Cleland Kinloch and Burnet R. Maybank Huger House

The John Fullerton House is a historic building on Legare Street in Charleston, South Carolina. The house was designed and built by Scottish master builder John Fullerton some time after he bought the land on December 31, 1772, and before he resold it at a much higher cost in 1777. Among the notable features of the house are the highly decorative window casings on the first and second floor; the console brackets and hoods reflect a high style that can be found on other notable houses of the same period in Charleston. The house is built of cypress.

The large, neoclassical Simmons-Edwards House is a Charleston single house built for Francis Simmons, a Johns Island planter, about 1800. The house, located at 14 Legare St., Charleston, South Carolina, is famous for its large brick gates with decorative wrought iron. The gates, which were installed by George Edwards (who owned the house until 1835) and which bear his initials, include finials that were carved to resemble Italian pinecones. They are frequently referred to as pineapples by locals, and the house is known popularly as the Pineapple Gates House. It was declared a National Historic Landmark in 1973.The house was occupied by James Adger Smyth, a mayor of Charleston from 1879 until he died on April 25, 1920. In 1951, Dr. L.S. Fuller and Mrs. Josephine Wilson sold the house to Standard Oil executive Bushrod B. Howard and his wife for $50,000. The Howards in turn sold the house for $100,000 (the highest price paid for a house in Charleston at that time) to Nancy Stevenson, the lieutenant governor of South Carolina during part of the Richard Riley administration and wife of Norman Stevenson.In April 1987, Thomas R. Bennett, a Charleston real estate agent, bought the house for $800,000. In May 1989, Bennett sold the house for $2 million to William and Cynthia Gilliam (again the highest price paid for a Charleston house at the time), and the Gilliams sold the house to the notorious artworld figure Andrew Crispo for $2,050,000 in September 1990.In April 1997, an executive with Goldman Sachs, John L. Thornton, purchased the house following a court-ordered auction to help satisfy the debts of its former owner, the scandal besieged art dealer Andrew Crispo. The $3.1 million high bid was the highest price paid for a house in Charleston at the time. The Thorntons are responsible for an extensive, heavily researched restoration of the gardens.According to the South Carolina Department of Archives and History, "In 1816, George Edwards purchased the property and enlarged the premises, creating a garden which was separated from the house yard by a notable fence of wrought iron which had unusual stuccoed columns topped with sandstone balls."

The Miles Brewton House is a National Historic Landmark residential complex located in Charleston, South Carolina. It is one of the finest examples of a double house (a reference to the arrangement of four main rooms per floor, separated by a central stair hall) in Charleston, designed on principles articulated by Andrea Palladio. Located on two acres, its extensive collection of dependencies makes it one of the most complete Georgian townhouse complexes in America. The house was built ca. 1765-1769 for Miles Brewton, a wealthy slave trader and planter.

The Rev. Paul Trapier Gervais House is a large, Greek Revival Charleston single house at 29 Legare Street in Charleston, South Carolina.

The Charles Elliott House is a pre-Revolutionary house in Charleston, South Carolina. Charles Elliott paid 2,500 pounds "current currency" (that is, the currency authorized by the colonial government) for the property in 1764. Charles Elliott and his wife, Anne, were patriots during the Colonial period who maintained their family seat at Sandy Hill.The house is a Georgian double house built of cypress with interior cypress woodwork. Some of the interior elements were remodeled between 1790 and 1800 in the Adamesque style. Although the house follows the normal floorplan for a double house (four rooms per floor separated by a hall and staircase), the rear rooms are much smaller than the front rooms; the disparity in sizes has even led to the house's being described as a "modified Charleston single house." Unusually, the house has thick brick firewalls rising from the basement to the attic between the rooms to limit the spread of any fires.

The Sword Gate House is a historic house in Charleston, South Carolina. Built in stages, the main portion of the house is believed to have been built around 1803, possibly by French Huguenots James LaRoche and J. Lardent. The house replaced a simpler house that was shown on a plat in 1803.

The Patrick O'Donnell House is the largest example of Italianate architecture in Charleston, South Carolina. It was built for Patrick O'Donnell (1806-1882), perhaps in 1856 or 1857. Other research has suggested a construction date of 1865. Local lore has it that the three-and-a-half-story house was built for his would-be bride who later refused to marry him, giving rise to the house's popular name, "O'Donnell's Folly." Between 1907 and 1937, it was home to Josephine Pinckney; both the Charleston Poetry Society and the Society for the Preservation of Spirituals were formed at the house during her ownership.It is a classic example of a side hall plan; the house has large, adjacent rooms on the south side with a piazza and a stair hall that runs along the north side of the house. A carriage house in the baronial style was added along the rear property line in 1888 by Thomas R. McGahan.In 1987, the house was for sale for $750,000, and the Preservation Society of Charleston considered purchasing it. The Society was interested in using the house as a museum house and as its headquarters, and the neighborhood initially supported the plans. Later, the neighborhood changed its position because of worries about parking, and the membership of the Society was split on the proposal. In April 1987, The Society dropped its plans.The house sold for $7.2 million in June 2007 to James Pallotta, a part owner of the Boston Celtics. At the time, the seven-bedroom, 9,700 square foot house's price was the highest ever paid in Charleston for a house. The previous record holder had been the William Gibbes House at 64 South Battery which had sold for $6.1 million in January 2006. The O'Donnell House retained that distinction until the sale of 37 Meeting St. in May 2009 for $7.37 million.

The Rebecca Screven House in Charleston, South Carolina is Charleston single house built sometime before 1828 at 35 Legare Street. Rebecca Screven built the house on property she inherited from her mother, Mrs. Elizabeth Williams. In 1879, the house was bought by Louisa J. McCord. Louisa McCord was one of the most prominent women writers in antebellum South Carolina.In April 2014, the Historic Charleston Foundation bought the house through its revolving fund, a pool of money the foundation uses to acquire historic properties before reselling them to preservation-minded buyers subject to preservation easements. The foundation paid $1.75 million for the house, performed some work on the building, and listed it for resale in May 2014 through a competitive bid process. Both the interior and exterior of the house will be protected by easements, as will a garden designed by Loutrel Briggs.

The William Gibbes House is a historic house at 64 South Battery in Charleston, South Carolina. Built about 1772, it is one of the nation's finest examples of classical Georgian architecture. It was declared a National Historic Landmark in 1970.

The John McKee House is a c. 1796 house at 44 King St., Charleston, South Carolina. The house follows a traditional Charleston single house layout with a small stair hall separating two main rooms per floor, one toward the street and one toward the rear of the property. The brickwork suggests that a door originally entered the house from King St., but it was replaced with a window at some point. Its first known owner was John McKee who died without heirs, leaving the house to the Methodist Episcopal Church. When the church divided in 1845, the house became the joint property of three black churches: Centenary, Wesley, and Old Bethel. The Methodist Episcopal Church rented the property out until 1915. In 1929, Mrs. Victor Morawetz of Fenwick Hall, Johns Island, bought the house.

The Capt. John Morrison House is a historic home at 125 Tradd St., Charleston, South Carolina, United States. Capt. John Morrison bought the property on May 1, 1800, but he did not first appear in a city directory until 1806. The sales price paid by Capt. Morrison does not definitely reflect the purchase of a pre-existing house; as a result, the house of often claimed to have been built in 1805. In the 1840s, piazzas were added to the house. The house is a traditional Charleston single house, a form typified by a central entry and stair hall with the central door on the "side" of the house and one room on each side. Because of the unusual width of the house, 125 Tradd St. is four-bays wide with an unusually deep entrance hall and rectangular rooms on each side. The house sold for $3,960,000 to a tech entrepreneur in November 2017.

The Charles Graves House is a three-story brick residence constructed for Charles Graves at 123 Tradd Street in Charleston, South Carolina. The roof has a hip in it and the details exhibit styling of the Federal architecture period. The interior follows the normal Charleston single house plan. There is a three-story stair hall in the center with a single room on either side. Most of the original Federal details have been retained. The entrance on the central portion of the side of the house exhibits Federal influence. It has a molded architrave as well as in the transom that is tall with tracery that is both neoclassical and fine. A two-story piazza with Tuscan columns, ceiling panels, and plain balusters is on the west facade. The house has brick covered in stucco that looks like stone, a string course made of bricks, quoining, and decorative brick work that looks like dentils. The original kitchen building is tied to the main house by a later addition.