Palazzo delle Poste, Naples

The Palazzo della Questura (Police Headquarters) of Naples, Italy, is a building located on Via Medina and Via Armando Diaz. ALong Via Medina, it is located adjacent to the tall modern NH Ambassador hotel, and two doors north from the Baroque Palazzo Giordano. North of the Questura is the contemporary, and equally imposing, Palazzo delle Poste. The building is an example of Fascist architecture, built in 1935-1938 to be the new headquarters of the police. Work ceased in February, 1939, due to inability to obtain iron building materials, due to the re-arming of the country, and international embargoes, and inauguration delayed till 1940. The style is severe and monumental, imposing an unharmonious and somewhat bullying facade relative to older nearby buildings. The words QVESTVRA recall Latin script popular with fascists, seeking to associate a resurgent Italy with Roman past. Flanking the portal, there was originally two reliefs depicting the Kingdom of Italy and the fascist eagle. Both were replaced by the symbol of the Italian Republic, the broken wheel. There are still symbols such as fasces and eagles that remain as part of the integral decoration.

The Palazzo della Casa del Mutilato (Palace of the House of the Mutilated) is a building, located on via Guantai Nuovi and via Diaz, in piazza Matteotti in Naples, Italy. It is an example of the Fascist architecture constructed during the rule of Benito Mussolini, just like the large convex-facade of the central post office building (Palazzo delle Poste) across the street. The Casa del Mutilato building was constructed from 1938 to 1940 for the Associazione Nazionale fra Mutilati ed Invalidi di Guerra (National Association of Soldiers Mutilated and Invalid from War). It was inaugurated after the start of the second world war. The building design was commissioned from Camillo Guerra. The predilection of the word Mutilato as opposed to invalidi (invalid) or feriti (wounded) or offeso (injured) is not lacking of connotation. It is true that amputation or unrepairable injuries were more common during the first world war than our present conflicts, and thus the residual observations of the wounded included "mutilated" individuals, however, there was a fascist attachment to Gabrielle D'Annunzio historical assessment of the results of the 1919 Paris Peace Conference for Italy as a Vittoria Mutilata (Mutilated victory), and that this idea fueled the rise of nationalism. Thus the term "mutilato" would have had more positive resonance to the followers of fascism. Multiple such Casa del Mutilato were established in Italy to service the thousands of wounded soldiers. The exterior is modern and stern in its predominance of stone. The entrance at the corner has a frame of stone panels, sculpted by Vico Consorti and Giuseppe Pellegrini. The atrium has a monumental entry staircase surmounted by a statue of Victory. The interior still contains decorations that recall the fascist party. Similar office buildings were built during the Mussolini era in Milan and Ravenna.

Sant'Anna dei Lombardi, (Italian: St. Anne of the Lombards), and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.

Santa Maria Donnalbina is a church located on the street of the same name in Naples, Italy. A church at the site existed in the 9th century, but was reconstructed in the 17th century by Bartolomeo Picchiatti, and the Baroque style church underwent further reconstructions under Arcangelo Guglielmelli. The interior was heavily encrusted with stucco decorations (1701) by Antonio Guidetti, and the altar is made of polychrome marbles. The counterfacade has an organ from 1699. The ceiling was decorated with canvases by Nicola Malinconico, also the author of the paintings depicting the saints, as well as the fresco in the counter-facade. In the second chapel on right are two saints (1736) painted by Domenico Antonio Vaccaro; in the presbytery and transepts are frescoes and canvases by Francesco Solimena. The church holds the funereal monument of Giovanni Paisiello, sculpted in Neoclassic style by Angelo Viva in 1816, which originally stood in the small church of the Immacolata del Terz'Ordine di San Francesco, which was torn down during the opening of via Guglielmo Sanfelice during the so-called Risanamento of Naples, in which a rationalizing enlargement of streets was attempted. The church, closed since 1972, has been reopened to the public after 2010.

Santa Maria la Nova is a Renaissance style, now-deconsecrated, Roman Catholic church and monastery in central Naples. The church is located at the beginning of a side street directly across from the east side of the main post office, a few blocks south of the Church and Monastery of Santa Chiara. Today the adjacent monastery is a meeting site and hosts the Museo ARCA of modern religious art.

The Palazzo Orsini di Gravina is a Renaissance-style palace on number 3 Via Monteoliveto, in the San Lorenzo quarter of Rione San Giuseppe-Carità, of central Naples, Italy. Since 1940, it has housed the Faculty of Architecture of the University of Naples. It is located across the street and a few doors north of the sleek and modern Palazzo delle Poste (Post Office). Across the street at the north end of the palace, is the Piazza Monteoliveto with its Fountain and the church of Sant'Anna dei Lombardi.

San Giuseppe (Italian: "St. Joseph") is a neighbourhood of Naples, southern Italy, that includes many of the items of interest on the western side of the historic centre of Naples, including the square and church of Gesù Nuovo, the buildings along via Benedetto Croce (also known as Spaccanapoli) and the square, Piazza San Domenico Maggiore.

The Palazzo Giordano in central Naples, Italy, is a Palace located on via Medina 61 in the Quartiere San Giuseppe of Rione Carita. It is flanked by the contemporary Palazzo d'Aquino di Caramanico to the tall modern NH Ambassador Hotel, two doors down from the also modern Palazzo della Questura, and diagonally across the street from the church of San Diego all'Ospedalletto. The palace has had many owners, and variously called Palazzo Carafa di Noja and Palazzo Caracciolo di Forino. Originally the palace of the Duke Giuseppe Giordano, the present structure was completed in 1761 by the architect Giuseppe Alviani, using a late-Baroque design on paper by Ferdinando Fuga.

The Palazzo d'Aquino di Caramanico in central Naples, Italy, is a Palace located on via Medina in the Quartiere San Giuseppe of Rione Carita. It is flanked by the contemporary Palazzo Giordano and two doors down from the tall modern NH Ambassador Hotel. The Rococo architect Ferdinando Fuga worked on construction during 1775 and 1780 of this palace (and played a large role in the design of the adjacent Palazzo Giordano. The interior was frescoed by Giovanni Funaro and Nicola Malinconico. During 1927, the palace became offices of the Fascist party.

The Fountain of Monteoliveto (Fontana di Monteoliveto) is a late-Baroque monumental fountain in central Naples, Italy. It is also called the Fountain of Charles II or of the Small King (del Re Piccolo).

Santi Pietro e Paolo dei Greci (Greek: Άγιοι Πέτρος και Παύλος των Ελλήνων, romanized: Ágioi Pétros kai Pávlos ton Ellínon, lit. 'Saints Peter and Paul of the Greeks') is a church at the Campania, the historic center of Naples, in Via San Tommaso d'Aquino 51. It was the center of the Scuola dei Greci in Naples and the Confraternity of the Greeks in Naples. Around this period there was a similar church in Venice called San Giorgio dei Greci. There was also a Greek Brotherhood of Venice. A prominent member of the Greek Brotherhood was famous painter Belisario Corenzio. The church was initially dedicated to the Twelve Apostles. They began building the church at the request of one of the descendants of the Byzantine Empire Thomas Asen Palaiologos. The church currently belongs to the Greek State.

San Diego all'Ospedaletto, also known as San Giuseppe Maggiore, is a Baroque-style church located on via Medina in the rione Carità in Naples, Italy. It is located across the street from the tall modern NH Ambassador Hotel and diagonal from the Palazzo Giordano and Questura. The name of San Giuseppe Maggiore derives from a church of that name belonging to Arciconfraternity of the Mannesi (i falegnami), that was demolished nearby in the 16th century. The church was commissioned by Giovanna Castriota in 1514, a lady of the court of Giovanna III dei Castriota. It became a hospital for the poor, and later passed on to the Franciscan Order of Friars Minor. The present building was reconstructed in 1595 and dedicated to Saint Diego of Alcalá. The original nave was frescoed by Battistello Caracciolo, Andrea Vaccaro, and Massimo Stanzione. Only the former's frescoed escaped destruction during the earthquake of 1688. The canvas by Stanzione of the Transit of St Joseph remains in the last chapel on right. Vaccaro painted a canvas of St Anthony of Padua in the church. The polychrome marble altar was designed by Giovan Battista Nauclerio and completed by Giuseppe de Filippo. On the counterfacade is a marble tomb (1703) of the Prince Piombini, by Giacomo Colombo, using designs by Francesco Solimena.