with the gate of the same name on Berlin's Pariser Platz, was built in 1770–71 by Carl von Gontard and Georg Christian Unger by order of Frederick II of Prussia. It stands at the western end of Brandenburger Straße, which runs in a straight line up to the Church of St. Peter and St. Paul. Previously, from 1733, there was another, simpler gate on the same spot, which resembled a castle gateway. Together with the city wall, a form of toll or excise barrier, and the other gates it was intended to prevent desertion and smuggling. Towards the end of the Seven Years' War, Frederick the Great had the old gate demolished and built, in its stead, this new Brandenburg Gate, as a symbol of his victory. For that reason the Brandenburg Gate resembles a Roman triumphal arch. Its prototype was the Arch of Constantine in Rome. The Roman influence of its architectural style can be seen, for example, in the double columns of Corinthian order as well as the design of the attic. A feature of the Brandenburg Gate is that it has two completely different sides, designed by two architects. Carl von Gontard designed the city side, his pupil, Georg Christian Unger, the field or countryside-facing side. Gontard made the city side as a rendered facade with Corinthian-style lesenes and trophies, Unger designed the field site in the style of the Arch of Constantine with Corinthian double-columns and ornamentation like the golden trumpets. The two side entrances for pedestrians were not added until 1843, under Frederick William IV, in order to cope with the increase in pedestrian traffic. At that time people had to pass the Brandenburg Gate if they wanted to make their way to the town of Brandenburg, hence the name. The gate leads walkers into the city centre pedestrian zone of Brandenburger Straße in an easterly direction up to priory church of St. Peter and St. Paul. Since the city wall was demolished around 1900 the Brandenburg Gate has been a free-standing structure.