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Pantages Theater (Tacoma, Washington)

Buildings and structures completed in 1916Buildings and structures in Tacoma, WashingtonNational Register of Historic Places in Tacoma, WashingtonPerforming arts centers in Washington (state)Pierce County, Washington
Theatres in Washington (state)Theatres on the National Register of Historic Places in Washington (state)Tourist attractions in Tacoma, Washington
Pantages Theater
Pantages Theater

The Pantages Theatre or Jones Building in Tacoma, Washington was designed by the architect B. Marcus Priteca. The unusual structure opened in January 1918. It was designed to be an office building and a vaudeville theatre. The theaters Second Renaissance Revival style is juxtaposed with the Commercial style. The exterior above the ground floor is largely unaltered. The building still houses entertainment and commercial activities (Tacoma City Theaters).

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Pantages Theater (Tacoma, Washington)
South 9th Street, Tacoma

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Latitude Longitude
N 47.255277777778 ° E -122.43944444444 °
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D Town Market

South 9th Street
98405 Tacoma
Washington, United States
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Pantages Theater
Pantages Theater
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Pythian Temple (Tacoma, Washington)
Pythian Temple (Tacoma, Washington)

The Pythian Temple, built in 1906 for Commencement Lodge Number 7 of the Knights of Pythias, is an historic building located on Broadway in the Theater District of Tacoma, Washington. It was designed by noted Tacoma architect Frederick Heath. Like many multistory urban fraternal buildings built in the late 19th and early 20th centuries, its lower floors were rented out for retail and office spaces while the upper floors were reserved for lodge use. This pattern of usage continues into the 21st century for this building, although Commencement Lodge plans to renovate the building to permit the rental of its hall for cultural events.On August 23, 1985, Pythian Temple was added to the National Register of Historic Places.The building was featured in the summer 2008 newsletter of the Marian Dean Ross Pacific Northwest Chapter of the Society of Architectural Historians. The group reported that the Pythian order remains active and is working to preserve its 1906 building and has received grants for work on the Knights of Pythias Castle Hall. "This two-story hall, completely hidden within the building's interior, is a rich confection of early 20th Century woodwork, plaster, lighting, murals and carpeting."For a short period in the mid-1990s, the Pythian Temple hosted a local gypsy theater company, and its ornate auditorium was the setting for productions of such plays as Rosencrantz And Guildenstern Are Dead, Inherit the Wind, 12 Angry Men, and Talk Radio. In addition to the Knights of Pythias, the building houses the Tacoma Youth Theater and Seabury Middle School.

Tollbooth Gallery
Tollbooth Gallery

The Tollbooth Gallery was a site-specific exhibition space and project of the nonprofit arts organization ArtRod launched in 2003 and located in Tacoma, Washington. The project featured contemporary art on view 24 hours a day and seven days a week. The aim of the Tollbooth was to offer dynamic and challenging installation and video art in an outdoor urban setting. Tollbooth Gallery was created and curated by Jared Pappas-Kelley and Michael Lent. For each exhibition an artist or artist team was commissioned and tasked with the realization of their project at the site, while taking advantage of the freestanding concrete structure. Art critic Regina Hackett characterized the project as “mind-expanding art packed into cramped quarters” and described the approach as: “Art that is eager to wrestle with reality.” Hackett noted: “What it lacks in space, it achieves in time,” and “on top of that, it's fabulous.”The Tollbooth commissioned eight exhibitions per year, focusing on varied approaches and engagement with the site and viewer, with an emphasis on video art, time-based work, photography, printmaking, and installation art. The gallery’s stated mission was to bring video and gallery work outside of the traditional museum setting, challenging artists and audience to approach site in different ways. Participant and curator Fionn Meade described the Tollbooth site as a “challenging space to work with but in a good way,” commenting that “the limitations of a format make you be more decisive.” This decisive approach to exhibiting contemporary art allowed the Tollbooth Gallery to program work that might be considered “edgier,” which was furthered by the temporary nature of the commissions. As the journal Public Art Review noted, the project benefited from the “dynamics” of its temporary exhibitions as they allowed for experimentation and “delivered on a short timeline.”Over the years the Tollbooth Gallery was selected by Museum of Contemporary Art, Los Angeles to be included as part of their curriculum, presented as part of the panel Conduit to Contemporary Art at Americans for the Arts National Conference, and Make Your Own: Art in and out of Cologne at Henry Art Gallery. A catalogue of the first year of exhibitions at Tollbooth Gallery was subsequently published as Toby Room 10.The Tollbooth Gallery was one of four major projects of the art organization ArtRod, which included Critical Line - an exhibition center, the publication Toby Room, and the film and video series Don’t Bite the Pavement.

Old City Hall (Tacoma, Washington)
Old City Hall (Tacoma, Washington)

The Old City Hall is a five-story building in Tacoma, Washington that served as the city hall in the early 20th century. The building features a ten-story clocktower on the southeast corner, facing the intersection of Pacific Avenue and S 7th Street.The building uses masonry bearing walls combined with numerous windows. The windows on the second and third floors are of equal size. The fourth story windows are arched at the top. The fifth story windows are smaller and narrower.The foundation is a local Wilkeson stone, which is light gray. The walls are eight feet thick at the base and taper to six feet at street level. They are covered with a façade of red brick faced with yellow Roman brick. These bricks are believed to have been ballast from China or Belgium or to have been imported from Italy. The tower is a freestanding masonry with a clock on each face.The building is a trapezoid in plan and reflects the Italian Villa style. Small round windows appear below the corner line; three large round windows occur below the corner on the tower.The tower's base has heavy brackets above the corner of the main structure and narrow rectangular windows on the tower body. A group of three arched windows are at the top on each side. A row of small round windows circles the tower between the arched windows and the eave line. Terra cotta decorations embellish the tower and areas of the entablature. The tower has a clock and a set of four bells. The clock and the bells were cast by the McShane Bell Foundry in Baltimore, the same company that cast the Liberty Bell. The bells is 8,000 pounds (3,600 kg) of silver bell metal. Hugh Campbell Wallace of Tacoma, who would later become the United States ambassador to France, gave the bells and chimes in memory of his daughter on Christmas Day, 1904. The pendulum of the clock, 12 feet (3.7 m) in length, is suspended on a single wire, 40 feet (12 m) in length. The mechanism is gravity run and the motors are wound electrically.

Northern Pacific Office Building
Northern Pacific Office Building

The Northern Pacific Office Building is a three-story historic office building in Tacoma, Washington that served as the headquarters of the Northern Pacific Railway's Tacoma division. Built in 1888, the brick, stucco, stone and cast iron structure stands on a high bluff overlooking the Commencement Bay harbor and extensive railroad switching yards that fan out across the tide flats below at the mouth of the Puyallup River where it flows into Puget Sound. The flats are densely developed with heavy industry that has grown up around the railroad facilities and the Port of Tacoma. The site was originally a choice location across from the Tacoma City Hall (extant and listed in the National Register) and at the north end of Pacific Avenue, the main street through the city's central business district.The building is unusual for an Italian Renaissance design. Triangular in plan to fit the street plan and the bluff. There is a four-story circular tower on the north, which widens in a series of curves and re-entrant angles to become a conventional four-story rectangular plan. The rectangular section was demolished in 1975. The remaining structure is three stories in height. A bracketed entablature continued around the tower, separating the three lower stories from the top floor and the lantern above.The foundation is ashlar stone to the first floor. There is a substantial water table with brick walls, covered by stucco. A narrow belt course divides the second and third floors from the one below. The belt rests on the capitals of pilasters that divide the wall into a series of panels.The frieze atop the third floor continues from the tower section to the four-story rectangular section. The rectangular section was demolished in 1974. The cornice, an elaborate belt course did not carry over from the tower section. The strip pilasters have a broad pediment on the second floor level. A cornice at the top of the tower conceals a gable roof. The four-story, rectangular section had a flat roof. The tower is topped with a low conical roof and lantern. There are two street level entrances. A formal entrance has a suspended canopy with double doors and a transom arch on pilasters. A second entrance is further down the street.In the early 1920s, the four-story section at the south end of the building was demolished and rebuilt for security reasons. It was demolished in 1974 to widen Pacific Avenue. A blank brick and concrete wall remains with some of the roof structure exposed.