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Trains to Life – Trains to Death

Bronze sculptures in GermanyBuildings and structures in MitteGermany sculpture stubsMonuments and memorials to the victims of Nazism in BerlinOutdoor sculptures in Berlin
Statues in Germany
Berlin, Mitte, Dorothea Schlegel Platz, Denkmal Züge in das Leben, Züge in den Tod 1938 1945
Berlin, Mitte, Dorothea Schlegel Platz, Denkmal Züge in das Leben, Züge in den Tod 1938 1945

Trains to Life – Trains to Death is a 2.25 meter outdoor bronze sculpture by architect and sculptor Frank Meisler, installed outside the Friedrichstraße station at the intersection of Georgenstraße and Friedrichstraße, in Berlin, Germany. It is the second in a series of so far five installations also on display near train stations in London, Hamburg, Gdańsk and Hook of Holland.The sculpture depicts two groups of children. One group is a pair of children symbolizing those saved by the Kindertransport, which brought 10,000 Jewish children from soon-to-be Nazi-occupied countries in Eastern Europe to safety in the United Kingdom and other countries. The other group consists of five children, who represent the 1,600,000 Jewish and non-Jewish children brought by Holocaust trains to the concentration camps and later killed there. Meisler himself was among those saved by the Kindertransport.

Excerpt from the Wikipedia article Trains to Life – Trains to Death (License: CC BY-SA 3.0, Authors, Images).

Trains to Life – Trains to Death
Georgenstraße, Berlin Mitte

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N 52.51986 ° E 13.38773 °
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Denkmal zur Erinnerung an Kindertransporte

Georgenstraße
10117 Berlin, Mitte
Germany
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Berlin, Mitte, Dorothea Schlegel Platz, Denkmal Züge in das Leben, Züge in den Tod 1938 1945
Berlin, Mitte, Dorothea Schlegel Platz, Denkmal Züge in das Leben, Züge in den Tod 1938 1945
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Theater am Schiffbauerdamm
Theater am Schiffbauerdamm

The Theater am Schiffbauerdamm (German pronunciation: [teˈaːtɐ ʔam ˈʃɪfbaʊɐˌdam]) is a theatre building at the Schiffbauerdamm riverside in the Mitte district of Berlin, Germany, opened on 19 November 1892. Since 1954, it has been home to the Berliner Ensemble theatre company, founded in 1949 by Helene Weigel and Bertolt Brecht.The original name of the Neo-baroque construction by the architect Heinrich Seeling was Neues Theater. The first performance was Johann Wolfgang von Goethe's play Iphigenie auf Tauris. Die Weber, a naturalistic drama by Gerhart Hauptmann, had its premiere in a private audience at the theatre on 26 February 1893. From 1903 to 1906, the Neues Theater was under the management of Max Reinhardt; it later became the site of numerous operetta performances. With the premiere of the comedy Der fröhliche Weinberg by Carl Zuckmayer on 22 December 1925, the theatre returned to dramatic art, followed by the first performances of The Threepenny Opera (Die Dreigroschenoper) on 31 August 1928 and of the Italienische Nacht by Ödön von Horváth on 20 March 1931. Bertolt Brecht staged Marieluise Fleißer's play Pioneers in Ingolstadt on 30 March 1929, causing a scandal. The theatre saw Gustaf Gründgens giving his debut as a director with Jean Cocteau's Orphée and guest performances by the Truppe 31 stage company of Gustav von Wangenheim. From 1931 on, the theatre was called Deutsches Nationaltheater am Schiffbauerdamm. Notable actors included Lotte Lenya, Carola Neher, Hilde Körber, Helene Weigel, Ernst Busch, Ernst Deutsch, Kurt Gerron, Theo Lingen, and Peter Lorre. With the Nazi takeover in 1933, the theatre declined and was finally closed in 1944. Veit Harlan made his directoral debut there in 1935 with Wolfgang Böttcher's musical comedy Marriage on the Panke. Reopened after World War II, the theatre was finally taken over by Bertolt Brecht. Today, it is considered one of the most glamorous theatres in Germany and the building is currently undergoing historic preservation.

Großes Schauspielhaus
Großes Schauspielhaus

The Großes Schauspielhaus (Great Theater) was a theatre in Berlin, Germany, often described as an example of expressionist architecture, designed by Hans Poelzig for theatre impresario Max Reinhardt. The structure was originally a market built by architect Friedrich Hitzig, and it retained its external, gabled form. It then became the Zirkus Schumann, a circus arena. It was renovated by Poelzig and reopened in 1919, contained seating for 3500 people. Max Reinhardt wanted to attract a working-class audience. The large size allowed for people who could pay top prices for the best seats to support low-cost seats, in the back of the theater. Painted red, it was a cavernous, domed space and had no balconies, which contributed to its vastness. Its dome and the pillars were decorated with Muqarnas, a honeycombed pendentive ornament, which resembled stalactites. When illuminated, the ceiling's lightbulbs formed patterns of celestial constellations, and the vaulted ceiling took on another concept, the night sky. In the lobby and elsewhere, Poelzig used coloured lightbulbs to create striking visual backdrops. Separate entrances were provided for the expensive and the cheap seats. The theatre also included a restaurant for the wealthy audience members, a cafeteria for the poorer audience members, and a bar. The performers and technicians enjoyed their own bar, a barber shop, ample dressing room space, and the modern stage equipment. The Nazis took over in 1933 and changed its name to Theatre of the People. They described the building as an example of Entartete Kunst and refurbished its interior by adding a hung ceiling to hide the stalactite forms. After World War II, it was used for variety shows under the name of Friedrichstadt-Palast until 1988, when it was condemned and demolished. There was a strong subsidence of the foundation and moulding of the supporting piles. The new Friedrichstadt-Palast has been erected on Friedrichstraße 107.