Palazzo Querini Dubois

The Palazzo Grimani Marcello, also known as Giustinian Querini is a Renaissance-style palace in located on the Grand Canal, between the Palazzo Querini Dubois and the Palazzo Cappello Layard in the sestiere of San Polo of Venice, Italy. A palace at the site originally belonged to the Giustiniani family; the original design is attributed to the studio of Martino Lombardo in the sixteenth century. At the death of Antonio Giustinian in 1732, his daughter Francesca, wife of Piero Grimani, inherited the palace.

The Palazzo Bernardo a San Polo, also known as the Giustinian Bernardo is a Gothic-style palace located between Palazzo Querini Dubois and across the Rio del la Madoneta, Casa Sicher, on the Grand Canal in the sestiere of San Polo of Venice, Italy.

The Palazzo or Ca' Cappello Layard is a palace situated in the sestiere of San Polo of Venice, Italy, overlooking the Grand Canal at the confluence between this and the smaller Rio di San Polo and Rio delle Erbe. On the Grand canal, it is located between Palazzo Barbarigo della Terrazza and Palazzo Grimani Marcello. It is particularly noteworthy for having been the residence of Austen Henry Layard, discoverer of Nineveh.

The Palazzo Corner Spinelli is a palace in Venice, northern Italy, located on the Grand Canal, in the sestiere of San Marco. It stands across the canal from the Palazzo Querini Dubois. The palace was commissioned in the late 15th century by the aristocratic Lando Family, and built on designs by Mauro Codussi. The present facade, helps introduce Renaissance geometric style to Venice for its day, was designed by Codussi between 1497 and 1500; compare it with Codussi's Ca' Vendramin Calergi. In the 16th century, the new owners, the Corner family asked Michele Sanmicheli to reconstruct the interior. An interior fireplace was designed by Jacopo Sansovino.

The Teatro San Angelo (in Venetian dialect) or Teatro Sant' Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi Giovanni e Paolo in 1654, Teatro San Samuele 1655, Teatro San Salvatore 1661, Teatro San Giovanni Crisostomo in 1667.The Teatro San Angelo was located in the Campo San[t'] Angelo, facing the Grand Canal and Rialto Bridge, on the sites of two demolished palazzi belonging to the Marcellos and Capellos. The project was completed in 1676 by Francesco Santorini, and opened in 1677 under the families of Benedetto Marcello and the Capellos. The house was opened with the opera Helena rapita da Paride of Domenico Freschi, (1677) and continued with operas by Freschi, Gasparini, Albinoni and Bononcini. From around 1715 onwards the house was best known as the venue of many of the operas of Antonio Vivaldi. Under Vivaldi the opera house became increasingly populist and commercial. Soon theatre was home to the operas of Baldassare Galuppi, (Argenide 1733), and plays of Goldoni. In the 1790s the Abate Pietro Chiari wrote for the Teatro San Angelo, and in 1797 Casanova wrote an attack on Chiari incurring the enmity of Antonio Condulmer, co-owner of the theatre and a member of the Council of Ten. At this point the theatre was in terminal decline. The theatre closed in 1803 and was converted into a warehouse. It was then demolished and rebuilt as the Barocci Palazzo, today the four star Hotel NH Collection Palazzo Barocci.

The Palazzo Donà della Madoneta is a Gothic-style palace located on the Canal Grande of Venice, between Casa Sicher and Palazzo Donà a Sant'Aponal in the Sestiere of San Polo, Venice, Italy.

Teatro Sant'Apollinare, also known by its nickname Teatro Sant'Aponal, was an Italian public opera house established in 1651 in Venice in what is today Petriana Court. The Sant'Apollinare was established in a residential building and equipped with advanced stage machinery intended to allow for spectacular stage shows. It was managed in 1651 by impessario and librettist Giovanni Faustini, who died during the first run of his opera La Calisto there. After his death, his brother Marco Faustini took over management of the theater. It was dismantled in 1661 and the rooms returned to residential use.

The Palazzo Donà a Sant'Aponal, also known as the Palazzo Donà or Palazzo Donà dalle Trezze, is a Gothic-style palace located on the Canal Grande of Venice, between Palazzo Papadopoli and Palazzo Donà della Madoneta in the Sestiere of San Polo, Venice, Italy.

The Palazzo Barbarigo dalla Terrazza is a Renaissance-style palace on the Grand Canal, across the Rio San Polo from the Palazzo Cappello Layard and adjacent to the Palazzo Pisani Moretta in the sestiere of San Polo, in Venice, Italy. In 2015, it housed the Centro Tedesco di Studi Veneziani.

The Palazzo Donà or Donà Brusa is a Venetian Gothic style palace located in Campo San Polo in the Sestiere of San Polo in Venice. The palace was originally built by the old aristocratic Donà family, originally from Aquileia. Three members of the family, Francesco, Leonardo, and Nicolo became Doges. The composer Giovanni Francesco Brusa, a collaborator with Carlo Goldoni, lived in the palace. The palace is now owned by the Signum Foundation, which sponsors exhibitions from Polish and foreign contemporary artists.There are at four three other Dona palaces in Venice, the Palazzo Donà della Madoneta on the Grand Canal, the Palazzo Donà-Ottobon in Fondamenta San Severo in Castello, Palazzo Donà Balbi in Santa Croce, and the Palazzo Donà dalle Rose in Cannaregio.

The Chiesa di San Polo is a Catholic church in Venice, dedicated to the Apostle Paul. It gives its name to the San Polo sestiere of the city.

Palazzo Pisani Moretta is a palace situated along the Grand Canal in Venice, Italy (in the sestiere of San Polo) between Palazzo Tiepolo and Palazzo Barbarigo della Terrazza.