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National Bank of Tacoma

Buildings and structures completed in 1921Buildings and structures in Tacoma, WashingtonNational Register of Historic Places in Tacoma, WashingtonRenaissance Revival architecture in Washington (state)Washington (state) Registered Historic Place stubs
Washington (state) building and structure stubs
National Bank of Tacoma Building in 2009 Tacoma, Washington
National Bank of Tacoma Building in 2009 Tacoma, Washington

The National Bank of Tacoma Building, also known as the National Bank of Washington and as the Tacoma Art Museum, is a former bank building in downtown Tacoma, Washington, United States. It was designed by Sutton & Whitney and built in 1921. It was listed on the National Register of Historic Places in 2006.The bank changed its name to the National Bank of Washington in 1937. In 1970, the building ceased to be used for banking and was sold to the Tacoma Art Museum, which converted it in 1970–1971 for use as an art museum. It remained in use as the Tacoma Art Museum until 2003, when the museum moved to a new building. Already in 2002, in anticipation of its move, the art museum sold the former bank building to the Asia Pacific Cultural Center.In 2007, a business named Sound Inpatient Physicians moved into the building. Sound Physicians remained there until 2015, when the company moved to another building in downtown Tacoma. As of October 2017, the building was for sale.

Excerpt from the Wikipedia article National Bank of Tacoma (License: CC BY-SA 3.0, Authors, Images).

National Bank of Tacoma
Court A, Tacoma

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N 47.254444444444 ° E -122.43805555556 °
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Provident Building

Court A
98402 Tacoma
Washington, United States
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National Bank of Tacoma Building in 2009 Tacoma, Washington
National Bank of Tacoma Building in 2009 Tacoma, Washington
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Pythian Temple (Tacoma, Washington)
Pythian Temple (Tacoma, Washington)

The Pythian Temple, built in 1906 for Commencement Lodge Number 7 of the Knights of Pythias, is an historic building located on Broadway in the Theater District of Tacoma, Washington. It was designed by noted Tacoma architect Frederick Heath. Like many multistory urban fraternal buildings built in the late 19th and early 20th centuries, its lower floors were rented out for retail and office spaces while the upper floors were reserved for lodge use. This pattern of usage continues into the 21st century for this building, although Commencement Lodge plans to renovate the building to permit the rental of its hall for cultural events.On August 23, 1985, Pythian Temple was added to the National Register of Historic Places.The building was featured in the summer 2008 newsletter of the Marian Dean Ross Pacific Northwest Chapter of the Society of Architectural Historians. The group reported that the Pythian order remains active and is working to preserve its 1906 building and has received grants for work on the Knights of Pythias Castle Hall. "This two-story hall, completely hidden within the building's interior, is a rich confection of early 20th Century woodwork, plaster, lighting, murals and carpeting."For a short period in the mid-1990s, the Pythian Temple hosted a local gypsy theater company, and its ornate auditorium was the setting for productions of such plays as Rosencrantz And Guildenstern Are Dead, Inherit the Wind, 12 Angry Men, and Talk Radio. In addition to the Knights of Pythias, the building houses the Tacoma Youth Theater and Seabury Middle School.

Tollbooth Gallery
Tollbooth Gallery

The Tollbooth Gallery was a site-specific exhibition space and project of the nonprofit arts organization ArtRod launched in 2003 and located in Tacoma, Washington. The project featured contemporary art on view 24 hours a day and seven days a week. The aim of the Tollbooth was to offer dynamic and challenging installation and video art in an outdoor urban setting. Tollbooth Gallery was created and curated by Jared Pappas-Kelley and Michael Lent. For each exhibition an artist or artist team was commissioned and tasked with the realization of their project at the site, while taking advantage of the freestanding concrete structure. Art critic Regina Hackett characterized the project as “mind-expanding art packed into cramped quarters” and described the approach as: “Art that is eager to wrestle with reality.” Hackett noted: “What it lacks in space, it achieves in time,” and “on top of that, it's fabulous.”The Tollbooth commissioned eight exhibitions per year, focusing on varied approaches and engagement with the site and viewer, with an emphasis on video art, time-based work, photography, printmaking, and installation art. The gallery’s stated mission was to bring video and gallery work outside of the traditional museum setting, challenging artists and audience to approach site in different ways. Participant and curator Fionn Meade described the Tollbooth site as a “challenging space to work with but in a good way,” commenting that “the limitations of a format make you be more decisive.” This decisive approach to exhibiting contemporary art allowed the Tollbooth Gallery to program work that might be considered “edgier,” which was furthered by the temporary nature of the commissions. As the journal Public Art Review noted, the project benefited from the “dynamics” of its temporary exhibitions as they allowed for experimentation and “delivered on a short timeline.”Over the years the Tollbooth Gallery was selected by Museum of Contemporary Art, Los Angeles to be included as part of their curriculum, presented as part of the panel Conduit to Contemporary Art at Americans for the Arts National Conference, and Make Your Own: Art in and out of Cologne at Henry Art Gallery. A catalogue of the first year of exhibitions at Tollbooth Gallery was subsequently published as Toby Room 10.The Tollbooth Gallery was one of four major projects of the art organization ArtRod, which included Critical Line - an exhibition center, the publication Toby Room, and the film and video series Don’t Bite the Pavement.